<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6794141474524732897</id><updated>2012-02-17T20:58:40.646+08:00</updated><category term='political music'/><category term='nuclear crises'/><category term='corporate harm'/><category term='Spike Milligan'/><category term='gideon levy'/><category term='Dick Gaughan'/><category term='China'/><category term='movies'/><category term='Tony Abbott'/><category term='books'/><category term='they did actually say that'/><category term='mourid bahrgouti'/><category term='Christy Moore'/><category term='political disillusionment'/><category term='challenging the market'/><category term='cartoons'/><category 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term='shell'/><category term='corporate ower'/><category term='Yad Vashem'/><category term='commodity culture'/><category term='Bruce Dawe'/><category term='naomi shihab nye'/><category term='Charlie Haden'/><category term='harvey finkle'/><category term='Angelopoulos'/><category term='ABC'/><category term='Gavin mooney'/><category term='teaching'/><category term='chris hedges'/><category term='Henry Giroux'/><category term='australian history'/><category term='arab uprisings'/><category term='photography'/><category term='al injustice'/><category term='music'/><category term='dissent'/><category term='brecht'/><category term='radicalism'/><category term='Patti Griffin'/><category term='Gulf oil spill'/><category term='east timor'/><category term='extreme wealth'/><category term='superprofits'/><category term='Nikos Kazantzakis'/><category term='James Hardie'/><category term='war on terror'/><category term='racial wealth inequality'/><category term='Nazim Hikmet'/><category term='mahmoud darwish'/><category term='benjamin barber'/><category term='inequality'/><category term='Jack Davis'/><category term='social media'/><category term='markets'/><category term='Europe'/><category term='photographs as social commentary'/><category term='Ireland'/><category term='radical compassion'/><category term='poverty reduction'/><category term='noel pearson'/><category term='private education'/><category term='corporate accountability'/><category term='comedy'/><category term='Latin America'/><category term='tikkun olan'/><category term='Rudd government'/><category term='Afghanistan'/><category term='France'/><category term='art'/><category term='human rights'/><category term='superprofits tax'/><category term='middle east'/><category term='palestine'/><category term='civil rights movement'/><category term='Bill Frisell'/><category term='tax'/><category term='market society'/><category term='Wikileaks'/><category term='Scaborough Senior High School'/><category term='Arundhati Roy'/><category term='Gallipoli'/><category term='schools'/><category term='Howard Zinn'/><category term='family'/><category term='social justice'/><category term='Holocaust'/><category term='William Blake'/><category term='Africa'/><category term='magazines/journals to read'/><category term='Algeria'/><category term='social policy'/><category term='corporate power'/><category term='consulting work'/><category term='Enka'/><category term='racism'/><category term='syria'/><category term='TV'/><category term='Martin Espada'/><category term='Atlas oil spill'/><category term='Wendell Berry'/><category term='siev x'/><category term='Ruby Hunter'/><category term='climate change'/><category term='corporate welfare'/><category term='political art'/><category term='Protest'/><category term='vietnam war'/><category term='gulf war'/><category term='asylum seekers'/><category term='martin luther king'/><category term='WA politics'/><category term='political poetry'/><category term='natural disasters'/><category term='Barnett government'/><category term='Iraq'/><category term='capitalism'/><category term='paul robeson'/><category term='public goods and services'/><category term='media'/><category term='Korea'/><category term='middle class welfare'/><category term='Will Hutton'/><category term='social injustice'/><category term='privatization'/><category term='Patti Smith'/><category term='environment'/><category term='school chaplains'/><category term='corporate social responsibility'/><category term='photos'/><category term='USA'/><category term='Judith wright'/><category term='disability'/><category term='dylan'/><category term='activism'/><category term='royalties for regions'/><category term='prisons'/><category term='auden'/><category term='australian politics'/><category term='not for profits'/><category term='Gillard government'/><category term='howard government'/><category term='aboriginal'/><category term='executive salaries'/><category term='Paul Keating'/><category term='Rachel Corrie'/><category term='Rilke'/><category term='monty python'/><category term='joe Henry'/><category term='john pilger'/><category term='civil society'/><category term='mining'/><category term='universities'/><category term='BP'/><category term='corporate criminality'/><category term='foreign policy'/><category term='market hegemony'/><category term='eric hobsbawm'/><category term='Emmylou Harris'/><category term='economics'/><category term='pete seeger'/><category term='robert fisk'/><category term='dorothea lange'/><category term='Iran'/><category term='australian landscape'/><category term='John Howard'/><category term='poetry'/><category term='Alice Walker'/><category term='japan'/><category term='egypt'/><category term='veronica brady'/><category term='Frank Hurley'/><category term='Paul simon'/><title type='text'>colin penter: "always keep a diamond in your mind"</title><subtitle type='html'>dispatches on everyday life, social and political realities, the complexities of civil society and the struggle of being a good citizen whilst resisting corporate hegemony (and having a laugh) from one of the most isolated cities in the world</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default?start-index=101&amp;max-results=100'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>600</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-8238353578084977506</id><published>2012-01-01T10:03:00.000+08:00</published><updated>2012-01-01T10:03:18.493+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arts and culture'/><category scheme='http://www.blogger.com/atom/ns#' term='music'/><title type='text'>Art Garfunkel interview</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-XS9RrHlIpto/Tv--mFOYKfI/AAAAAAAAB_U/kfEhnpYQMa8/s1600/Simon-and-Garfunkel-007.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="192" rea="true" src="http://1.bp.blogspot.com/-XS9RrHlIpto/Tv--mFOYKfI/AAAAAAAAB_U/kfEhnpYQMa8/s320/Simon-and-Garfunkel-007.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;Art Garfunkel, right, with Paul Simon c.1965. Photograph: Corbis&lt;/span&gt;&lt;br /&gt;&lt;blockquote class="tr_bq"&gt;"Things fell of a cliff when the 1970s began. That was the point where in America and in Britain we really embraced the culture of money, and what was of value from the previous decade was left behind. To me it became a bankrupt scene in our two countries........ You can't have a society where a $12m bonus is considered "not enough" by some people. The numbers drive you crazy."&lt;/blockquote&gt;Excellent interview &lt;a href="http://www.guardian.co.uk/music/2012/jan/01/art-garfunkel-interview"&gt;here&lt;/a&gt; in The Guardian with Art Garfunkel&amp;nbsp;on&amp;nbsp;being 70, support for the Occupy movement and the years of Simon and Garfunkel.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-8238353578084977506?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/8238353578084977506/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=8238353578084977506' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8238353578084977506'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8238353578084977506'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2012/01/art-garfunkel-interview.html' title='Art Garfunkel interview'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-XS9RrHlIpto/Tv--mFOYKfI/AAAAAAAAB_U/kfEhnpYQMa8/s72-c/Simon-and-Garfunkel-007.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-5341568237024209048</id><published>2011-12-20T21:35:00.000+08:00</published><updated>2011-12-20T21:35:18.825+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='naomi shihab nye'/><category scheme='http://www.blogger.com/atom/ns#' term='political poetry'/><title type='text'>Naomi Shihab Nye: Thoughts for Xmas</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-IFLlfl5ESmU/TvCOXbT4ErI/AAAAAAAAB_I/annI1B5efaA/s1600/shaibnye.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" oda="true" src="http://2.bp.blogspot.com/-IFLlfl5ESmU/TvCOXbT4ErI/AAAAAAAAB_I/annI1B5efaA/s200/shaibnye.jpg" width="176" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Like &lt;a href="http://en.wikipedia.org/wiki/Naomi_Shihab_Nye"&gt;Naomi Shihab Nye&lt;/a&gt; my&amp;nbsp;sack of hopes is pretty thin at this time of the year. I find her words and poetry deeply comforting.&lt;/span&gt;&lt;br /&gt;&lt;blockquote class="tr_bq"&gt;"&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;i&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;i&gt;Every year when the holidays threaten to roll around again, I feel utter dismay. I hope they will miss me. People will start asking “Are you ready for Christmas?” again. I have never known what that means. No, I say now. I will never be ready for Christmas in a world of war. I hope, every year, to find a better answer, or to travel to a Buddhist country for December again, or to find a sweeter sensation to keep me afloat during the horridly counted-down days, the obsessively-worried-about-what-to-give-everyone days. I hope for a way to vote more strongly and loudly for peace, and sense, and responsibility, a way to help people who are barely ready for regular days much less heavily-decorated ones, a way to say — Jesus would just hate the fact that someone spent 2 thousand dollars on cutesy lit-up cottages but can’t pay her own utility bills, or, our absolutely broke country seems to be able to find plenty of money to spend on weapons, and smart people continue to defend war, and so forth. It’s such a sad joke, how everybody abuses Jesus and his so-called birthday when people didn’t even celebrate birthdays in his part of the world. Anyway, good luck with your own sack of hopes. Mine are pretty thin this time of year. And some people think I’m an optimist"&lt;/i&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;blockquote class="tr_bq"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;b&gt;Naomi Shihab Nye&lt;/b&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-5341568237024209048?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/5341568237024209048/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=5341568237024209048' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5341568237024209048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5341568237024209048'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/12/naomi-shihab-nye-thoughts-for-xmas.html' title='Naomi Shihab Nye: Thoughts for Xmas'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-IFLlfl5ESmU/TvCOXbT4ErI/AAAAAAAAB_I/annI1B5efaA/s72-c/shaibnye.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-4157856838881323218</id><published>2011-12-06T21:13:00.001+08:00</published><updated>2011-12-06T21:14:25.296+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><category scheme='http://www.blogger.com/atom/ns#' term='political poetry'/><title type='text'>Remembering June Jordan</title><content type='html'>&lt;div class="column" id="744649270876819626-rhs" style="float: left; left: 83.7407%; margin: 0; overflow: visible; padding: 0; width: 83.7407%;"&gt;&lt;div class="columnlistp" style="padding-left: 5px;"&gt;&lt;blockquote class="tr_bq"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-jow_Pw0xGTQ/Tt4Uv7w_baI/AAAAAAAAB_A/Dd0UUCPLQUc/s1600/jordan.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="224" src="http://2.bp.blogspot.com/-jow_Pw0xGTQ/Tt4Uv7w_baI/AAAAAAAAB_A/Dd0UUCPLQUc/s320/jordan.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="paragraph editable-text" style="text-align: left;"&gt;&lt;i&gt;&lt;i&gt;&lt;i&gt;&lt;b&gt;&lt;/b&gt;&lt;/i&gt;&lt;/i&gt;On this meridian of failure or recovery&lt;br /&gt;I move&lt;br /&gt;or stop respectful&lt;br /&gt;of each day&lt;br /&gt;but silent now&lt;br /&gt;and slow&lt;/i&gt;&lt;/div&gt;&lt;div class="paragraph editable-text" style="text-align: left;"&gt;&lt;i&gt;&lt;b&gt;June Jordan&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="paragraph editable-text" style="text-align: left;"&gt;&lt;i&gt;&lt;b&gt;First Poem after Surgery&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="paragraph editable-text" style="text-align: left;"&gt;&lt;i&gt;&lt;i&gt;&lt;b&gt;At the moment I am enjoying the poetry of &lt;a href="http://www.poetryfoundation.org/bio/june-jordan"&gt;June Jordan&lt;/a&gt; who is one of the most widely published African- American poets and writers. Jordan was a tireless activist against injustice and oppression, as well as prolific poet, writer and essayist.&lt;/b&gt;&lt;/i&gt;&lt;/i&gt;&lt;/div&gt;&lt;blockquote class="tr_bq"&gt;&lt;div class="paragraph editable-text" style="text-align: left;"&gt;&lt;i&gt;&lt;i&gt;&lt;b&gt;Poem for South African Women&lt;/b&gt;&lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Commemoration of the 40,000 women and children who,&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;August 9, 1956, presented themselves in bodily protest against&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;the “dompass” in the capital of apartheid. Presented at The&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;United Nations, August 9, 1978.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Our own shadows disappear as the feet of thousands&lt;br /&gt;by the tens of thousands pound the fallow land&lt;br /&gt;into new dust that&lt;br /&gt;rising like a marvelous pollen will be&lt;br /&gt;fertile&lt;br /&gt;even as the first woman whispering&lt;br /&gt;imagination to the trees around her made&lt;br /&gt;for righteous fruit&lt;br /&gt;from such deliberate defense of life&lt;br /&gt;as no other still&lt;br /&gt;will claim inferior to any other safety&lt;br /&gt;in the world&lt;br /&gt;&lt;br /&gt;The whispers too they&lt;br /&gt;intimate to the inmost ear of every spirit&lt;br /&gt;now aroused they&lt;br /&gt;carousing in ferocious affirmation&lt;br /&gt;of all peaceable and loving amplitude&lt;br /&gt;sound a certainly unbounded heat&lt;br /&gt;from a baptismal smoke where yes&lt;br /&gt;there will be fire&lt;br /&gt;&lt;br /&gt;And the babies cease alarm as mothers&lt;br /&gt;raising arms&lt;br /&gt;and heart high as the stars so far unseen&lt;br /&gt;nevertheless hurl into the universe&lt;br /&gt;a moving force&lt;br /&gt;irreversible as light years&lt;br /&gt;traveling to the open&lt;br /&gt;eye&lt;br /&gt;&lt;br /&gt;And who will join this standing up&lt;br /&gt;and the ones who stood without sweet company&lt;br /&gt;will sing and sing&lt;br /&gt;back into the mountains and&lt;br /&gt;if necessary&lt;br /&gt;even under the sea&lt;br /&gt;&lt;br /&gt;&lt;i&gt;we are the ones we have been waiting for&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 10px; line-height: 15px;"&gt;from&amp;nbsp;&lt;i&gt;Passion&lt;/i&gt;&amp;nbsp;(1980)&lt;br /&gt;and from&amp;nbsp;&lt;i&gt;Directed by Desire. The Collected Poems of June Jordan.&lt;/i&gt;&lt;br /&gt;Copyright 2005 by the June M. Jordan Literary Estate Trust&lt;/span&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-4157856838881323218?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/4157856838881323218/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=4157856838881323218' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4157856838881323218'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4157856838881323218'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/12/remebering-june-jordan.html' title='Remembering June Jordan'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-jow_Pw0xGTQ/Tt4Uv7w_baI/AAAAAAAAB_A/Dd0UUCPLQUc/s72-c/jordan.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-2235403355831293587</id><published>2011-12-03T17:18:00.000+08:00</published><updated>2011-12-03T17:18:14.636+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='public goods and services'/><category scheme='http://www.blogger.com/atom/ns#' term='privatization'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate power'/><category scheme='http://www.blogger.com/atom/ns#' term='market hegemony'/><category scheme='http://www.blogger.com/atom/ns#' term='challenging the market'/><category scheme='http://www.blogger.com/atom/ns#' term='not for profits'/><category scheme='http://www.blogger.com/atom/ns#' term='neoliberalism'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><category scheme='http://www.blogger.com/atom/ns#' term='markets'/><category scheme='http://www.blogger.com/atom/ns#' term='market society'/><title type='text'>When profit drives the delivery of human services the quality of care suffers</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Mcf-4A3W9JA/TtnpQCdVxGI/AAAAAAAAB-o/gfpuuhBPico/s1600/nursinghomes.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="110" src="http://3.bp.blogspot.com/-Mcf-4A3W9JA/TtnpQCdVxGI/AAAAAAAAB-o/gfpuuhBPico/s200/nursinghomes.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;More evidence of the danger of allowing for- profit corporations to provide human and caring services to vulnerable people.&lt;br /&gt;&lt;br /&gt;A major &lt;a href="http://onlinelibrary.wiley.com/doi/10.1111/j.1475-6773.2011.01311.x/full"&gt;US study&lt;/a&gt;&amp;nbsp; to be published in the Journal &lt;a href="http://onlinelibrary.wiley.com/doi/10.1111/j.1475-6773.2011.01311.x/full"&gt;Health Services Research&lt;/a&gt;  has found that for-profit nursing homes deliver significantly lower  quality of care than not-for- profit and government run nursing homes.&lt;br /&gt;&lt;br /&gt;In  the US the  10 largest for-profit corporate providers of hursing homes&amp;nbsp;  operate about 2,000 nursing homes, controlling approximately 13 percent  of the  country’s  nursing home beds.&lt;br /&gt;&lt;br /&gt;The &lt;a href="http://www.healthcanal.com/geriatrics-aging/23928-Low-Staffing-and-Poor-Quality-Care-Nations-For-Profit-Nursing-Homes.html"&gt;study found&lt;/a&gt;  that the main reason that the quality of care is worse in corporate and  for-profit run&amp;nbsp; nursing homes is that corporate and for- profit  providers employ fewer staff&amp;nbsp; to keep costs down and profits up. In  studying staffing and quality in the 10 largest corporate for profit  providers of nursing homes the researchers found that the corporate  providers&amp;nbsp; have a strategy of keeping labor costs low to increase  profits, with the result that the quality of care suffers and there is a  higher number of rated deficiencies.&lt;br /&gt;&lt;br /&gt;The researchers found that low nurse staffing levels are the strongest predictor of poor nursing home quality.&lt;br /&gt;&lt;br /&gt;The study found that between 2003 and 2008, both the percent of registered nurses   and the numbers of all nursing staff were significantly less (30   percent) in the corporate for profit providers than the non-profit  homes.&amp;nbsp; The lower staffing  correlated with a considerably higher number  of rated deficiencies - the  private chains having 36 percent more  deficiencies, and 41 percent &lt;i&gt;more serious&lt;/i&gt; deficiencies than the  non-profits.&amp;nbsp; Deficiencies include failure to prevent pressure sores,  resident weight loss,  falls, infections, resident mistreatment, poor  sanitary conditions, and other  problems that could seriously harm  residents.&lt;br /&gt;&lt;br /&gt;What is also troubling is that the study  found that the quality of care worsened in nursing homes taken over by  private equity companies. Nursing homes had  more deficiencies after  being acquired by a private equity company.This is directly relevant to  Australia where private equity companies are increasingly involved in  aged care and nursing home provision. The study is the  first to make   the connection between worse care following acquisition by  private   equity companies.&lt;br /&gt;&lt;blockquote class="tr_bq"&gt;&lt;i&gt;"In recent decades,  nursing home chains have  undergone a considerable  expansion.A number  of chains were  publicly-traded companies until the  early 2000s, when  five of the  country’s largest chains went bankrupt.  Following  restructuring and  ownership changes, as well as increases in  Medicare  payments, the  largest chains became more financially stable.  More  recently, some of  the largest publicly held chains were purchased  by  private equity  investment firms, which invest funds received from   investors, with whom  they share profits and losses.&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The  researchers compared staffing  levels and facility deficiencies  at the  for-profit chains to those at  homes run by five other ownership   groups to measure quality of care. The  10 largest chains were selected   because they are influential in the  nursing home industry and are the   most successful in terms of growth and  market share.&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The study found that for-profit homes strive to keep their costs down by reducing staffing, particularly RN staffing.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The  10 largest for-profit chains in 2008 were HCR  Manor Care, Golden   Living, Life Care Centers of America, Kindred  Healthcare, Genesis   HealthCare Corporation, Sun Health Care Group, Inc.,  SavaSeniorCare   LLC, Extendicare Health Services, Inc., National Health  Care   Corporation, and Skilled HealthCare, LLC.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;From  2003 to 2008,  these chains had fewer nurse “staffing hours”  than  non-profit and  government nursing homes when controlling for other   factors. Together,  these companies had the sickest residents, but   their total nursing hours  were 30 percent lower than non-profit and   government nursing homes.  Moreover, the top chains were well below the   national average for RN and  total nurse staffing, and below the  minimum  nurse staffing recommended  by experts.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;i&gt;&amp;nbsp;The study also found that the four largest for-profit  nursing  home  chains purchased by private equity companies between 2003  and  2008 had  more deficiencies after being acquired. The study is the   first to make  the connection between worse care following acquisition  by  private  equity companies.&lt;/i&gt;&lt;/blockquote&gt;There is now a &lt;a href="http://www.agedcarecrisis.com/research/3719-study-reveals-that-patient-care-is-better-in-nonprofit-nursing-homes-than-in-for-profit-nursing-homes"&gt;growing body of evidence&lt;/a&gt;  that demonstrates conclusively that for-profit corporate run nursing  homes deliver lower quality care than not-for profit nursing homes.&lt;br /&gt;&lt;br /&gt;A &lt;a href="http://www.agedcarecrisis.com/images/stories/nursing-homes.pdf"&gt;study&lt;/a&gt;  in the British Medical Journal&amp;nbsp; compared quality-of-care measurements  in  82 individual studies that collected data from 1965 to 2003  involving  tens of thousands of nursing homes, mostly in the United  States. It found that&lt;br /&gt;&lt;blockquote class="tr_bq"&gt;&lt;i&gt;The authors'  meta-analysis, i.e. their integration and statistical  analysis of the  data from the multiple studies, shows that nonprofit  facilities  delivered higher quality care than for-profit facilities for  two of the  four most frequently reported quality measures: (1) more or  higher  quality staffing and (2) less prevalence of pressure ulcers,  sometimes  called bedsores.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote class="tr_bq"&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;The  results also suggest better performance of nonprofit homes in two   other quality measures: less frequent use of physical restraints and   fewer noted deficiencies (quality violations) in governmental regulatory   assessments.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote class="tr_bq"&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;&lt;b&gt;"The  reason patients' quality of care is inferior in  for-profit nursing  homes is that administrators must spend 10 percent to  15 percent of  revenues satisfying shareholders and paying taxes..... For-profit  providers cut corners to ensure shareholders achieve  their expected  return on investment."&lt;/b&gt;&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-2235403355831293587?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/2235403355831293587/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=2235403355831293587' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/2235403355831293587'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/2235403355831293587'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/12/when-profit-drives-delivery-of-human.html' title='When profit drives the delivery of human services the quality of care suffers'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Mcf-4A3W9JA/TtnpQCdVxGI/AAAAAAAAB-o/gfpuuhBPico/s72-c/nursinghomes.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-6118651257077579171</id><published>2011-11-27T15:59:00.001+08:00</published><updated>2011-11-27T16:00:36.505+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><title type='text'>Weekend poem: Afred Noyes The Highwayman</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Iq8YVW0acHM/TtHtuIYueVI/AAAAAAAAB-Y/PcI4Bg8JeLc/s1600/highwayman.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="275" src="http://4.bp.blogspot.com/-Iq8YVW0acHM/TtHtuIYueVI/AAAAAAAAB-Y/PcI4Bg8JeLc/s320/highwayman.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://en.wikipedia.org/wiki/Alfred_Noyes"&gt;Alfred Noyes&lt;/a&gt; long narrative poem &lt;a href="http://en.wikipedia.org/wiki/The_Highwayman_%28poem%29"&gt;The Highwayman&lt;/a&gt;&amp;nbsp;has long fascinated me.&amp;nbsp; Like many others I learned to recite the poem at primary school&amp;nbsp;and remain captivated by&amp;nbsp;the poems rhythmic cadences&amp;nbsp;and vivid imagery.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;The poem was written by Noyes at the turn of the 20th Century and&amp;nbsp;is set in 18th century England.&lt;br /&gt;&lt;br /&gt;The poem&amp;nbsp; tells the story of a highwayman and his lover Bess, the landlord's (innkeeper) daughter. The Highwayman is betrayed to the authorities who take Bess hostage and wait in ambush for&amp;nbsp;him. Bess sacrifices her life to warn him. Learning of her death he dies in a futile attempt at revenge, shot down on the highway. The final stanza tells us that&amp;nbsp;the ghosts of the lovers meet again on winter nights.&lt;br /&gt;&lt;br /&gt;The poem has also been turned into song, most notably by &lt;a href="http://www.youtube.com/watch?v=teq2m0BN-Wo"&gt;Loreena McKennitt&lt;/a&gt; and &lt;a href="http://www.youtube.com/watch?v=zGK6jO8_mNs"&gt;Andy Irvine&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;The Highwayman&lt;/b&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;u&gt;Alfred Noyes (1880-1958)&lt;/u&gt; &lt;/span&gt;&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;&amp;nbsp;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;PART ONE &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; I &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; THE wind was a torrent of darkness among the gusty trees, &lt;br /&gt;&amp;nbsp; &amp;nbsp; The moon was a ghostly galleon tossed upon cloudy seas, &lt;br /&gt;&amp;nbsp; &amp;nbsp; The road was a ribbon of moonlight over the purple moor, &lt;br /&gt;&amp;nbsp; &amp;nbsp; And the highwayman came riding— &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Riding—riding— &lt;br /&gt;&amp;nbsp; &amp;nbsp; The highwayman came riding, up to the old inn-door. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; II &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; He'd a French cocked-hat on his forehead, a bunch of lace at his chin, &lt;br /&gt;&amp;nbsp; &amp;nbsp; A coat of the claret velvet, and breeches of brown doe-skin; &lt;br /&gt;&amp;nbsp; &amp;nbsp; They fitted with never a wrinkle: his boots were up to the thigh! &lt;br /&gt;&amp;nbsp; &amp;nbsp; And he rode with a jewelled twinkle, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; His pistol butts a-twinkle, &lt;br /&gt;&amp;nbsp; &amp;nbsp; His rapier hilt a-twinkle, under the jewelled sky. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; III &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; Over the cobbles he clattered and clashed in the dark inn-yard, &lt;br /&gt;&amp;nbsp; &amp;nbsp; And he tapped with his whip on the shutters, but all was locked and barred; &lt;br /&gt;&amp;nbsp; &amp;nbsp; He whistled a tune to the window, and who should be waiting there &lt;br /&gt;&amp;nbsp; &amp;nbsp; But the landlord's black-eyed daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Bess, the landlord's daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Plaiting a dark red love-knot into her long black hair. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; IV &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; And dark in the dark old inn-yard a stable-wicket creaked &lt;br /&gt;&amp;nbsp; &amp;nbsp; Where Tim the ostler listened; his face was white and peaked; &lt;br /&gt;&amp;nbsp; &amp;nbsp; His eyes were hollows of madness, his hair like mouldy hay, &lt;br /&gt;&amp;nbsp; &amp;nbsp; But he loved the landlord's daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; The landlord's red-lipped daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Dumb as a dog he listened, and he heard the robber say— &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; V &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; "One kiss, my bonny sweetheart, I'm after a prize to-night, &lt;br /&gt;&amp;nbsp; &amp;nbsp; But I shall be back with the yellow gold before the morning light; &lt;br /&gt;&amp;nbsp; &amp;nbsp; Yet, if they press me sharply, and harry me through the day, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Then look for me by moonlight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Watch for me by moonlight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; I'll come to thee by moonlight, though hell should bar the way." &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; VI &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; He rose upright in the stirrups; he scarce could reach her hand, &lt;br /&gt;&amp;nbsp; &amp;nbsp; But she loosened her hair i' the casement! His face burnt like a brand &lt;br /&gt;&amp;nbsp; &amp;nbsp; As the black cascade of perfume came tumbling over his breast; &lt;br /&gt;&amp;nbsp; &amp;nbsp; And he kissed its waves in the moonlight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; (Oh, sweet, black waves in the moonlight!) &lt;br /&gt;&amp;nbsp; &amp;nbsp; Then he tugged at his rein in the moonliglt, and galloped away to the West. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; PART TWO &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; I &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; He did not come in the dawning; he did not come at noon; &lt;br /&gt;&amp;nbsp; &amp;nbsp; And out o' the tawny sunset, before the rise o' the moon, &lt;br /&gt;&amp;nbsp; &amp;nbsp; When the road was a gypsy's ribbon, looping the purple moor, &lt;br /&gt;&amp;nbsp; &amp;nbsp; A red-coat troop came marching— &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Marching—marching— &lt;br /&gt;&amp;nbsp; &amp;nbsp; King George's men came matching, up to the old inn-door. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; II &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; They said no word to the landlord, they drank his ale instead, &lt;br /&gt;&amp;nbsp; &amp;nbsp; But they gagged his daughter and bound her to the foot of her narrow bed; &lt;br /&gt;&amp;nbsp; &amp;nbsp; Two of them knelt at her casement, with muskets at their side! &lt;br /&gt;&amp;nbsp; &amp;nbsp; There was death at every window; &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; And hell at one dark window; &lt;br /&gt;&amp;nbsp; &amp;nbsp; For Bess could see, through her casement, the road that &lt;i&gt;he&lt;/i&gt; would ride. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; III &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; They had tied her up to attention, with many a sniggering jest; &lt;br /&gt;&amp;nbsp; &amp;nbsp; They had bound a musket beside her, with the barrel beneath her breast! &lt;br /&gt;&amp;nbsp; &amp;nbsp; "Now, keep good watch!" and they kissed her. &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; She heard the dead man say— &lt;br /&gt;&amp;nbsp; &amp;nbsp; &lt;i&gt;Look for me by moonlight;&lt;/i&gt; &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;Watch for me by moonlight;&lt;/i&gt; &lt;br /&gt;&amp;nbsp; &amp;nbsp; &lt;i&gt;I'll come to thee by moonlight, though hell should bar the way!&lt;/i&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; IV &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; She twisted her hands behind her; but all the knots held good! &lt;br /&gt;&amp;nbsp; &amp;nbsp; She writhed her hands till her fingers were wet with sweat or blood! &lt;br /&gt;&amp;nbsp; &amp;nbsp; They stretched and strained in the darkness, and the hours crawled by like years, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Till, now, on the stroke of midnight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Cold, on the stroke of midnight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; The tip of one finger touched it! The trigger at least was hers! &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; V &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; The tip of one finger touched it; she strove no more for the rest! &lt;br /&gt;&amp;nbsp; &amp;nbsp; Up, she stood up to attention, with the barrel beneath her breast, &lt;br /&gt;&amp;nbsp; &amp;nbsp; She would not risk their hearing; she would not strive again; &lt;br /&gt;&amp;nbsp; &amp;nbsp; For the road lay bare in the moonlight; &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Blank and bare in the moonlight; &lt;br /&gt;&amp;nbsp; &amp;nbsp; And the blood of her veins in the moonlight throbbed to her love's refrain . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; VI &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;Tlot-tlot; tlot-tlot!&lt;/i&gt; Had they heard it? The horse-hoofs ringing clear; &lt;br /&gt;&amp;nbsp; &amp;nbsp; &lt;i&gt;Tlot-tlot, tlot-tlot,&lt;/i&gt; in the distance? Were they deaf that they did not hear? &lt;br /&gt;&amp;nbsp; &amp;nbsp; Down the ribbon of moonlight, over the brow of the hill, &lt;br /&gt;&amp;nbsp; &amp;nbsp; The highwayman came riding, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Riding, riding! &lt;br /&gt;&amp;nbsp; &amp;nbsp; The red-coats looked to their priming! She stood up, straight and still! &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; VII &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; &lt;i&gt;Tlot-tlot,&lt;/i&gt; in the frosty silence! &lt;i&gt;Tlot-tlot,&lt;/i&gt; in the echoing night! &lt;br /&gt;&amp;nbsp; &amp;nbsp; Nearer he came and nearer! Her face was like a light! &lt;br /&gt;&amp;nbsp; &amp;nbsp; Her eyes grew wide for a moment; she drew one last deep breath, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Then her finger moved in the moonlight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Her musket shattered the moonlight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Shattered her breast in the moonlight and warned him—with her death. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; VIII &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; He turned; he spurred to the West; he did not know who stood &lt;br /&gt;&amp;nbsp; &amp;nbsp; Bowed, with her head o'er the musket, drenched with her own red blood! &lt;br /&gt;&amp;nbsp; &amp;nbsp; Not till the dawn he heard it, his face grew grey to hear &lt;br /&gt;&amp;nbsp; &amp;nbsp; How Bess, the landlord's daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; The landlord's black-eyed daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Had watched for her love in the moonlight, and died in the darkness there. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; IX &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; Back, he spurred like a madman, shrieking a curse to the sky, &lt;br /&gt;&amp;nbsp; &amp;nbsp; With the white road smoking behind him and his rapier brandished high! &lt;br /&gt;&amp;nbsp; &amp;nbsp; Blood-red were his spurs i' the golden noon; wine-red was his velvet coat, &lt;br /&gt;&amp;nbsp; &amp;nbsp; When they shot him down on the highway, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Down like a dog on the highway, &lt;br /&gt;&amp;nbsp; &amp;nbsp; And he lay in his blood on the highway, with the bunch of lace at his throat. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; * &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; * &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; * &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; * &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; * &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; * &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; X &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt; And still of a winter's night, they say, when the wind is in the trees, &lt;br /&gt;&amp;nbsp; &amp;nbsp; When the moon is a ghostly galleon tossed upon cloudy seas, &lt;br /&gt;&amp;nbsp; &amp;nbsp; When the road is a ribbon of moonlight over the purple moor, &lt;br /&gt;&amp;nbsp; &amp;nbsp; A highwayman comes riding— &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Riding—riding— &lt;br /&gt;&amp;nbsp; &amp;nbsp; A highwayman comes riding, up to the old inn-door.&lt;/i&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; XI &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt; Over the cobbles he clatters and clangs in the dark inn-yard; &lt;br /&gt;&amp;nbsp; &amp;nbsp; He taps with his whip on the shutters, but all is locked and barred; &lt;br /&gt;&amp;nbsp; &amp;nbsp; He whistles a tune to the window, and who should be waiting there &lt;br /&gt;&amp;nbsp; &amp;nbsp; But the landlord's black-eyed daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Bess, the landlord's daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Plaiting a dark red love-knot into her long black hair.&lt;/i&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; PART ONE &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; I &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; THE wind was a torrent of darkness among the gusty trees, &lt;br /&gt;&amp;nbsp; &amp;nbsp; The moon was a ghostly galleon tossed upon cloudy seas, &lt;br /&gt;&amp;nbsp; &amp;nbsp; The road was a ribbon of moonlight over the purple moor, &lt;br /&gt;&amp;nbsp; &amp;nbsp; And the highwayman came riding— &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Riding—riding— &lt;br /&gt;&amp;nbsp; &amp;nbsp; The highwayman came riding, up to the old inn-door. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; II &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; He'd a French cocked-hat on his forehead, a bunch of lace at his chin, &lt;br /&gt;&amp;nbsp; &amp;nbsp; A coat of the claret velvet, and breeches of brown doe-skin; &lt;br /&gt;&amp;nbsp; &amp;nbsp; They fitted with never a wrinkle: his boots were up to the thigh! &lt;br /&gt;&amp;nbsp; &amp;nbsp; And he rode with a jewelled twinkle, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; His pistol butts a-twinkle, &lt;br /&gt;&amp;nbsp; &amp;nbsp; His rapier hilt a-twinkle, under the jewelled sky. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; III &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; Over the cobbles he clattered and clashed in the dark inn-yard, &lt;br /&gt;&amp;nbsp; &amp;nbsp; And he tapped with his whip on the shutters, but all was locked and barred; &lt;br /&gt;&amp;nbsp; &amp;nbsp; He whistled a tune to the window, and who should be waiting there &lt;br /&gt;&amp;nbsp; &amp;nbsp; But the landlord's black-eyed daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Bess, the landlord's daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Plaiting a dark red love-knot into her long black hair. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; IV &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; And dark in the dark old inn-yard a stable-wicket creaked &lt;br /&gt;&amp;nbsp; &amp;nbsp; Where Tim the ostler listened; his face was white and peaked; &lt;br /&gt;&amp;nbsp; &amp;nbsp; His eyes were hollows of madness, his hair like mouldy hay, &lt;br /&gt;&amp;nbsp; &amp;nbsp; But he loved the landlord's daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; The landlord's red-lipped daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Dumb as a dog he listened, and he heard the robber say— &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; V &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; "One kiss, my bonny sweetheart, I'm after a prize to-night, &lt;br /&gt;&amp;nbsp; &amp;nbsp; But I shall be back with the yellow gold before the morning light; &lt;br /&gt;&amp;nbsp; &amp;nbsp; Yet, if they press me sharply, and harry me through the day, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Then look for me by moonlight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Watch for me by moonlight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; I'll come to thee by moonlight, though hell should bar the way." &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; VI &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; He rose upright in the stirrups; he scarce could reach her hand, &lt;br /&gt;&amp;nbsp; &amp;nbsp; But she loosened her hair i' the casement! His face burnt like a brand &lt;br /&gt;&amp;nbsp; &amp;nbsp; As the black cascade of perfume came tumbling over his breast; &lt;br /&gt;&amp;nbsp; &amp;nbsp; And he kissed its waves in the moonlight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; (Oh, sweet, black waves in the moonlight!) &lt;br /&gt;&amp;nbsp; &amp;nbsp; Then he tugged at his rein in the moonliglt, and galloped away to the West. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; PART TWO &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; I &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; He did not come in the dawning; he did not come at noon; &lt;br /&gt;&amp;nbsp; &amp;nbsp; And out o' the tawny sunset, before the rise o' the moon, &lt;br /&gt;&amp;nbsp; &amp;nbsp; When the road was a gypsy's ribbon, looping the purple moor, &lt;br /&gt;&amp;nbsp; &amp;nbsp; A red-coat troop came marching— &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Marching—marching— &lt;br /&gt;&amp;nbsp; &amp;nbsp; King George's men came matching, up to the old inn-door. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; II &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; They said no word to the landlord, they drank his ale instead, &lt;br /&gt;&amp;nbsp; &amp;nbsp; But they gagged his daughter and bound her to the foot of her narrow bed; &lt;br /&gt;&amp;nbsp; &amp;nbsp; Two of them knelt at her casement, with muskets at their side! &lt;br /&gt;&amp;nbsp; &amp;nbsp; There was death at every window; &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; And hell at one dark window; &lt;br /&gt;&amp;nbsp; &amp;nbsp; For Bess could see, through her casement, the road that &lt;i&gt;he&lt;/i&gt; would ride. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; III &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; They had tied her up to attention, with many a sniggering jest; &lt;br /&gt;&amp;nbsp; &amp;nbsp; They had bound a musket beside her, with the barrel beneath her breast! &lt;br /&gt;&amp;nbsp; &amp;nbsp; "Now, keep good watch!" and they kissed her. &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; She heard the dead man say— &lt;br /&gt;&amp;nbsp; &amp;nbsp; &lt;i&gt;Look for me by moonlight;&lt;/i&gt; &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;Watch for me by moonlight;&lt;/i&gt; &lt;br /&gt;&amp;nbsp; &amp;nbsp; &lt;i&gt;I'll come to thee by moonlight, though hell should bar the way!&lt;/i&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; IV &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; She twisted her hands behind her; but all the knots held good! &lt;br /&gt;&amp;nbsp; &amp;nbsp; She writhed her hands till her fingers were wet with sweat or blood! &lt;br /&gt;&amp;nbsp; &amp;nbsp; They stretched and strained in the darkness, and the hours crawled by like years, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Till, now, on the stroke of midnight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Cold, on the stroke of midnight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; The tip of one finger touched it! The trigger at least was hers! &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; V &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; The tip of one finger touched it; she strove no more for the rest! &lt;br /&gt;&amp;nbsp; &amp;nbsp; Up, she stood up to attention, with the barrel beneath her breast, &lt;br /&gt;&amp;nbsp; &amp;nbsp; She would not risk their hearing; she would not strive again; &lt;br /&gt;&amp;nbsp; &amp;nbsp; For the road lay bare in the moonlight; &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Blank and bare in the moonlight; &lt;br /&gt;&amp;nbsp; &amp;nbsp; And the blood of her veins in the moonlight throbbed to her love's refrain . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; VI &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;Tlot-tlot; tlot-tlot!&lt;/i&gt; Had they heard it? The horse-hoofs ringing clear; &lt;br /&gt;&amp;nbsp; &amp;nbsp; &lt;i&gt;Tlot-tlot, tlot-tlot,&lt;/i&gt; in the distance? Were they deaf that they did not hear? &lt;br /&gt;&amp;nbsp; &amp;nbsp; Down the ribbon of moonlight, over the brow of the hill, &lt;br /&gt;&amp;nbsp; &amp;nbsp; The highwayman came riding, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Riding, riding! &lt;br /&gt;&amp;nbsp; &amp;nbsp; The red-coats looked to their priming! She stood up, straight and still! &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; VII &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; &lt;i&gt;Tlot-tlot,&lt;/i&gt; in the frosty silence! &lt;i&gt;Tlot-tlot,&lt;/i&gt; in the echoing night! &lt;br /&gt;&amp;nbsp; &amp;nbsp; Nearer he came and nearer! Her face was like a light! &lt;br /&gt;&amp;nbsp; &amp;nbsp; Her eyes grew wide for a moment; she drew one last deep breath, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Then her finger moved in the moonlight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Her musket shattered the moonlight, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Shattered her breast in the moonlight and warned him—with her death. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; VIII &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; He turned; he spurred to the West; he did not know who stood &lt;br /&gt;&amp;nbsp; &amp;nbsp; Bowed, with her head o'er the musket, drenched with her own red blood! &lt;br /&gt;&amp;nbsp; &amp;nbsp; Not till the dawn he heard it, his face grew grey to hear &lt;br /&gt;&amp;nbsp; &amp;nbsp; How Bess, the landlord's daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; The landlord's black-eyed daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Had watched for her love in the moonlight, and died in the darkness there. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; IX &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; Back, he spurred like a madman, shrieking a curse to the sky, &lt;br /&gt;&amp;nbsp; &amp;nbsp; With the white road smoking behind him and his rapier brandished high! &lt;br /&gt;&amp;nbsp; &amp;nbsp; Blood-red were his spurs i' the golden noon; wine-red was his velvet coat, &lt;br /&gt;&amp;nbsp; &amp;nbsp; When they shot him down on the highway, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Down like a dog on the highway, &lt;br /&gt;&amp;nbsp; &amp;nbsp; And he lay in his blood on the highway, with the bunch of lace at his throat. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; * &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; * &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; * &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; * &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; * &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; * &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; X &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt; And still of a winter's night, they say, when the wind is in the trees, &lt;br /&gt;&amp;nbsp; &amp;nbsp; When the moon is a ghostly galleon tossed upon cloudy seas, &lt;br /&gt;&amp;nbsp; &amp;nbsp; When the road is a ribbon of moonlight over the purple moor, &lt;br /&gt;&amp;nbsp; &amp;nbsp; A highwayman comes riding— &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Riding—riding— &lt;br /&gt;&amp;nbsp; &amp;nbsp; A highwayman comes riding, up to the old inn-door.&lt;/i&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; XI &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt; Over the cobbles he clatters and clangs in the dark inn-yard; &lt;br /&gt;&amp;nbsp; &amp;nbsp; He taps with his whip on the shutters, but all is locked and barred; &lt;br /&gt;&amp;nbsp; &amp;nbsp; He whistles a tune to the window, and who should be waiting there &lt;br /&gt;&amp;nbsp; &amp;nbsp; But the landlord's black-eyed daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Bess, the landlord's daughter, &lt;br /&gt;&amp;nbsp; &amp;nbsp; Plaiting a dark red love-knot into her long black hair.&lt;/i&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-6118651257077579171?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/6118651257077579171/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=6118651257077579171' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/6118651257077579171'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/6118651257077579171'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/11/alfred-noyes-long-narrative-poem.html' title='Weekend poem: Afred Noyes The Highwayman'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Iq8YVW0acHM/TtHtuIYueVI/AAAAAAAAB-Y/PcI4Bg8JeLc/s72-c/highwayman.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-8144063274770850886</id><published>2011-11-13T14:15:00.000+08:00</published><updated>2011-11-13T14:15:24.571+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='john pilger'/><category scheme='http://www.blogger.com/atom/ns#' term='Latin America'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><category scheme='http://www.blogger.com/atom/ns#' term='acts of defiance'/><title type='text'>John Pilger from the streets of Mexico</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-GTIpOQs1mpY/Tr9f9nXvQVI/AAAAAAAAB9w/7v5vPmJP-7Q/s1600/mexico.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-GTIpOQs1mpY/Tr9f9nXvQVI/AAAAAAAAB9w/7v5vPmJP-7Q/s320/mexico.jpg" width="282" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;b&gt;Diego Rivera's Mural, "A Dream of a Sunday Afternoon in Alameda Park." (Photo: asmythie / flickr)&lt;/b&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;Australia's finest journalist and documentary film maker is vilified and ignored by the mainstream media in this country.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;In his latest &lt;a href="http://www.truth-out.org/mexico-universal-struggle-against-power-and-forgetting/1320946881"&gt;piece&lt;/a&gt;&amp;nbsp; &lt;a href="http://johnpilger.com/"&gt;John Pilger&lt;/a&gt; writes from the streets of Mexico about the the evils of contemporary capitalism and the legacy of those who resist:&lt;/span&gt;&lt;/span&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;/span&gt;&lt;/h6&gt;&lt;blockquote class="tr_bq" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;"The beneficiaries of the new, privatized Mexico are those like Carlos  Slim, now ahead of Bill Gates as the world's richest man, whose fingers  are lodged in every imaginable pie: from food and construction to the  national telephone company. A US diplomatic cable released by WikiLeaks  says, "The net worth of the 10 richest people of Mexico - a country  where more than 40 per cent of the population lives in poverty -  represents roughly 10 per cent of the gross domestic product.&lt;/span&gt;&lt;/i&gt;&lt;/h6&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}"&gt;&lt;i&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;For most of this year, thousands of &lt;em&gt;los indignados&lt;/em&gt; have taken  over the massive parade ground known as the Zocalo facing the National  Palace. The occupations in Wall Street and around the world have their  genesis in Latin America. The difference here is there is none of the  angst about the protesters' "focus." As in all places where people live  on the edge and the state and its cronyism cast lawless shadows, they  know exactly what they want. Ask some of the 44,000 employees of the  national power company, who prevented the fire sale of the national grid  until Calderon sacked them all; and the striking copper miners of  Cananea, whose owners funded Calderon's campaign; and the former pilots  and stewards of the national airline, Mexicana, dissolved in a sham  bankruptcy that was a gift to the private airline industry. &lt;/span&gt;&lt;/i&gt;&lt;/h6&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}"&gt;&lt;i&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;These angry, eloquent and often courageous people have long known  something many in Europe and the United States are only beginning to  realize: there is no choice but to fight the economic extremism  unleashed in Washington and London a generation ago. Employment, trade  unionism, public health, education, "life itself," says Manuel Lopez  Obrador, the former mayor of Mexico City who ran against Calderon, "has  since been struck by a political and economic earthquake."&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h6&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-8144063274770850886?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/8144063274770850886/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=8144063274770850886' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8144063274770850886'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8144063274770850886'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/11/john-pilger-from-streets-of-mexico.html' title='John Pilger from the streets of Mexico'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-GTIpOQs1mpY/Tr9f9nXvQVI/AAAAAAAAB9w/7v5vPmJP-7Q/s72-c/mexico.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-4258022059499560274</id><published>2011-11-12T21:31:00.000+08:00</published><updated>2011-11-12T21:31:14.612+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='dennis brutus'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><title type='text'>Weekend poem: Dennis Brutus</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-DGQiSVGjxIY/Tr5yn4tY2yI/AAAAAAAAB9o/6oGAhP1V4Z8/s1600/brutsprotest.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" nda="true" src="http://3.bp.blogspot.com/-DGQiSVGjxIY/Tr5yn4tY2yI/AAAAAAAAB9o/6oGAhP1V4Z8/s1600/brutsprotest.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://en.wikipedia.org/wiki/Dennis_Brutus"&gt;Dennis Brutus&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;And the riptides rip and tear&lt;br /&gt;erode, devour&lt;br /&gt;and unrest, questing, yeasts in my querying brain&lt;br /&gt;and I beat on the fierce savaging knowledge&lt;br /&gt;rampaging through my existence&lt;br /&gt;accepting the knowledge, seeking design&lt;br /&gt;&lt;br /&gt;For I am driftwood&lt;br /&gt;in a life and place and time&lt;br /&gt;thrown by some chance, perchance&lt;br /&gt;to an occasional use&lt;br /&gt;a rare half pleasure on a seldom chance&lt;br /&gt;&lt;br /&gt;and I grate on the sand of being&lt;br /&gt;of existence, circumstance&lt;br /&gt;digging and dragging for a meaning&lt;br /&gt;dragging through the dirt and debris&lt;br /&gt;the refuse of existence&lt;br /&gt;dragging through the diurnal treadmill of my life&lt;br /&gt;&lt;br /&gt;and still I am diftwood.&lt;br /&gt;Still the restlesnness, the journeyings, the quest,&lt;br /&gt;the querying, the hungers and the lusts.&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family: Times-Bold; font-size: large;"&gt;&lt;span style="font-family: Times-Bold; font-size: large;"&gt;&lt;div align="left"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Ageing&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Times-Roman; font-size: medium;"&gt;&lt;span style="font-family: Times-Roman; font-size: medium;"&gt;&lt;div align="left"&gt;The road, too, diminishes:&lt;/div&gt;&lt;div align="left"&gt;one would see less if one tried:&lt;/div&gt;&lt;div align="left"&gt;it is what ageing is about -&lt;/div&gt;&lt;div align="left"&gt;if one gave it thought:&lt;/div&gt;&lt;div align="left"&gt;generally though, one is content&lt;/div&gt;&lt;div align="left"&gt;eyes fixed on the road&lt;/div&gt;&lt;div align="left"&gt;content to see what can be seen&lt;/div&gt;&lt;div align="left"&gt;unanxious to speculate&lt;/div&gt;&lt;div align="left"&gt;about a possible road -&lt;/div&gt;&lt;div align="left"&gt;the diminishing road&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="left"&gt;Musgrave,&lt;/div&gt;July 7 2008&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-4258022059499560274?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/4258022059499560274/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=4258022059499560274' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4258022059499560274'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4258022059499560274'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/11/weekend-poem-dennis-brutus.html' title='Weekend poem: Dennis Brutus'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-DGQiSVGjxIY/Tr5yn4tY2yI/AAAAAAAAB9o/6oGAhP1V4Z8/s72-c/brutsprotest.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-4746421359240284600</id><published>2011-11-07T20:43:00.001+08:00</published><updated>2011-11-13T16:47:45.153+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='privatization'/><category scheme='http://www.blogger.com/atom/ns#' term='market hegemony'/><category scheme='http://www.blogger.com/atom/ns#' term='neoliberalism'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><category scheme='http://www.blogger.com/atom/ns#' term='markets'/><category scheme='http://www.blogger.com/atom/ns#' term='market society'/><title type='text'>Phillip Pullman on the "greedy ghost of market fundamentalism"</title><content type='html'>&lt;blockquote class="tr_bq"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-2j38Rr4Hres/TrfSUfh46rI/AAAAAAAAB9g/fr64Rt6iXkg/s1600/philip_pullman.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-2j38Rr4Hres/TrfSUfh46rI/AAAAAAAAB9g/fr64Rt6iXkg/s320/philip_pullman.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody"&gt;&lt;i&gt;&lt;i&gt;"there are things above profit, things that profit knows nothing about.. things that stand for civic decency and public respect for imagination and knowledge and the value of simple delight"&lt;/i&gt;&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&amp;nbsp; &lt;span class="messageBody"&gt;&lt;i&gt;&lt;i&gt;&lt;b&gt;Phillip Pullman &lt;/b&gt;&lt;/i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;/blockquote&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;This &lt;a href="http://www.philip-pullman.com/assets/pdf/OxfordshireLibraries.pdf"&gt;speech&lt;/a&gt; by the British novelist and writer &lt;a href="http://www.philip-pullman.com/"&gt;Phiilip Pullman&lt;/a&gt; describes the 'greedy ghost of market fundamentalism' that haunts the offices, meeting rooms and conference rooms of Governments all over the world.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;Pullman describes how everything that sustains the fabric of a decent society and of communities is destroyed by the onslaught of the market fundamentalists and their acolytes. He is right. A great speech.&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;blockquote class="tr_bq"&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&amp;nbsp;&lt;i&gt;"And it always results in victory for one side and defeat for the other. It’s set up to do that. It’s imported the worst excesses of market fundamentalism into the one arena that used to be safe from them, the one part of our public and social life that used to be free of the commercial pressure to win or to lose, to survive or to die, which is the very essence of the religion of the market.&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-weight: normal;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;Like all fundamentalists who get their clammy hands on the levers of political power, the market fanatics are going to kill off every humane, life-enhancing, generous, imaginative and decent corner of our public life. I think that little by little we’re waking up to the truth about the market fanatics and their creed. We’re coming to see that old Karl Marx had his finger on the heart of the matter when he pointed out that the market in the end will destroy everything we know, everything we thought was safe and solid. It is the most powerful solvent known to history. “Everything solid melts into air,” he said. “All that is holy is profaned.”&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h6&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;i&gt;Market fundamentalism, this madness that’s infected the human race, is like a greedy ghost that haunts the boardrooms and council chambers and committee rooms from which the world is run these days" &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-4746421359240284600?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/4746421359240284600/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=4746421359240284600' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4746421359240284600'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4746421359240284600'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/11/phillip-pullman-on-greedy-ghost-of.html' title='Phillip Pullman on the &quot;greedy ghost of market fundamentalism&quot;'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-2j38Rr4Hres/TrfSUfh46rI/AAAAAAAAB9g/fr64Rt6iXkg/s72-c/philip_pullman.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-4214390920025514524</id><published>2011-11-06T16:56:00.000+08:00</published><updated>2011-11-06T17:56:23.986+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='activism'/><category scheme='http://www.blogger.com/atom/ns#' term='political art'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><category scheme='http://www.blogger.com/atom/ns#' term='political poetry'/><title type='text'>Sunday's poem: Adrienne Rich</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-PMdqYhDZHmE/TrZZnOAv3kI/AAAAAAAAB9Y/Z0Nj8pg7kvo/s1600/AdrienneRich-old.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="222" ida="true" src="http://4.bp.blogspot.com/-PMdqYhDZHmE/TrZZnOAv3kI/AAAAAAAAB9Y/Z0Nj8pg7kvo/s320/AdrienneRich-old.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-style: italic;"&gt;.. My heart is moved by all I cannot save:&lt;/span&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;so much has been destroyed&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;I have to cast my lot with those&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt; &lt;span style="font-style: italic;"&gt;who age after age, perversely,&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-style: italic;"&gt;with no extraordinary power,&lt;/span&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;reconstitute the world&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt; &lt;/span&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.americanpoems.com/poets/adrienne_rich"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Adrienne Rich&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Natural Resources&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;The lines from ‘Natural Resources’ are taken from &lt;i style="mso-bidi-font-style: normal;"&gt;The Dream of a Common Language: Poems 1974–1977&lt;/i&gt; by Adrienne Rich. Copyright © 1978 by W. W. Norton &amp;amp; Co. Inc.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-nw7n9DOfm2k/TrZZeUikyqI/AAAAAAAAB9Q/0Gn-8bL34Z0/s1600/rich.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" ida="true" src="http://2.bp.blogspot.com/-nw7n9DOfm2k/TrZZeUikyqI/AAAAAAAAB9Q/0Gn-8bL34Z0/s200/rich.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-4214390920025514524?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/4214390920025514524/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=4214390920025514524' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4214390920025514524'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4214390920025514524'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/11/sundays-poem-adrienne-rich.html' title='Sunday&apos;s poem: Adrienne Rich'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-PMdqYhDZHmE/TrZZnOAv3kI/AAAAAAAAB9Y/Z0Nj8pg7kvo/s72-c/AdrienneRich-old.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-5547496951125219377</id><published>2011-11-06T16:29:00.002+08:00</published><updated>2011-11-13T16:53:37.548+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arts and culture'/><category scheme='http://www.blogger.com/atom/ns#' term='mining'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate social responsibility'/><category scheme='http://www.blogger.com/atom/ns#' term='WA politics'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate power'/><category scheme='http://www.blogger.com/atom/ns#' term='movies'/><category scheme='http://www.blogger.com/atom/ns#' term='Western Australia'/><title type='text'>Artistic freedom Western Australian style</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-9CdjSumJmok/TrZTMZqSpEI/AAAAAAAAB9I/Iz0XoL-K01c/s1600/woodside09.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="214" ida="true" src="http://4.bp.blogspot.com/-9CdjSumJmok/TrZTMZqSpEI/AAAAAAAAB9I/Iz0XoL-K01c/s320/woodside09.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Sometimes artists and charities who take money from mining companies in Western Australia&amp;nbsp;give the game away. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;This&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.abc.net.au/news/2011-11-04/mining-company-cash-creates-movie-making-boom/3636882"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;story&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.abc.net.au/news/2011-11-04/mining-company-cash-creates-movie-making-boom/3636882"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Mining Company cash creates movie making boom&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&amp;nbsp; appeared on&amp;nbsp;the ABC TV program&amp;nbsp;Stateline&amp;nbsp;WA on Friday November 4&amp;nbsp;and demonstrates that the primary reason for the "philanthropic" activity of the mining industry in WA&amp;nbsp;is self interest. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;The message is very clear- we will sponsor you but you must not speak certain truths about the industry. In other words the mining industry buys the silence and acquiesence of&amp;nbsp;those it sponsors. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Listen to the journalists and artists in the ABC&amp;nbsp;story&amp;nbsp;who make it very clear that with the money comes conditions and the expectation is that you must show the mining industry in a favourable light. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Show the mining industry in a less than favourable light in their eyes&amp;nbsp;or&amp;nbsp;speak certain truths about the industry and you can say goodbye to the sponsorship.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;One interviewer put it this way:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;blockquote class="tr_bq"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;em&gt;" We can't say we want you&amp;nbsp;to sponsor us but the script says you are unscrupulous swines who rape and pillage the land..... they see the first draft of the script....... they don't want the industry shown in an unfavourable light..... you don't bite the hand that feeds you".&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Of course this story reflects a much larger issue- the way that the mining industry and corporations&amp;nbsp;in WA&amp;nbsp;are using their&amp;nbsp;money and power to&amp;nbsp;shape the&amp;nbsp;arts and cultural industry and the charitable sector to serve their corporate interests. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;This &lt;a href="http://www.theaustralian.com.au/news/arts/ore-inspiring-for-some/story-e6frg8n6-1225982383251"&gt;article by Rosemary Neill&lt;/a&gt; provides&amp;nbsp;an insight into the corporate takeover of the arts and cultural industry and charitable sector in WA:&lt;/span&gt;&lt;br /&gt;&lt;blockquote class="tr_bq"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;em&gt;In a harbinger of this, some of the country's most powerful businesspeople have teamed up with artists and launched a new, turbo-charged arts lobby, the Chamber of Arts and Culture, aimed at developing a coherent cultural vision for WA. Among the chamber's founding members are Rio Tinto iron ore chief executive Sam Walsh, prominent arts patron and businesswoman Janet Holmes a Court, former WA Chamber of Commerce and Industry boss John Langoulant, KPMG national executive director Helen Cook and former Australia Council chairwoman Margaret Seares.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;em&gt;An alliance of high-powered executives -- some drawn from the blokey resources and engineering sectors -- intent on proselytising for the arts is a first not just for the West but, arguably, for the nation. Walsh says this move signifies that "the state is growing; there is a need for a more creative and vibrant community and arts and culture will help us deliver that and help us attract people. I think the stars are aligned . . . we have a unique opportunity in Perth and WA's history, building on the mining boom, to work on these things." The unfailingly courteous Rio Tinto boss says the chamber has received "very strong support" from Day and federal Arts Minister Simon Crean. He stresses it is not merely an arts lobby; that it will engage with governments, the regions, schools and untapped audiences to spread the word about culture.&lt;/em&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-5547496951125219377?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/5547496951125219377/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=5547496951125219377' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5547496951125219377'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5547496951125219377'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/11/artistic-freedom-western-australian.html' title='Artistic freedom Western Australian style'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-9CdjSumJmok/TrZTMZqSpEI/AAAAAAAAB9I/Iz0XoL-K01c/s72-c/woodside09.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-5744924540828697733</id><published>2011-11-05T19:17:00.001+08:00</published><updated>2011-11-05T19:18:47.243+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='john berger'/><category scheme='http://www.blogger.com/atom/ns#' term='mourid bahrgouti'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><category scheme='http://www.blogger.com/atom/ns#' term='middle east'/><category scheme='http://www.blogger.com/atom/ns#' term='political poetry'/><title type='text'>New book by Palestinian poet and writer Mourid Barghouti</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-CFnkwmzJZVA/TrUZjT4JlqI/AAAAAAAAB9A/Dm5jswXoNm0/s1600/barghouti.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-CFnkwmzJZVA/TrUZjT4JlqI/AAAAAAAAB9A/Dm5jswXoNm0/s320/barghouti.jpg" width="205" /&gt;&lt;/a&gt;&lt;/div&gt;Reading &lt;a href="http://www.independent.co.uk/arts-entertainment/books/reviews/i-was-born-there-i-was-born-here-by-mourid-barghouti-trans-humphrey-davies-6256581.html"&gt;this review&lt;/a&gt; from the UK Independent of&amp;nbsp; the new book by Palestinian poet and writer&amp;nbsp; &lt;a href="http://en.wikipedia.org/wiki/Mourid_Barghouti"&gt;Mourid Barghouti&lt;/a&gt; titled&amp;nbsp; &lt;a href="http://www.bloomsbury.com/I-Was-Born-There-I-Was-Born-Here/Mourid-Barghouti/books/details/9781408815588"&gt;I Was Born Here&lt;/a&gt;. The book has a&amp;nbsp; introduction by one of my favourite writers &lt;a href="http://en.wikipedia.org/wiki/John_Berger"&gt;John Berger&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The review in the Independent describes the book this way: &lt;br /&gt;&lt;blockquote class="tr_bq"&gt;&lt;blockquote class="tr_bq"&gt;&lt;blockquote class="tr_bq"&gt;&lt;blockquote class="tr_bq"&gt;"I Was Born... is that collection of "questions", voiced in the place  and beyond, from many angles of vision or time and delivered in  Barghouti's inimitable style. John Berger's introduction speaks of what  happened and continues to happen in Palestine as "unclassifiable" - a  term that also fits both volumes. Here Barghouti resumes in the late  1990s, flitting across the subsequent decade, delivering characteristic  mini-essays, deep family memories, accounts of employment in Ramallah,  visits with Tamim to Jerusalem and Deir Ghassanah, alongside crystalised  visions of horror and happiness.&lt;/blockquote&gt;&lt;br /&gt;"Essays" focus on Jerusalem and  Iraq, on coffee and the loss of Palestine: they rival Mahmoud Darwish's  work on the subjects. They also cover Arafat and fatherhood, corruption  and "the wall of the Silent Transfer", as well as celebrating anecdotal  histories. More personal than his first volume, freighted with  individual and collective return, here are the minutiae of the immediate  consequences. It's an honest confrontation with Israeli violence and  impunity, an unflinching description of the Palestinian Authority's  compromising failures, and a plea for joy" &lt;/blockquote&gt;&lt;/blockquote&gt;&lt;/blockquote&gt;John Berger's Introduction to the book is here:&lt;br /&gt;&lt;blockquote class="tr_bq" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;Come Closer &lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;Introduction by John Berger&lt;/span&gt;&lt;br /&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span class="text_exposed_show"&gt; This book, with its fury and tenderness, its close observation and  cosmic metaphors, is wild. Reading it, you follow graphically the  experience of the Palestinian people during the last sixty years, and,  at the same time, you partake of some of the most ancient recourses of  the human imagination when faced with collective suffering and  humiliation.&lt;br /&gt;&lt;br /&gt;It has been written by the distinguished poet  Mourid Barghouti, who is also the father of an honoured poet, Tamim  Barghouti. It’s a book that begs for an answer to the question:  why  write poetry? And, in begging, it gives its own lacerating, literal and  sometimes lyrical answer.&lt;br /&gt;&lt;br /&gt;I’ve read no other  book in which poetry is so interleaved with the problems and shit (such  as identity cards) of daily life, or in which a working poet—either the  father or son—is felt to be so close to those for whom their poetry  speaks. It comes from the heart of an endless tragedy where jokes are  one of the principal means of survival. It redefines in such conditions  what is “normal”.&lt;br /&gt;&lt;br /&gt;It’s also fine to die in our beds&lt;br /&gt;on a clean pillow&lt;br /&gt;and among our friends.&lt;br /&gt;&lt;br /&gt;It’s fine to die, once,&lt;br /&gt;our hands crossed on our chests&lt;br /&gt;empty and pale&lt;br /&gt;with no scratches, no chains, no banners,&lt;br /&gt;no petitions.&lt;br /&gt;&lt;br /&gt;It’s fine to have an undusty death,&lt;br /&gt;no holes in our shirts,&lt;br /&gt;and no evidence in our ribs.&lt;br /&gt;&lt;br /&gt;It’s fine to die&lt;br /&gt;with a white pillow, not the pavement, under our cheeks....&lt;br /&gt;&lt;br /&gt;What has happened and is happening to the land of  Palestine and its people is unclassifiable. None of the historical terms  such as colonization, annexation, invasion or elimination are precise  enough. The word ‘Occupation’, which is generally used, has been given a  new vast meaning and this book spells out that meaning and the  extension of what it means.  &lt;br /&gt;&lt;br /&gt;Perhaps it is for  this reason that the book itself is unclassifiable. It’s a book of  heartrending stories, a book about poetics, a personal memoir, the  history of a family, a journal of confessions, an uncompromising  political tract attacking the state of Israel, the corruption of the  so-called Palestinian Authority, and the self-serving dictatorships of  the surrounding Arab countries. It is also a book of love—love for all  those who, although powerless, somehow continue to live with dignity.  With courage, too. Yet dignity offers not only an example, but also a  shelter.  These pages demonstrate how it does so.&lt;br /&gt;&lt;br /&gt;The reader is brought face to face (like people come close together in  a very small shelter) with what is happening in Palestine today (every  day), which is inseparable from what happened yesterday and what people  fear will happen tomorrow. The media never refer to what you discover  here. Place names such as Jenin, al-Khalil, Rafah, Hebron and Qalandya  become dense with experience.&lt;br /&gt;&lt;br /&gt;This, however, is  only part of what the book offers.  There is something else. Mourid  Barghouti’s form of narrative insists that lived moments when they are  momentous contain something that can be considered eternal, and that  such moments, however brief and trivial they may appear to a third eye,  join together and form a necklace called a lifetime. Living as we do in a  consumerist culture, which recognizes only the latest and the  instantaneous, we badly need this reminder. Thank you, Mourid. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-5744924540828697733?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/5744924540828697733/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=5744924540828697733' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5744924540828697733'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5744924540828697733'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/11/new-book-by-palestinian-poet-and-writer.html' title='New book by Palestinian poet and writer Mourid Barghouti'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-CFnkwmzJZVA/TrUZjT4JlqI/AAAAAAAAB9A/Dm5jswXoNm0/s72-c/barghouti.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-4465656269268162944</id><published>2011-11-05T17:55:00.003+08:00</published><updated>2011-11-05T18:03:36.375+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='australian history'/><category scheme='http://www.blogger.com/atom/ns#' term='music'/><title type='text'>Andy Irvine, Moreton Bay and the history of Australian gulags</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Ix6bmeIlUIk/TrUJtP6PqpI/AAAAAAAAB8w/yRLJIRlKNI4/s1600/andy_irvine.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" ida="true" src="http://4.bp.blogspot.com/-Ix6bmeIlUIk/TrUJtP6PqpI/AAAAAAAAB8w/yRLJIRlKNI4/s200/andy_irvine.jpg" width="161" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Listening to &lt;a href="http://www.andyirvine.com/"&gt;Andy Irvine's&lt;/a&gt; dazzling version of the Australian convict ballad &lt;a href="http://folkstream.com/061.html"&gt;Moreton Bay&lt;/a&gt; from&amp;nbsp;his 2000 CD&amp;nbsp;&lt;a href="http://www.andyirvine.com/"&gt;Way Out Yonder&lt;/a&gt; I am reminded that Australia has a long history of creating "gulags" away from the prying eyes of the citizenry where the authorities inflict cruel and inhumane treatment on detainees. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;From convict settlements to internment camps to Aboriginal reserves to prisons and to modern day immigration detention centres.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;a href="http://www.andyirvine.com/lyrics/moreton_bay.htm"&gt;Moreton Bay&lt;/a&gt;**&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;I am a native of the land of Erin&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;That was early banished from my native shore&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;On the ship Columbus went circular sailing&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;And I left behind me the girl I adore&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;On the bounding billows that were loudly raging&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Bold sea mariners our course did steer&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;We were bound for Sydney our destination&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;And every day cold irons wore &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;chorus&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;O Moreton Bay you’ll find no equal&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Norfolk Island and Emu Plains&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;At Castle Hill and cursed Toongabbie&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;And all Time Places in New South Wales.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;When I arrived it was in Port Jackson&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;And I thought my days would happy be&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;I soon found out I was greatly mistaken&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;I was taken as prisoner to Moreton Bay&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;For three long years I was beastly treated&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;And heavy Irons on my legs I wore&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;My back from flogging it was lacerated&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;And of &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;times painted with crimson gore&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Like the Egyptians and the ancient Hebrews&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;We were oppressed under Logan’s yoke&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Till a native Black there he lay in ambush&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;And he gave the tyrant a mortal stroke&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Now fellow prisoners be exhilarated&lt;/span&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;That all such monsters such a death may find&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;And when from bondage we are liberated&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Our former suffering shall fade from mind&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;(Trad. Arr. Andy Irvine) information about the song written by Andy Irvine&lt;br /&gt;&lt;br /&gt;**This is one of the best known Australian Convict Ballads. Captain Patrick Logan was the cruel Commander of Moreton Bay Penal Colony between 1826 and 1830 when he met his death at the hands--and spears--of a party of Aboriginal Hunters. He was found buried face downwards in a shallow grave--"Looking at Hell, where he was surely bound". The convicts at Moreton Bay went nearly insane with joy at the news of his death. My good friend Kevin Bradley, who is Sound Archivist at the National Library of Australia in Canberra invited me to learn and sing this song at the Woodford Festival in Queensland in 1998. The original was recorded by Simon MacDonald of Creswick, Victoria who lived from 1907-1968.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-4465656269268162944?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/4465656269268162944/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=4465656269268162944' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4465656269268162944'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4465656269268162944'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/11/andy-irvine-moreton-bay-and-history-of.html' title='Andy Irvine, Moreton Bay and the history of Australian gulags'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Ix6bmeIlUIk/TrUJtP6PqpI/AAAAAAAAB8w/yRLJIRlKNI4/s72-c/andy_irvine.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-2783129663882860388</id><published>2011-08-20T09:27:00.000+08:00</published><updated>2011-08-20T09:27:48.951+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='privatization'/><category scheme='http://www.blogger.com/atom/ns#' term='australian politics'/><category scheme='http://www.blogger.com/atom/ns#' term='social policy'/><category scheme='http://www.blogger.com/atom/ns#' term='social injustice'/><category scheme='http://www.blogger.com/atom/ns#' term='human rights'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><category scheme='http://www.blogger.com/atom/ns#' term='housing policy'/><category scheme='http://www.blogger.com/atom/ns#' term='social justice'/><title type='text'>This is what happens when profit drives the delivery of human services</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-iYPunyrXX_s/Tk8MsiccdSI/AAAAAAAAB8g/sbcHz7h7HmU/s1600/boardinghouses.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="231" src="http://2.bp.blogspot.com/-iYPunyrXX_s/Tk8MsiccdSI/AAAAAAAAB8g/sbcHz7h7HmU/s320/boardinghouses.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;photo courtesy of Sydney Morning Herald&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The  dangers involved in allowing the for-profit private and corporate  sector to deliver human services to vulnerable people are once again  evident in a report &lt;i&gt;&lt;a href="http://www.ombo.nsw.gov.au/publication/PDF/specialreport/SR%20Boarding%20Houses.pdf"&gt;More than board and lodging: the need for boarding house reform&lt;/a&gt;&lt;/i&gt;  by the NSW Ombudsman into licensed for- profit boarding houses in NSW.&amp;nbsp;  The Report documents what happens when the profit motive becomes the  main driver of the delivery of human services and Governments and the  not for profit sector hand over responsibility for service delivery to  the private sector..&lt;br /&gt;&lt;br /&gt;In NSW boarding houses are run as  for- profit private businesses to provide accommodation to people with  disabilities, people  with alcohol and drug problems. and mental  illness. Residents are usually reliant on income support and pay between  75-100% of their benefits to the boarding house for accommodation and  consumables&lt;br /&gt;&lt;br /&gt;&amp;nbsp;The Report documents shocking levels of  abuse, sexual assault and mistreatment of residents by staff and other  residents. The Report demonstrates the complete failure of the  Government's licensing and regulation of for- profit and corporate  providers.&lt;br /&gt;&lt;br /&gt;The Ombudsman's investigation&amp;nbsp; found that  residents  have been physically and sexually assaulted by staff and  other  residents, have died in appalling circumstances, and been denied  basic  rights, including contact with their families. This is the fourth  report in  less than 10 years on the failure of the state and the for  profit providers to protect boarding  house residents, in particular  those with psychological and intellectual  disabilities.&lt;br /&gt;&lt;div style="background-color: transparent; border: medium none; color: black; overflow: hidden; text-align: left; text-decoration: none;"&gt;&lt;br /&gt;&lt;/div&gt;&amp;nbsp;Adele Horin's &lt;a href="http://www.smh.com.au/lifestyle/life/shocking-abuse-and-neglect-revealed-in-boarding-houses-across-nsw-20110816-1iwbk.htm"&gt;report&lt;/a&gt; in the Sydney Morning Herald&amp;nbsp; describes the conditions:&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;An  estimated 455 private boarding houses operate in NSW with more than   5000 residents, most of them poor and vulnerable. They pay the   proprietor 75 per cent to 100 per cent of their pension. Thirty-one of   the boarding houses are licensed by the government to accommodate 687   residents with mental illness and/or intellectual disabilities. They   must comply with conditions set out in legislation.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt; The report, &lt;/i&gt;&lt;i&gt;More  than board and lodging: the need for boarding house reform,  shows the  level of care for boarding house residents is inferior to  that received  by people with similar conditions in housing run or funded  by the  government.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt; For example, in  2008, a resident was found 12 hours after he had died in  a room strewn  with faeces and toilet paper.  Three months earlier,  hospital staff had  raised concerns about his hygiene and nutrition.  Around the time of  his death, the department had  assured the Ombudsman  of its initiatives  to improve monitoring and compliance at the boarding  house. The  boarding house eventually closed due to ''unrelated  factors''.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;  Another case involved two residents aged over 80 with schizophrenia,  who  lived in a licensed boarding house despite having been assessed as   needing nursing home care. &lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;Jan  Daisley, president of  People with Disability Australia, said: "It  is  abhorrent that people with disability are left to deteriorate and die   in these places while all along paying up to 100 per cent of their   income to live in this form of housing''.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;  The Ombudsman, Bruce Barbour, noted the good work of some proprietors   but said resident welfare should not depend on the ''goodwill and favour   of individual proprietors.''  &lt;/i&gt;&lt;/blockquote&gt;Dr   Gabrielle Drake, a researcher and lecturer from the UWS School of  Social  Sciences who completed a PhD study in 2010 on the  deinstitutionalisation  of boarding houses for people with mental  illness and disability. has long &lt;a href="http://pubapps.uws.edu.au/news/index.php?act=view&amp;amp;story_id=3026"&gt;called&lt;/a&gt; for the closure of the boarding houses.&lt;br /&gt;&lt;blockquote&gt;&lt;div style="padding-top: 1.2em;"&gt;&lt;i&gt;Dr   Drake says many of the current licensed boarding houses came about as a   part of the poorly resourced and poorly coordinated   deinstitutionalisation process.&lt;/i&gt;&lt;/div&gt;&lt;div style="padding-top: 1.2em;"&gt;&lt;i&gt;"The   result of this process is that people use the majority of their  pension  to live in boarding houses which are located in the community,  yet they  still have restricted access to that community and are still  denied  their right to self-determination," says Dr Drake.&lt;/i&gt;&lt;/div&gt;&lt;div style="padding-top: 1.2em;"&gt;&lt;i&gt;"These   homes are effectively still institutions, where the residents must   conform to structured meal times, closed kitchens, and a lack of   coordinated health care and planning. Too many also experience abuse,   sexual assault, fear and intimidation."&lt;/i&gt;&lt;/div&gt;&lt;div style="padding-top: 1.2em;"&gt;&lt;i&gt;Dr   Drake says licensed boarding houses are an archaic approach to service   provision for people with a mental illness and disability.&lt;/i&gt;&lt;/div&gt;&lt;div style="padding-top: 1.2em;"&gt;&lt;i&gt;"The   Ombudsman's Report clearly indicates that the NSW Department of  Ageing,  Disability and Home Care's (ADHC) procedure for monitoring the   conditions in boarding houses has been unacceptable," she says.&lt;/i&gt;&lt;/div&gt;&lt;div style="padding-top: 1.2em;"&gt;&lt;i&gt;"While   I support legislative reform and the need for a cross-agency and   partnership approach, at the heart of this debate needs to be the   realisation that people with disability have the right to live and   participate in the community in non-congregate accommodation."&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-2783129663882860388?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/2783129663882860388/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=2783129663882860388' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/2783129663882860388'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/2783129663882860388'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/08/this-is-what-happens-when-profit-drives.html' title='This is what happens when profit drives the delivery of human services'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-iYPunyrXX_s/Tk8MsiccdSI/AAAAAAAAB8g/sbcHz7h7HmU/s72-c/boardinghouses.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-5080006979552878775</id><published>2011-07-24T10:05:00.000+08:00</published><updated>2011-07-24T10:05:54.714+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='public goods and services'/><category scheme='http://www.blogger.com/atom/ns#' term='privatization'/><category scheme='http://www.blogger.com/atom/ns#' term='australian politics'/><category scheme='http://www.blogger.com/atom/ns#' term='civil society'/><category scheme='http://www.blogger.com/atom/ns#' term='market hegemony'/><category scheme='http://www.blogger.com/atom/ns#' term='challenging the market'/><category scheme='http://www.blogger.com/atom/ns#' term='not for profits'/><category scheme='http://www.blogger.com/atom/ns#' term='social injustice'/><category scheme='http://www.blogger.com/atom/ns#' term='human rights'/><category scheme='http://www.blogger.com/atom/ns#' term='neoliberalism'/><category scheme='http://www.blogger.com/atom/ns#' term='social justice'/><title type='text'>Privatization of the care of vulnerable people</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-KHoSwNf0ibE/Tit84EA2EMI/AAAAAAAAB8I/QGIOQUUqLRg/s1600/horinboardinghouseimage.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="231" src="http://1.bp.blogspot.com/-KHoSwNf0ibE/Tit84EA2EMI/AAAAAAAAB8I/QGIOQUUqLRg/s320/horinboardinghouseimage.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: x-small;"&gt;images by Simon Bosch, courtesy of the Sydney Morning Herald&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;State and Federal Governments of all persuasion continue their love affair with "market based approaches" to the provision of health services and human and community services.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;These market based approaches take many forms, including privatization and contracting out of government services, competitive tendering of services to not-for- profit and for profit agencies, increasing use of for-profit providers and the private sector&amp;nbsp; to provide services, use of user pay and cost recovery principles, the application of business metrics and the imposition of corporate management models and approaches that have their origins in the for- profit business context.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;But they all are predicated on the assumption that applying market principles to the delivery of health and human and community services will drive innovation, deliver greater efficiency and better quality services and save Governments money.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Adele Horin's piece in the Sydney Morning Herald &lt;a href="http://www.smh.com.au/opinion/society-and-culture/sad-truth-behind-closed-doors-20110722-1hsoo.html"&gt;Sad Truth behind Closed Doors&lt;/a&gt; is further evidence of the dangers of relying on market based and for- profit approaches in the delivery of health and human services. Horin shows that a reliance on market based approaches is a threat to the health and well being of vulnerable people.&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Horin argues that the reliance on for- profit providers of boarding houses&amp;nbsp; to accommodate and support people with mental illness has failed to protect and improve the lives of&amp;nbsp; vulnerable people. Horin draws on the work of Sydney academic &lt;a href="http://www.ahuri.edu.au/research_training/scholars/current_scholars/gabrielledrake.html"&gt;Gabriel Drake&lt;/a&gt; who calls the rise of licensed boarding houses in Sydney, as "the &lt;a href="http://www.blogger.com/goog_1983193511"&gt;privatisation of  the back wards".&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;In a study of inner Sydney licensed boarding  houses, Drake describes a situation where large numbers of people with only their disability in common,&amp;nbsp; live together with little to do,  receive poor mental and physical health care, and have few chances to  learn skills. Their pension is handed over. They can't afford a bus  fare. They become highly dependent on the boarding house owner.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Horin describes how the failure by Governments to provide the funds&amp;nbsp; and support to people with mental illness who were "de-institutionalized" and moved out of large psychiatric institutions meant that they were thrown to the vagaries of the "market"&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;And so hundreds moved into the boarding houses which were run for  profit with minimal or no accountability or monitoring. People with  sometimes serious conditions, such as schizophrenia, went from the state  being in charge of their welfare to a boarding house owner.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;i style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;              &lt;/i&gt;&lt;/span&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;The state passed a law to license boarding houses that  accommodated people with psychological or intellectual disabilities. But  three Ombudsman's reports in nine years - two of them secret and the  latest delivered to the Minister for Disability Services last month -  testify to the failure of the responsible government department, Ageing,  Disability and Home Care, to do its job of inspecting and monitoring  the boarding houses properly.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;i style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;              &lt;/i&gt;&lt;/span&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;A weak law, and some aggressive licensees, did not help  the hapless bureaucrats in their role of protecting and improving the  lives of the vulnerable residents.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;i style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;              &lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;It is time the state government took a serious look at  boarding houses, both the licensed kind, and the unlicensed, which cater  to a slightly different clientele of poor, single tenants often with  alcohol &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;and gambling addictions.&lt;/span&gt;&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-5080006979552878775?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/5080006979552878775/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=5080006979552878775' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5080006979552878775'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5080006979552878775'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/07/privatization-of-care-of-vulnerable.html' title='Privatization of the care of vulnerable people'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-KHoSwNf0ibE/Tit84EA2EMI/AAAAAAAAB8I/QGIOQUUqLRg/s72-c/horinboardinghouseimage.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-6043980484934758962</id><published>2011-07-16T20:18:00.000+08:00</published><updated>2011-07-16T20:18:53.473+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate criminality'/><category scheme='http://www.blogger.com/atom/ns#' term='books'/><category scheme='http://www.blogger.com/atom/ns#' term='Gulf oil spill'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><title type='text'>Currently reading</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-HestlpijphE/TiF9ed4qGBI/AAAAAAAAB8E/FQi1RMWEVXc/s1600/IMG_1689.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" m$="true" src="http://3.bp.blogspot.com/-HestlpijphE/TiF9ed4qGBI/AAAAAAAAB8E/FQi1RMWEVXc/s400/IMG_1689.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;a href="http://www.globalexchange.org/getInvolved/speakers/85.html"&gt;Antonia Juhasz's&lt;/a&gt;&amp;nbsp;new book &lt;a href="http://www.tyrannyofoil.org/"&gt;Black Tide: The Devastating Impact of the Gulf Oil Spill&lt;/a&gt;&amp;nbsp;explores the devastating&amp;nbsp;impact of the disaster at the Deepwater Horizon in the Gulf of Mexico.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;An interview with Antonia Juhasz about the book is &lt;a href="http://www.democracynow.org/2011/4/18/5_million_barrels_of_oil_does"&gt;here&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;A video of Antonia Juhasz talking about the Deepwater explosion and her book is &lt;a href="http://vodpod.com/watch/9659532-antonia-juhasz-black-tide-the-devastating-impact-of-the-gulf-oil-spill-apr-25-2011-?u=dandelionsalad&amp;amp;c=dandelionsalad"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-6043980484934758962?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/6043980484934758962/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=6043980484934758962' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/6043980484934758962'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/6043980484934758962'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/07/currently-reading.html' title='Currently reading'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-HestlpijphE/TiF9ed4qGBI/AAAAAAAAB8E/FQi1RMWEVXc/s72-c/IMG_1689.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-7598293297521908748</id><published>2011-07-16T16:48:00.002+08:00</published><updated>2011-07-16T19:52:23.689+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Iraq'/><category scheme='http://www.blogger.com/atom/ns#' term='Israel-Palestine'/><category scheme='http://www.blogger.com/atom/ns#' term='arab uprisings'/><category scheme='http://www.blogger.com/atom/ns#' term='syria'/><category scheme='http://www.blogger.com/atom/ns#' term='middle east'/><title type='text'>The contemporary relevance of the life and legend of TE Lawrence</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-AVDgZTRp-EI/TiEMMmQgyXI/AAAAAAAAB8A/UWFXuMvBBmE/s1600/IMG_1910.JPG" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" m$="true" src="http://2.bp.blogspot.com/-AVDgZTRp-EI/TiEMMmQgyXI/AAAAAAAAB8A/UWFXuMvBBmE/s320/IMG_1910.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Like many others my first knowledge of the life and legend of T.E. Lawrence was from seeing David Lean's epic move &lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/Lawrence_of_Arabia_(film)"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Lawrence of Arabia &lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;at the Albany Town cinema during the 1960's. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Lean's &lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/Lawrence_of_Arabia_(film)"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;film &lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;was a cinematic masterpiece, winning 7 Academy Awards, including Best Picture and Best Director. For many people it is perhaps the finest film ever made.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;But Lean's film is neither historically accurate, nor an accurate account of the &lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/Arab_Revolt"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Arab Revolt&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt; against the Turks in the Middle East during WW1. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;&lt;/span&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;It is intriguing to read &lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/Arab_Revolt"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Michael&amp;nbsp;Korda's new book&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt; (review &lt;a href="http://www.nytimes.com/2010/11/22/books/22book.html"&gt;here&lt;/a&gt;) about the life of T.E. Lawrence and his role in the 1915-18 Arab revolt, against the backdrop of&amp;nbsp;the 2011 Arab spring&amp;nbsp;uprisings&amp;nbsp;that continue to sweep&amp;nbsp;across the contemporary Arab world, most recently in Syria&amp;nbsp;and cities such as Damasacus and Deraa (which in 1918&amp;nbsp;were liberated by Arab armies led by Lawrence).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;It could be argued that the last time that the Arabs revolted in such unison was in 1915-1918&amp;nbsp; when they rose up, with Lawrence's assistance,&amp;nbsp;to overthrow the 500 year old Ottoman Empire.&amp;nbsp; In 2011&amp;nbsp;they are rising up against repressive, merciless corrupt and greedy rulers who have&amp;nbsp;terrorised their citizens&amp;nbsp;under&amp;nbsp;the protection of Western governments, particularly the British, French and American&amp;nbsp;governments.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Michael_Korda"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Korda's&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt; mammoth book (all 762 pages)&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.newstatesman.com/books/2011/06/arabia-lawrence-british-legend"&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Hero: The Life and Legend of Lawrence of Arabia&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt; provides a detailed overview of both the life and legend of T.E. Lawrence. &lt;/span&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;It is an overly&amp;nbsp;long book, although its great strength is&amp;nbsp;the detailed description and analysis of Lawrence's role in&amp;nbsp;the&amp;nbsp;1916-1918 Arabian&amp;nbsp;campaign and his post war involvement on behalf of Arab claims for independence. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;What Korda shows is that Lawrence was a fierce advocate for the cause of Arab independence and for the creation of&amp;nbsp;independent Arab states, and he understood the dangers of allowing&amp;nbsp;Britain and France and their Western allies&amp;nbsp;to&amp;nbsp;divide up the Middle East amongst themselves. He foresaw and predicted many of the problems that&amp;nbsp;arose in the Middle East, including the division of Palestine, as a result of the carve up of the Middle East (and the Balkans) by western powers.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;Yet&amp;nbsp;Lawrence was&amp;nbsp;instrumental in crafting a solution&amp;nbsp;to the&amp;nbsp;break up of the Ottoman Empire which simply&amp;nbsp;entrenched and extended&amp;nbsp;the power of the British and the French. Despite his misgivings Lawrence played a critical role in drawing the lines on the map and negotiating the arrangements&amp;nbsp;that created the Arab states that now exist- Syria, Lebanon, Jordan, Iraq, Saudi Arabia- as well as the&amp;nbsp;creation of&amp;nbsp;Palestine under&amp;nbsp;British rule.&lt;/span&gt;&lt;span style="font-family: Georgia;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;Korda suggests that Lawrence was tormented by&amp;nbsp;his failure&amp;nbsp;to convince the British and&amp;nbsp;French Governments&amp;nbsp; to keep their promises&amp;nbsp;to the&amp;nbsp;Arabs&amp;nbsp; and&amp;nbsp;the part he played&amp;nbsp;in the betrayal of Arab independence.&amp;nbsp;Korda&amp;nbsp;seems to be of the view&amp;nbsp;that the rest of&amp;nbsp;Lawrence's life was played out in the shadow of this betrayal.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Korda's book shows how ultimately the desire for Arab independence in 1915-18 was constrained and repressed by Western Governments. Despite his enormous achievements, TE Lawrence played a key role in that betrayal.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-7598293297521908748?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/7598293297521908748/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=7598293297521908748' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/7598293297521908748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/7598293297521908748'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/07/life-and-legend-of-te-lawrence-lawrence.html' title='The contemporary relevance of the life and legend of TE Lawrence'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-AVDgZTRp-EI/TiEMMmQgyXI/AAAAAAAAB8A/UWFXuMvBBmE/s72-c/IMG_1910.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-5733621689687937364</id><published>2011-07-15T13:32:00.000+08:00</published><updated>2011-07-15T13:32:15.027+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Judith wright'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><title type='text'>Poet of the Day: Judith Wright</title><content type='html'>&lt;em&gt; &lt;blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-qUApE5Ei-YI/Th_QtVdBAzI/AAAAAAAAB78/8_QZF5D796Y/s1600/IMG_0804.JPG" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" m$="true" src="http://1.bp.blogspot.com/-qUApE5Ei-YI/Th_QtVdBAzI/AAAAAAAAB78/8_QZF5D796Y/s320/IMG_0804.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;em&gt;....Change is my true condition,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;to take and give and promise, &lt;/em&gt;&lt;br /&gt;&lt;em&gt;to fight and fail and alter.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;I aim towards Forever, &lt;/em&gt;&lt;br /&gt;&lt;em&gt;but that is no one's country,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;till in perhaps one moment, &lt;/em&gt;&lt;br /&gt;&lt;em&gt;dying I'll recognise it;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;those peaks not ice but sunlit&lt;/em&gt;&lt;br /&gt;&lt;em&gt;from sources past my knowing,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;as beauty of completion&lt;/em&gt;&lt;br /&gt;&lt;em&gt;the end of being human.&lt;/em&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;strong&gt;from Some Words by &lt;a href="http://education.theage.com.au/cmspage.php?intid=136&amp;amp;intversion=253"&gt;Judith Wright&lt;/a&gt;&lt;/strong&gt;&lt;/blockquote&gt;&lt;blockquote&gt;A kind of weaving&lt;br /&gt;goes on all the time in houses, its pattern&lt;br /&gt;determined by the years of taking and giving.&lt;br /&gt;&lt;br /&gt;And we were fortunate, house, to have your shelter.&lt;br /&gt;Your roof crouched among trees on the turning planet,&lt;br /&gt;part of a surface receiving rain and sunlight,&lt;br /&gt;kept off the shrieking&lt;br /&gt;spped of space, the bad weather,&lt;br /&gt;enclosed our portion of time, our pattern of making.&lt;/blockquote&gt;&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-5733621689687937364?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/5733621689687937364/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=5733621689687937364' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5733621689687937364'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5733621689687937364'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/07/poet-of-day-judith-wright.html' title='Poet of the Day: Judith Wright'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-qUApE5Ei-YI/Th_QtVdBAzI/AAAAAAAAB78/8_QZF5D796Y/s72-c/IMG_0804.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-1010939302326670730</id><published>2011-07-10T21:22:00.007+08:00</published><updated>2011-07-10T21:33:15.298+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='UK'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate power'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate criminality'/><category scheme='http://www.blogger.com/atom/ns#' term='media'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><title type='text'>The crises engulfing David Cameron, the Murdoch empire and the British political class</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-e6k_9qIeS7g/ThmnJC3njjI/AAAAAAAAB74/IBuGmvfGsx0/s1600/cameronmurdoch.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="210" src="http://1.bp.blogspot.com/-e6k_9qIeS7g/ThmnJC3njjI/AAAAAAAAB74/IBuGmvfGsx0/s320/cameronmurdoch.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;a href="http://www.gerryhassan.com/"&gt;Gerry  Hassan&lt;/a&gt; is always worth reading.&amp;nbsp; In his &lt;a href="http://www.opendemocracy.net/ourkingdom/gerry-hassan/murdochgate-cameron-project-and-crisis-of-british-state"&gt;latest piece&lt;/a&gt; Hassan writes about the  significance of the crises engulfing Britain's neoliberal state, particularly the  collusion between the Murdoch empire, Prime Minister Cameron and the British  political class.&lt;/span&gt;&lt;/span&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small;"&gt; Hassan writes that:&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;"This may seem like a schadenfreude moment for many who have despaired  at the profound influence of the Murdoch empire across British life,  and who are feeling a little spring in their step upon seeing Andy  Coulson, former editor of the ‘News of the World’ and Downing Street  Head of Communications charged by the police, while David Cameron and  his Tory-led Government struggle to deal with events.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;The Cameron Conservative project is now in major crisis&lt;/span&gt;".&lt;/i&gt;&lt;/blockquote&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-weight: normal;"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;A Murdoch newspaper, The News of the World, and its Editors have been involved in criminal activity. They authorized and allowed the hacking of the phones of a murdered girl, the families and relatives of soldiers killed in Iraq and Afghanistan and people killed in terrorist bombings. One of the Editors of the paper who was directly involved in this illegal activity was subsequently employed by David Cameron, the current Prime Minister as his Head of Communications.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small;"&gt;The British PM has been damaged seriously by the implosion of the News of the World and the fall out from the scandal. Some commentators are suggesting that PM Cameron has been damaged irrevocably.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://blog.foreignpolicy.com/posts/2011/07/08/how_bad_is_the_news_of_the_world_scandal_for_david_cameron"&gt;Robert Zeliger&lt;/a&gt; writes that Cameron &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;is irrevocably tarred because he turned a blind eye to some of the press's shadier tactics, while cozying up to media executives in order to win political backing.&lt;/span&gt; &lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small;"&gt;Zeliger writes&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;blockquote&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;"After all, Cameron has ties to some of the most vilified people in the scandal. He courted Rupert Murdoch in the run-up to last year's election (which helped to ensure his victory). He's friends with Rebekah Brooks, the former editor of the tabloid and current News International chief executive who has become a focal point of criticism for the mess. And he hired Andy Coulson, another former editor of the paper, as his communications director at 10 Downing. This morning, Coulson (who stepped down from his job in January) was arrested for his involvement with the paper's illegal activities.  &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;/blockquote&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-weight: normal;"&gt;&amp;nbsp;Gerry Hassan &lt;a href="http://www.opendemocracy.net/ourkingdom/gerry-hassan/murdochgate-cameron-project-and-crisis-of-british-state"&gt;writes&lt;/a&gt;:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;"That brings us to the state of Britain and the Murdoch News  International scandal. It isn’t an accident that in the last three years  there have been three seismic crises of the new forces of power and  privilege in the new British establishment. In 2008, we had the crises  of the banks, followed by the political classes and the expenses crisis,  and now, the escalating revelations of the amoral, out of control  nature of the Murdoch press.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;All three crises are important  because they are parts of the pillars of Britain’s neo-liberal state:  the reconfiguration of the British political, public, economic, social  and cultural life of the UK, and the collusion of our politicians and  wider political classes with all of this.&lt;/i&gt;&lt;/blockquote&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;As Hassan ponts out:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;"&lt;i&gt;It may be heart-warming to see the attention of media, politicians  and police investigation turn on the inner workings and abuses of the  Murdoch empire, but we will need to ask much more penetrating,  far-reaching questions if we are to take back British public life from  the vulgarians, fellow-travellers and apologists for Murdoch’s empire,  the marketisation of our society and development of Britain and the  British state into an outlier for corporate power.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Two public  inquiries into the phone hacking and media ethics are only the start. We  need our politicians, media and wider political world to begin asking  what kind of Britain have they colluded in creating? What kind of  nomenklatura have they allowed to evolve and what have been its  consequences? And given the forces of power, privilege and status which  exist in the UK, and of which Murdoch is but one manifestation, how do  we row back against the world they have created?&lt;/i&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-1010939302326670730?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/1010939302326670730/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=1010939302326670730' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1010939302326670730'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1010939302326670730'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/07/gerry-hassathe-crises-engulfing-david.html' title='The crises engulfing David Cameron, the Murdoch empire and the British political class'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-e6k_9qIeS7g/ThmnJC3njjI/AAAAAAAAB74/IBuGmvfGsx0/s72-c/cameronmurdoch.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-3810365393431008555</id><published>2011-07-06T11:22:00.002+08:00</published><updated>2011-07-06T11:27:18.561+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='australian politics'/><category scheme='http://www.blogger.com/atom/ns#' term='australian history'/><category scheme='http://www.blogger.com/atom/ns#' term='WA politics'/><category scheme='http://www.blogger.com/atom/ns#' term='Western Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate criminality'/><category scheme='http://www.blogger.com/atom/ns#' term='Barnett government'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><category scheme='http://www.blogger.com/atom/ns#' term='serco'/><title type='text'>Clare Sambrook exposes the consequences of privatising services for vulnerable West Australians</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-kYxMyJR0y9k/ThPTK9y-tSI/AAAAAAAAB7o/_UqnuIdLQoE/s1600/serco_prison_van.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-pP33-EdMRpE/ThPUpcAUZHI/AAAAAAAAB7s/zYUEKDDVlbg/s1600/G4S2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-pP33-EdMRpE/ThPUpcAUZHI/AAAAAAAAB7s/zYUEKDDVlbg/s200/G4S2.jpg" width="177" /&gt;&lt;/a&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;a href="http://www.claresambrook.com/"&gt;Clare Sambrook&lt;/a&gt; is an award winning British journalist who has written &lt;a href="http://www.opendemocracy.net/ourkingdom/clare-sambrook/duty-of-care-beyond-case-of-mr-ward-cooked-to-death-by-gigantic-outsourcer"&gt;this remarkable piece&lt;/a&gt; on the death of Mr Ward in the back of a G4S van in the Eastern Goldfields region of WA. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Her article reveals  the lethal consequences of contracting out to profit making companies,  be they G4S or Serco,&amp;nbsp; public responsibility for vulnerable people, be it the care of prisoners, or for that matter  vulnerable youth, children or adults. It does not matter whether it is  G4S or Serco. There is no place for them in the care of people.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-TlCsPROHjzw/ThPVfqBwkEI/AAAAAAAAB70/nMLaVjUzl10/s1600/serco_prison_van.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="133" src="http://2.bp.blogspot.com/-TlCsPROHjzw/ThPVfqBwkEI/AAAAAAAAB70/nMLaVjUzl10/s200/serco_prison_van.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Ultimately there is little difference between Serco and G4S. The Barnett Government has &lt;a href="http://au.news.yahoo.com/thewest/a/-/wa/9655079/serco-awarded-prison-services-contract/"&gt;awarded Serco the new contract&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; to transport prisoners around WA&lt;/span&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; (instead of G4S) and G4S staff will simply &lt;a href="http://au.news.yahoo.com/thewest/regional/goldfields/a/-/news/9751925/g4s-staff-set-to-join-serco/"&gt;transfer across to Serco&lt;/a&gt;, the new contractor&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;. This is despite widespread&lt;a href="http://www.abc.net.au/news/stories/2011/05/06/3209409.htm"&gt; opposition and protest in WA&lt;/a&gt; against G4S's previous contract and Serco's new contract to run prisoner transport.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Clare Sambrook writes:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;"&lt;i&gt;Indeed the case of Mr Ward provides a shocking glimpse behind the  corporate spin, exposing shakiness in the logic that has propelled the  global boom in privatisation of core public services". &lt;/i&gt;&lt;/span&gt;&lt;/h6&gt;&lt;/blockquote&gt;&lt;div class="separator" style="clear: both; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-K4fJ9mR3G50/ThPU7IrwvEI/AAAAAAAAB7w/eyXII_CJ3xY/s1600/G4S.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="150" src="http://4.bp.blogspot.com/-K4fJ9mR3G50/ThPU7IrwvEI/AAAAAAAAB7w/eyXII_CJ3xY/s200/G4S.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Clare Sambrook links Mr Ward's death to the profit seeking mantra of companies like G4S and Serco who see the death of a person in their care as simply a risk of doing business. Her report of a business briefing by G4S and its senior Executives in London is chilling. &lt;/div&gt;&lt;blockquote&gt;&lt;i&gt;"Thousands of miles away from scorchingly hot Kalgoorie, &lt;a href="http://www.opendemocracy.net/ourkingdom/clare-sambrook/surveillance-detention-%C2%A3%C2%A3%C2%A3billions-how-labour%E2%80%99s-friends-are-%E2%80%98securing-your"&gt;here in the UK&lt;/a&gt; G4S executives &lt;a href="http://www.g4s.com/%7E/media/Files/Investor%20Relations%20documents/G4S%20Capital%20Markets%20Day%202011%20-%20Session%20One.ashx"&gt;briefed financial analysts&lt;/a&gt;  the other day. There was a slide show —&amp;nbsp;“Core values: Customer Focus,  Expertise . . . Integrity (We can always be trusted to do the right  thing)”. Director David Taylor-Smith ran through the company’s UK  business, £1.2 billion of it, £700 million with government —&amp;nbsp;the UK  Border Agency, the Ministry of Justice, the National Offender Management  Service. (Only yesterday morning G4S corporate development director  Peter Neden sat in committee room 6 at the Palace of Westminster,  arguing the case for &lt;a href="http://www.parliament.uk/business/committees/committees-a-z/commons-select/justice-committee/inquiries/rps/"&gt;“reform” of the probation services&lt;/a&gt;.)&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;“We’re  now bigger than the Scottish Prison Service and Northern Ireland Prison  Service combined,” said Taylor-Smith. “So we’re starting to get proper  scale now in the UK as a kind of a credible alternative to national  bodies running prisons.”&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;There’d been major wins in providing  “facilities management” for NHS hospitals: "we do 13 acute hospitals  now. So that’s great.”&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;About Welfare to Work (“when that’s  clocked in next year that will be £130 million”), Taylor-Smith joked:  “I’m just reminding those taxpayers, if there are British taxpayers in  this room, £159 billion spent in this area of government.” G4S will be  paid by results, managing subcontractors getting long term unemployed  people back into work (or at any rate off the state’s books).&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;“We  see this as providing significant additional growth opportunities,”  said Taylor-Smith, confiding: “Two nights ago I was with [government  ministers] Iain Duncan Smith, Oliver Letwin, Crispin Blunt and they’re  talking now also applying this into the prisons programmes, into drug  programmes and also benefit fraud.&amp;nbsp; &lt;/i&gt;&lt;i&gt;(&lt;a href="http://www.opendemocracy.net/ourkingdom/clare-sambrook/meet-g4s-government%E2%80%99s-untouchable-friend"&gt;It pays to get friendly with G4S&lt;/a&gt;. Former Labour Home Secretary John Reid was trousering G4S fees of &lt;a href="http://www.publications.parliament.uk/pa/cm/cmregmem/090624/memi23.htm"&gt;£50,000 a year&lt;/a&gt; even before he’d left Parliament. Now &lt;a href="http://www.parliament.uk/biographies/john-reid/25200"&gt;Lord Reid is a G4S director&lt;/a&gt;.)&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt; &lt;/i&gt; &lt;i&gt;The  analysts asked about Australia. The year after Mr Ward’s death G4S lost  its contract to run Australia’s refugee detention network and last  month it lost the &lt;a href="http://www.mediastatements.wa.gov.au/Pages/Results.aspx?ItemID=139842"&gt;Western Australia&lt;/a&gt; court security and custodial contract as well (both pieces of business picked up by Serco).&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Nick Buckles, who is paid &lt;a href="http://www.g4s.com/en/Investors/Reporting%20Centre/%7E/media/Files/Corporate%20Files/Annual%20Reports%20and%20CSR/g4s_annual_report_2010.ashx"&gt;£27,000-a-week&lt;/a&gt;,  said of the Australian market: “We haven't had a good run recently on  care and justice because of a major incident that happened about three  years ago.”&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;But, looking on the bright side, he said: “there is  only two or three major players, typically sometimes only two people  bidding for care and justice. And with . . . our global expertise, in  time we will become a winner in that market because there's a lot of  outsourcing opportunities and not many competitors operating down  there.”&lt;/i&gt;&lt;/blockquote&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-3810365393431008555?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/3810365393431008555/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=3810365393431008555' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/3810365393431008555'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/3810365393431008555'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/07/clare-sambrook-exposes-consequences-of.html' title='Clare Sambrook exposes the consequences of privatising services for vulnerable West Australians'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-pP33-EdMRpE/ThPUpcAUZHI/AAAAAAAAB7s/zYUEKDDVlbg/s72-c/G4S2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-8443549674683514835</id><published>2011-07-04T18:11:00.000+08:00</published><updated>2011-07-04T18:11:35.434+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='oodside&apos;s proposed $30 billion gas hub at James Price Point is about to enter anew phase wlice are p'/><title type='text'>WA Police set to do the dirty work for Woodside and the WA corporatocracy</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-HvSIQt5_yRk/ThGRaQCPv7I/AAAAAAAAB7g/nFvFQ-u5ZFs/s1600/jamespricepouintcoropinvasyion.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="225" src="http://1.bp.blogspot.com/-HvSIQt5_yRk/ThGRaQCPv7I/AAAAAAAAB7g/nFvFQ-u5ZFs/s400/jamespricepouintcoropinvasyion.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;The civil society and community campaign against Woodside's (in partnership with Shell, Chevron, BHP and BP) proposed $30 billion gas hub at James Price Point is about to enter a new phase with &lt;a href="https://www.facebook.com/pages/Goolarabooloo-and-Lurujarri-Heritage-Trail/116735645006633"&gt;reports&lt;/a&gt; from Broome that Police are &lt;a href="https://www.facebook.com/pages/The-Wilderness-Society-WA/115300115157565"&gt;preparing to disrupt&lt;/a&gt; the month long blockade that has prevented Woodside contractors from clearing native vegetation at the proposed site.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;For nearly 30 days hundreds of protestors have prevented Woodside contractors from accessing the James Price Point site, claiming that they have neither Federal or State environmental or heritage clearances. Protestors claim they are resisting Woodside's contractors from undertaking illegal clearing at James Price Point.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Since last weeks&amp;nbsp; signing of a land access agreement between the WA Government, Woodside and some of the traditional owner's associated with the Kimberley Land Council, the rhetoric of Premier Barnett and the KLC's Chief Negotiator Wayne Bergman has become increasingly heated.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Premier Barnett has accused the protestors of standing in the way of Aboriginal people, conveniently overlooking the fact that the majority of the protestors are Aboriginal people, some of whom are traditional owners of land around James Price Point.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Kimberley Land Council Chief Negotiator Wayne Bergman has accused the protestors of being rebels who are just "running amok in the face of what was a very legitimate process".&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;But many Aboriginal people, including some traditional owners &lt;a href="http://www.abc.net.au/local/stories/2011/07/04/3260514.htm"&gt;reject Bergman's claims&lt;/a&gt; and a &lt;a href="http://www.blogger.com/goog_856765283"&gt;delegation of local Aboriginal people&amp;nbsp; are off to Canberra&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.abc.net.au/news/stories/2011/07/04/3260389.htm?site=indigenous&amp;amp;topic=latest"&gt;&amp;nbsp; &lt;/a&gt;to convince Federal politicians that there is mounting opposition in Broome to the proposed development.&amp;nbsp; Local Aboriginal leaders &lt;a href="http://au.news.yahoo.com/thewest/a/-/wa/9776432/family-bid-to-stop-gas-hub/"&gt;Anna Poelina, Mitch Torres and Alan Pigram&lt;/a&gt; have collected 3,000  signatures on a petition that opposes the&amp;nbsp; gas  precinct at James Price Point on environmental and social grounds:&lt;/div&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;"Dr Poelina believes that people in Perth and Canberra have the  impression that Aboriginal people and traditional owners are all very  happy with the way business is being done. She says this isn't the case  and that many Broome families want to slow the process down and  seriously consider how industrialisation is coming to the Kimberley  '...because we do not believe that it is good business."&lt;/div&gt;&lt;/blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Civil society groups are reporting that they expect the Police to attempt to clear the protestors to allow the Woodside contractors access to James Price Point.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Community groups involved in the blockades are issuing advice to the protestors about how to respond to the anticipated Police action:&lt;/span&gt;&lt;/div&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;"Keep  calm and respectful. They will try and provoke to get some resisting  arrest charges. Try and get as many numbers on the ground as possible  and stay your ground.................They  will not be physically able to give you each a move on directive which  they need to, though if you receive one it's up to you what you do with  it. You do not need to move on, though if you are charged for resisting a  move on directive you need to go with the officer, he needs to tell you  you are under arrest..&lt;/span&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt; At  that point do not resist as you do not need a resisting arrest charge,  or an assaulting police and or affray charge, stay calm and remember  there is a greater power in numbers than you each can imagine. The  country is so proud of each and everyone of you. Stay strong and true  and respectful and you will be rewarded"&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;/blockquote&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-8443549674683514835?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/8443549674683514835/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=8443549674683514835' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8443549674683514835'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8443549674683514835'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/07/wa-police-set-to-do-dirty-work-for.html' title='WA Police set to do the dirty work for Woodside and the WA corporatocracy'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-HvSIQt5_yRk/ThGRaQCPv7I/AAAAAAAAB7g/nFvFQ-u5ZFs/s72-c/jamespricepouintcoropinvasyion.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-1591939380556581174</id><published>2011-06-22T17:15:00.012+08:00</published><updated>2011-06-25T09:18:43.734+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='privatization'/><category scheme='http://www.blogger.com/atom/ns#' term='australian politics'/><category scheme='http://www.blogger.com/atom/ns#' term='australian history'/><category scheme='http://www.blogger.com/atom/ns#' term='civil society'/><category scheme='http://www.blogger.com/atom/ns#' term='WA politics'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate power'/><category scheme='http://www.blogger.com/atom/ns#' term='Protest'/><category scheme='http://www.blogger.com/atom/ns#' term='Western Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='activism'/><category scheme='http://www.blogger.com/atom/ns#' term='Barnett government'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><category scheme='http://www.blogger.com/atom/ns#' term='acts of defiance'/><title type='text'>Kimberley blockade and protest against Woodside's corporate invasion and the WA corporatocracy</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-_FCtcOqFbKk/TgU28787PUI/AAAAAAAAB7U/lhg7kI1UXGg/s1600/jamespointmontage.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="190" src="http://4.bp.blogspot.com/-_FCtcOqFbKk/TgU28787PUI/AAAAAAAAB7U/lhg7kI1UXGg/s400/jamespointmontage.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;West Australian Greens Senator &lt;a href="http://scott-ludlam.greensmps.org.au/"&gt;Scott Ludlum&lt;/a&gt; made an important &lt;a href="http://greensmps.org.au/content/speech/protecting-kimberley"&gt;speech&lt;/a&gt; in the Australian Senate today about the protest and blockade against Woodside in the West Kimberley, now into its third week.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-dEhD5s1IlkY/TgU3KJYzXLI/AAAAAAAAB7Y/i-Tk-l4vr4I/s1600/jamespricepouintcoropinvasyion.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="225" src="http://4.bp.blogspot.com/-dEhD5s1IlkY/TgU3KJYzXLI/AAAAAAAAB7Y/i-Tk-l4vr4I/s400/jamespricepouintcoropinvasyion.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;For 16 days hundreds of protestors have been blockading access roads to James Price Point, the site of the proposed $30 billion gas hub 50 kilometers north of Broome in the Kimberley region. The protestors are preventing Woodside contractors from reaching the site to carry out surveys and clear vegetation. Despite having no environmental or heritage clearances the State and Federal Governments have allowed Woodside to commence the work (you can follow the protest &lt;a href="http://www.savethekimberley.com/wp/2011/06/21/james-price-point-manari-road-protest-update-days-15-and-16/"&gt;here&lt;/a&gt;).&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Here are some extracts from Scott Ludlum's speech in the Senate today:&lt;/span&gt;&lt;/div&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;These scenes are being played out all over again as Woodside moves heavy  equipment on site to begin land clearing for the Browse Basin gas  project-a gigantic industrial complex which is being proposed for 40 or  50 kilometres north of Broome at the moment. It is amazing to hear the  reports and see what is happening up there. We now have a blockade camp  at Minari Road. They have had up to 120 people blocking the road and  trying to stop-successfully-Woodside and its contractors getting  equipment onto country.&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;br /&gt;It  is extraordinary to see this because this project has not yet been  approved by either the state government or the federal government. In my  experience non-violent direct action, with people putting themselves in  the way to stop these sorts of projects, generally comes last, after  all options have been exhausted. But in this case it is happening before  either the state or federal government has given formal  approval-because the company has decided to move in and start  land-clearing anyhow. They are proposing to put in roads and flatten  areas-allegedly to do work to complete their environmental impact  processes-before approvals have been given.&lt;/i&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;The residents of the Kimberley do not necessarily want the same mistakes  that have plagued the Pilbara and the south of our country to be  repeated and that is why they are standing up. What needs to happen  surely would be obvious to anybody with a basic appreciation of what has  gone on in Australia and how we can do things differently in the  Kimberley. We need to listen to local voices for local governance and  local economic development in a form that is appropriate to the  Kimberley and not simply to repeat the mistakes of the past at the  behest of oil and gas companies and mining companies. That will end up  locking-in on non-extractive economic development that is not based on  chewing down the resource base on which we depend.&lt;/i&gt;&lt;/span&gt; &lt;/blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-yBHsPRk9SNY/TgU3XIcOreI/AAAAAAAAB7c/o-gxdCIo4YU/s1600/jamespointmap.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="192" src="http://4.bp.blogspot.com/-yBHsPRk9SNY/TgU3XIcOreI/AAAAAAAAB7c/o-gxdCIo4YU/s320/jamespointmap.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;While the protests and blockade in the Kimberley has a strong local focus and are being led by local Aboriginal people and people who live in the West Kimberley, they also&amp;nbsp; reflect a growing protest movement erupting all over the state opposed to the WA &lt;b&gt;corporatocracy- the system of government in WA that exists to serve the interests of corporations and the wealthy, and which involves close ties between business, corporations like Woodside and the Barnett Government&amp;nbsp;&lt;/b&gt; and its public service bureaucracy.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Some examples of other protests include:&lt;/span&gt;&lt;/div&gt;&lt;ul style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt; campaigns against proposals to mine coal and bauxite in the densely populated South west of the State&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt; campaigns against multinational corporations like Serco and G4S who are winning more and more contracts&amp;nbsp; from the Barnett Government to provide public services&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;campaigns against the privatization of public services and public assets to corporations in areas such as public hospitals, prisons, public utilities, infrastructure, health care and justice&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt; campaigns against the uranium mining and nuclear industry &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt; legal action by local residents against Alcoa for the harm done to communities and residents in the South West&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt; local community action against polluting corporations in towns and communities such as Kwinana and Esperance &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt; campaigns against mining companies granted access to community water supplies in the Wheatbelt&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;community opposition to Monsanto's introduction of GM crops and its takeover of grain research and production in WA.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-1591939380556581174?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/1591939380556581174/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=1591939380556581174' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1591939380556581174'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1591939380556581174'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/kimberley-blockade-and-protest-against.html' title='Kimberley blockade and protest against Woodside&apos;s corporate invasion and the WA corporatocracy'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-_FCtcOqFbKk/TgU28787PUI/AAAAAAAAB7U/lhg7kI1UXGg/s72-c/jamespointmontage.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-8669652605430083708</id><published>2011-06-22T08:41:00.000+08:00</published><updated>2011-06-22T08:41:40.945+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='chris hedges'/><category scheme='http://www.blogger.com/atom/ns#' term='Protest'/><category scheme='http://www.blogger.com/atom/ns#' term='activism'/><category scheme='http://www.blogger.com/atom/ns#' term='dissent'/><category scheme='http://www.blogger.com/atom/ns#' term='acts of defiance'/><title type='text'>Chris Hedges interviews Tim DeChristopher</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-dubdBBj0xqQ/TgE6KdUpx_I/AAAAAAAAB6E/hArUsA45xds/s1600/timdechristopherfree.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="273" src="http://4.bp.blogspot.com/-dubdBBj0xqQ/TgE6KdUpx_I/AAAAAAAAB6E/hArUsA45xds/s400/timdechristopherfree.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;Chris Hedges has published this &lt;a href="http://www.truthdig.com/report/print/this_hero_didnt_stand_a_chance_20110620/"&gt;interview&amp;nbsp; &lt;/a&gt;with Tim DeChristopher whose case I wrote about in this &lt;a href="http://wwwcolinpenter.blogspot.com/2011/06/environmental-activist-tim-dechrisopher.html"&gt;recent blog piece. &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Hedges writes that the prosecution of DeChristopher is evidence that the moral order has been turned upside down:&lt;br /&gt;&lt;blockquote&gt;&lt;span style="font-family: georgia,times new roman,times,serif;"&gt;&lt;i&gt;&amp;nbsp;The bankers  and swindlers who trashed the global economy and wiped out some $40  trillion in wealth amass obscene amounts of money, much of it provided  by taxpayers. They do not go to jail. Regulatory agencies, compliant to  the demands of corporations, refuse to impede the destruction unleashed  by the coal, oil and natural gas companies as they turn the planet into a  hothouse of pollutants, poisoned water, fouled air and contaminated  soil in the frenzied quest for greater and greater profits. Those who  manage and make fortunes from pre-emptive wars, embrace torture, carry  out extrajudicial assassinations, deny habeas corpus and run up the  largest deficits in human history are feted as patriots. But when a  courageous citizen such as DeChristopher peacefully derails the  corporate and governmental destruction of the ecosystem, he is sent to  jail.&lt;/i&gt;&lt;/span&gt;&lt;/blockquote&gt;&amp;nbsp;Hedges publishes extracts from his interview with De Christopher:&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;&lt;span style="font-family: georgia,times new roman,times,serif;"&gt;“Our strategies  must be to not only change our energy system and food system, but to  change our power structures,” he said. “We shouldn’t be looking for the  big corporations running the show to become a little greener and  cleaner. We should be overthrowing those corporations running our  government. Our job as a movement is not just to reduce emissions; while  we still need to do that, we also have this other challenge of  maintaining our humanity through whatever challenges lie ahead. This is  much more abstract and foreign to this movement.”&lt;br /&gt;&lt;br /&gt;“Civil disobedience puts us in a vulnerable position,” DeChristopher  said.&lt;/span&gt;&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;&lt;span style="font-family: georgia,times new roman,times,serif;"&gt;“It puts us in a position where we are refusing to be obedient to  injustice. Civil disobedience puts us in a position where we are making a  risk and possibly making a sacrifice to stand up against that  injustice. It also puts us in a position where with that vulnerability  we see how much we need other people. This is something I have  experienced over the past few years as people have come out of nowhere  to support me, to make actions more powerful and to help me personally  get through this experience and grow from it. Appreciating these  connections is one of the most important parts of resiliency. A lot of  the unwillingness to take bold action is coming from a disempowerment  that comes from a lack of connection. When we view ourselves as isolated  individuals it does not make sense to stand up to a big powerful  institution like a big corporation or big government.&lt;br /&gt;&lt;br /&gt;"It is not until we  gain the understanding that we are part of something much bigger that  we feel empowered to take those necessary actions. This is a  self-reinforcing cycle. The more we stick our neck out the more  connected we become and the more empowered we become to do it again.”&lt;/span&gt;&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-8669652605430083708?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/8669652605430083708/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=8669652605430083708' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8669652605430083708'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8669652605430083708'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/chris-hedges-interviews-tim.html' title='Chris Hedges interviews Tim DeChristopher'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-dubdBBj0xqQ/TgE6KdUpx_I/AAAAAAAAB6E/hArUsA45xds/s72-c/timdechristopherfree.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-6805027506383142950</id><published>2011-06-20T16:21:00.001+08:00</published><updated>2011-06-20T16:26:48.866+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='civil society'/><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='obama'/><category scheme='http://www.blogger.com/atom/ns#' term='mining'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate power'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate economic system'/><category scheme='http://www.blogger.com/atom/ns#' term='climate change'/><category scheme='http://www.blogger.com/atom/ns#' term='activism'/><category scheme='http://www.blogger.com/atom/ns#' term='dissent'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><category scheme='http://www.blogger.com/atom/ns#' term='acts of defiance'/><title type='text'>Environmental activist Tim DeChrisopher faces 10 years in jail for civil disobedience</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-9U4c9MAwi7c/Tf8CtgvgjdI/AAAAAAAAB54/_J7N7p-PmlQ/s1600/tomdech.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-9U4c9MAwi7c/Tf8CtgvgjdI/AAAAAAAAB54/_J7N7p-PmlQ/s320/tomdech.jpg" width="253" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;An individual who breaks a law that conscience tells him is unjust,  and who willingly accepts the penalty of imprisonment in order to arouse  the conscience of the community over its injustice, is in reality  expressing the highest respect for the law.&lt;/i&gt; &lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;&lt;b&gt;Martin Luther King, Jr.&lt;/b&gt;&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;I think the opportunity that's here is to build a real resistance  movement -- not just a lobby movement, but a resistance movement, that  says this path that we're on is absolutely unacceptable, and we're going  to use our power as citizens and as a movement to shut this system. I  think that's where we need to be right now, recognizing that this is not  a matter of lobbying for trivial reforms, but we're at a point where we  need to make the path we're on absolutely impossible to continue.  Hopefully that's the lesson that people are taking out of this.&lt;/i&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;a href="http://www.guardian.co.uk/environment/2011/mar/11/climate-activist-tim-dechristopher"&gt;Tim DeChristopher &lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;/blockquote&gt;Student and activist Tim DeChristopher found a way to resist corporate power and fight against the damage caused by US oil and gas corporations. But it may cost him a long prison term.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-4N3uipTRkeY/Tf8C236CYgI/AAAAAAAAB58/ZqczEWke_Kw/s1600/tim-dechristopher-300x212.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="141" src="http://1.bp.blogspot.com/-4N3uipTRkeY/Tf8C236CYgI/AAAAAAAAB58/ZqczEWke_Kw/s200/tim-dechristopher-300x212.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;On June 23 the environmental activist and campaigner&amp;nbsp; will find out whether he will spend the next ten years in a US Federal Prison for an act of civil disobedience against the oil and gas industry.&lt;br /&gt;&lt;br /&gt;His case is being seen as yet another example of the serious assault on public protest and dissent that is occurring around the world, whereby governments and corporations are increasingly using whatever means possible, such as anti- terrorist legislation, increased police powers, direct restrictions on public protest, SLAPP suits and arbitrary detention, to prevent and limit the right to protest.&lt;br /&gt;&lt;br /&gt;In December 2008 DeChristopher participated in an oil and gas auction of 150,000 acres of public land in Southern Utah. Sale of the land had been fast tracked in the last days of the Bush administration to benefit the fossil fuel industry. It was a last minute land grab authorized in the last days of the Bush administration.&lt;br /&gt;&lt;br /&gt;DeChristopher was outraged by the illegality of the land grab and the fact that leases were being handed out in an irregular way. He was also outraged about the ways that the oil and gas companies privatized all their profits and externalized all their costs. His argument was that the oil and gas companies had no intention to pay the full costs of their operations which are offloaded to the public :&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;"Well, I saw this auction as, first off, a fraud against the American  people, that the government wasn’t following their own rules and was  locking the public out of the decision-making process for public  property. I also saw it as a real threat to my future, because of the  impact on climate change that this kind of “drill now, think later”  mentality was having, and an attack on our public lands, on our natural  heritage, in pretty pristine and irreplaceable areas in southern Utah"&lt;/i&gt;.&lt;/blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-ZmyGSeNoKPU/Tf8DAeqWZcI/AAAAAAAAB6A/h262rZqisOk/s1600/tim-de-christopher1b.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-ZmyGSeNoKPU/Tf8DAeqWZcI/AAAAAAAAB6A/h262rZqisOk/s320/tim-de-christopher1b.jpg" width="253" /&gt;&lt;/a&gt;&lt;/div&gt;DeChristopher successfully bought (without any money or intention to pay) 22,000 acres of the land in order to save it from fossil fuel extraction. De Christopher had originally attended the auction to protest without any intention of bidding for the land. However, upon entry to the auction he was asked if he intended to be a bidder to which he replied "yes" and he became Bidder No 70. DeChristopher then proceeded to bid and successfully secured 13 leases, thereby disrupting the sale.&lt;br /&gt;&lt;br /&gt;De Christopher actually raised the money to buy the land but he was still charged with fraud because at the time of the auction he had no intention to pay. However, that fact and many other issues were not allowed to be introduced into the trial.&lt;br /&gt;&lt;br /&gt;In March 2011 he was convicted of fraud and faces a 10 year jail term and $750,000 fine imposed by the Obama administration.&lt;br /&gt;&lt;br /&gt;As Tim De Christopher points out his case was prosecuted to scare off others who might consider civil disobedience. &lt;br /&gt;&lt;blockquote&gt;"&lt;i&gt;I was born the year that Ronald Reagan took office. The reality  throughout my lifetime has been, corporations and governments are  powerful, and people are weak, and there is nothing you can do to change  that. Now that paradigm is starting to shift, and all of a sudden, the  world is starting to believe in people power again"&lt;/i&gt;&lt;/blockquote&gt;Various web sites have been set up to publicize DeChristopher's case &lt;a href="http://www.bidder70.org/"&gt;(Bidder 70)&lt;/a&gt; and&amp;nbsp; &lt;a href="http://www.peacefuluprising.org/climate-trial"&gt;The Trial of Tim DeChristopher&lt;/a&gt; and a &lt;a href="https://www.facebook.com/pages/Tim-DeChristopher/45507651565"&gt;Facebook site&lt;/a&gt; allows you to follow the case. Interviews and stories about DeChristopher can be read &lt;a href="http://www.guardian.co.uk/environment/2011/mar/11/climate-activist-tim-dechristopher"&gt;here&lt;/a&gt;, &lt;a href="http://www.countercurrents.org/banerjee160611.htm"&gt;here&lt;/a&gt;, &lt;a href="http://www.grist.org/article/2011-02-22-tim-de-christopher-utahs-auction-hero-goes-to-trial-february-28t"&gt;here&lt;/a&gt;, &lt;a href="http://redgreenandblue.org/2011/03/03/jury_findsdechristopher-guilty-of-fraud-for-blocking-drilling-next-to-national-parks/"&gt;here,&lt;/a&gt; &lt;a href="http://www.democracynow.org/seo/2011/3/9/naomi_klein_tim_dechristopher_guilty_verdict"&gt;here&lt;/a&gt; and &lt;a href="http://www.commondreams.org/view/2011/03/11-9"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-6805027506383142950?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/6805027506383142950/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=6805027506383142950' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/6805027506383142950'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/6805027506383142950'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/environmental-activist-tim-dechrisopher.html' title='Environmental activist Tim DeChrisopher faces 10 years in jail for civil disobedience'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-9U4c9MAwi7c/Tf8CtgvgjdI/AAAAAAAAB54/_J7N7p-PmlQ/s72-c/tomdech.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-5469530041083734927</id><published>2011-06-18T23:01:00.006+08:00</published><updated>2011-06-18T23:08:46.251+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mahmoud darwish'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><category scheme='http://www.blogger.com/atom/ns#' term='political poetry'/><title type='text'>Mahmoud Darwish: We Journey towards a Home</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-E0q9QsQrYDg/Tfy9c1pIPPI/AAAAAAAAB50/WkjqSI7lmT0/s1600/darwish.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" i$="true" src="http://2.bp.blogspot.com/-E0q9QsQrYDg/Tfy9c1pIPPI/AAAAAAAAB50/WkjqSI7lmT0/s400/darwish.jpg" width="300" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;strong&gt;We Journey towards a Home&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;strong&gt;By Mahmoud Darwish&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;We journey towards a home not of our flesh. Its chestnut trees are not of our bones.&lt;br /&gt;Its rocks are not like goats in the mountain hymn. The pebbles' eyes are not lilies.&lt;br /&gt;We journey towards a home that does not halo our heads with a special sun.&lt;br /&gt;Mythical women applaud us. A sea for us, a sea against us.&lt;br /&gt;When water and wheat are not at hand, eat our love and drink our tears . . .&lt;/span&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;br /&gt;There are mourning scarves for poets. A row of marble statues will lift our voice.&lt;br /&gt;And an urn to keep the dust of time away from our souls. Roses for us and against us.&lt;br /&gt;You have your glory, we have ours. Of our home we see only the unseen: our mystery.&lt;br /&gt;Glory is ours: a throne carried on feet torn by roads that led to every home but our own!&lt;br /&gt;The soul must recognize itself in its very soul, or die here.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;translated by Munir Akash and Carolyn Forché&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Mahmoud Darwish&lt;/span&gt;&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-5469530041083734927?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/5469530041083734927/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=5469530041083734927' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5469530041083734927'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5469530041083734927'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/mahmoud-darwish-we-journey-towards-home.html' title='Mahmoud Darwish: We Journey towards a Home'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-E0q9QsQrYDg/Tfy9c1pIPPI/AAAAAAAAB50/WkjqSI7lmT0/s72-c/darwish.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-8274922332593218258</id><published>2011-06-14T17:56:00.001+08:00</published><updated>2011-06-14T17:58:17.022+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='neruda'/><category scheme='http://www.blogger.com/atom/ns#' term='foreign policy'/><category scheme='http://www.blogger.com/atom/ns#' term='Latin America'/><category scheme='http://www.blogger.com/atom/ns#' term='international affairs'/><title type='text'>The death of Pablo Neruda and the "rattling of Chilean skeletons"</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Vb_FEADoV7U/TfcnKsRUeZI/AAAAAAAAB5o/3UJtbRE2qh4/s1600/pablo_neruda.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://2.bp.blogspot.com/-Vb_FEADoV7U/TfcnKsRUeZI/AAAAAAAAB5o/3UJtbRE2qh4/s400/pablo_neruda.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;It is intriguing to see the way that inquiries  into extrajudicial killings, disappearances and human-rights violations  committed during the military dictatorship in Chile during the 1970's and 1980's are unfolding.&lt;br /&gt;&lt;br /&gt;There will also be some nervousness about the inquiries within the &lt;a href="http://en.wikipedia.org/wiki/United_States_intervention_in_Chile"&gt;US and UK political establishment &lt;/a&gt;and among those western collaborators, including multinational corporations and free marketeers, who were involved in and supported the &lt;a href="http://en.wikipedia.org/wiki/1973_Chilean_coup_d%27%C3%A9tat"&gt;1973 coup &lt;/a&gt;that overthrew the Chilean President &lt;a href="http://en.wikipedia.org/wiki/Salvador_Allende"&gt;Salvador Allende &lt;/a&gt;and installed the military dictatorship of General Pinochet (some earlier pieces I wrote on US involvement in the coup and military dictatorship are &lt;a href="http://wwwcolinpenter.blogspot.com/2010/02/missing-kissinger-and-history-of.html"&gt;here&lt;/a&gt; and the contemporary consequences of the military dictatorship &lt;a href="http://wwwcolinpenter.blogspot.com/2010/06/how-do-you-photograph-people-who-have.html"&gt;here&lt;/a&gt;). &lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-2ti6d4wFZYg/TfcwKX9iSuI/AAAAAAAAB5s/kDouEBSlg3Q/s1600/neruda.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="111" src="http://4.bp.blogspot.com/-2ti6d4wFZYg/TfcwKX9iSuI/AAAAAAAAB5s/kDouEBSlg3Q/s200/neruda.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;Chilean Judge Mario Carroza is investigating the &lt;a href="http://en.wikipedia.org/wiki/Death_of_Salvador_Allende"&gt;death of President Salvador Allende &lt;/a&gt;during the military coup in 1973, as well as the disappearance of of hundreds of Chileans during the military coup and the Pinochet military dictatorship. Carroza is also investigating allegations that the legendary Chilean poet and political activist &lt;a href="http://en.wikipedia.org/wiki/Pablo_Neruda"&gt;Pablo Neruda&lt;/a&gt; was in fact poisoned by agents acting for the General Pinochet and his coup supporters. It has long been claimed that Neruda who died during the coup died as a result of prostrate cancer, but these allegations and investigations cast doubt on that claim. &lt;br /&gt;&lt;br /&gt;Neruda, in fact, died in  the same Santiago clinic in which a former Chilean president,&amp;nbsp;Eduardo  Frei, was allegedly poisoned in 1981, also by Pinochet agents.&lt;br /&gt;&lt;br /&gt;This extract is from &lt;a href="http://latimesblogs.latimes.com/laplaza/2011/06/pablo-neruda-death-exhume-allende-dictatorship.html"&gt;a piece &lt;/a&gt;in the LA Times&lt;br /&gt;&lt;blockquote&gt;"A judge in Chile has opened an investigation into the death four  decades ago of the Nobel Prize-winning poet in response to allegations  by his former driver that Neruda was poisoned by agents acting for&amp;nbsp;&lt;b&gt;Gen. Augusto Pinochet&lt;/b&gt;. The general led the military junta and coup that toppled President&amp;nbsp;Salvador Allende in 1973.&lt;br /&gt;&lt;br /&gt;Neruda's estate has long maintained that the poet's death on&amp;nbsp;Sept.  23, 1973 — just 12 days after the Sept. 11 coup — was due to prostate  cancer. Yet Neruda's former driver and associate,&amp;nbsp;Manuel Araya, has  repeated claims recently that Neruda was assassinated for his activism  as a Communist Party member and supporter of Allende, a democratically  elected Marxist.&lt;br /&gt;&lt;br /&gt;Days before his death, Neruda published an impassioned critique of the coup.&amp;nbsp;Araya told reporters &lt;a href="http://www.google.com/hostednews/afp/article/ALeqM5jf0NEkD6xEh8Ofwv9wn3dJJ0qbwQ?docId=CNG.b5140221521f08dd1ce3fc60d033a45a.291" target="_blank"&gt;Neruda was probably poisoned&lt;/a&gt; to prevent him from traveling to Mexico, where the poet could position himself safely as a vocal opponent to the dictatorship.&lt;br /&gt;&lt;br /&gt;Judge&amp;nbsp;Mario Carroza&amp;nbsp;ordered the investigation last week &lt;a href="http://latercera.com/noticia/nacional/2011/05/680-369672-9-pc-presenta-querella-para-aclarar-fallecimiento-del-poeta-pablo-neruda.shtml" target="_blank"&gt;after&amp;nbsp;a request filed&lt;/a&gt; by the Communist Party. The investigation could lead to the exhumation of Neruda's body from his grave at his beloved &lt;a href="http://www.neruda.uchile.cl/casa2.html" target="_blank"&gt;Isla Negra residence&lt;/a&gt; (links in Spanish).&lt;br /&gt;&lt;br /&gt;The Neruda Foundation&amp;nbsp;&lt;a href="http://latercera.com/noticia/mundo/bbc-mundo/2011/05/1433-365191-9-bbc-pablo-neruda-fue-asesinado-dice-su-ex-chofer.shtml" target="_blank"&gt;repeated its belief&lt;/a&gt;  last week that Neruda died of cancer. Yet Communist Party members have  pointed to press reports from the days after Neruda's death that said  the 69-year-old went into "cardiac arrest" on Sept. 23, 1973, after a  "calming substance" was injected into his stomach, contradicting the  cancer story, the daily La Tercera reported.&lt;br /&gt;&lt;br /&gt;Carroza has &lt;a href="http://www.theclinic.cl/2011/05/31/juez-carroza-pide-copia-de-reportaje-y-libros-sobre-la-muerte-de-allende/" target="_blank"&gt;ordered&lt;/a&gt;&amp;nbsp;press reports from the era to be located and examined.&lt;br /&gt;&lt;br /&gt;Neruda's case is the &lt;a href="http://latimesblogs.latimes.com/laplaza/2010/06/chile-pinera-military-trials.html" target="_blank"&gt;latest rattling of skeletons&lt;/a&gt;  in Chile's history since the end of the dictatorship in 1990. Last  month the government ordered Allende's body exhumed to determine once  and for all whether he committed suicide on Sept. 11, 1973, or was  assassinated. Read &lt;a href="http://www.latimes.com/news/nationworld/world/la-fg-chile-allende-exhume-20110524,0,6460475.story" target="_blank"&gt;The Times' report&lt;/a&gt; on that investigation"&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-8274922332593218258?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/8274922332593218258/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=8274922332593218258' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8274922332593218258'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8274922332593218258'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/death-of-pablo-neruda-and-rattling-of.html' title='The death of Pablo Neruda and the &quot;rattling of Chilean skeletons&quot;'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Vb_FEADoV7U/TfcnKsRUeZI/AAAAAAAAB5o/3UJtbRE2qh4/s72-c/pablo_neruda.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-3517447483067677247</id><published>2011-06-12T20:35:00.000+08:00</published><updated>2011-06-12T20:35:08.282+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arts and culture'/><category scheme='http://www.blogger.com/atom/ns#' term='movies'/><title type='text'>The genius of actor John Cazale</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-J743Z2C_nCk/TfSyYZ_gHiI/AAAAAAAAB5k/A95Solt42P4/s1600/Cazaledoco.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-J743Z2C_nCk/TfSyYZ_gHiI/AAAAAAAAB5k/A95Solt42P4/s320/Cazaledoco.jpg" width="217" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-sVevWusfK1Y/TfSyBQglkyI/AAAAAAAAB5g/ZpTPt_TahKU/s1600/John_Cazale.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-sVevWusfK1Y/TfSyBQglkyI/AAAAAAAAB5g/ZpTPt_TahKU/s320/John_Cazale.jpg" width="213" /&gt;&lt;/a&gt;&lt;br /&gt;Godfather 2 is showing on Foxtel tonight. Al Pacino is breathtaking as he transforms into the Godfather but it is the performance of John Cazale as his older brother that always holds my attention.&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;a href="http://en.wikipedia.org/wiki/John_Cazale"&gt;John Cazale&lt;/a&gt;  is one of my favourite actors.  In each movie he made John Cazale  dazzles with performances of great humanity, integrity and intensity.&lt;br /&gt;&lt;br /&gt;Before  his premature death in 1978 aged 42, Cazale made just five movies, but  all of them stand as among the iconic movies of all time. Cazale had  starring roles in the Godfather; Godfather II, Dog Day  Afternoon, the Conversation and The Deer Hunter. His influence upon  actors such as Al Pacino, Robert De Diro and Meryl Streep was immense.&lt;br /&gt;&lt;br /&gt;Cazale was also a legendary stage actor and at the time of his death from cancer was in a long relationship with Meryl Streep, with whom he starred in the Academy award winning movie the Deer Hunter.&lt;br /&gt;&lt;br /&gt;A documentary on the life and work of John Cazale titled &lt;a href="http://festival.sundance.org/2009/film_events/films/i_knew_it_was_you/"&gt;I Knew it Was You&lt;/a&gt;  appears regularly on Foxtel and is a magnificent tribute to a fine  actor. If you get the chance, watch it and marvel at the brilliance of  Cazale's work and the enormous respect that his fellow actors and  Directors have for him and his work.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-3517447483067677247?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/3517447483067677247/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=3517447483067677247' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/3517447483067677247'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/3517447483067677247'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/genius-of-actor-john-cazale.html' title='The genius of actor John Cazale'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-J743Z2C_nCk/TfSyYZ_gHiI/AAAAAAAAB5k/A95Solt42P4/s72-c/Cazaledoco.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-4847252685384261531</id><published>2011-06-08T21:07:00.001+08:00</published><updated>2011-06-08T21:08:34.579+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='public goods and services'/><category scheme='http://www.blogger.com/atom/ns#' term='arts and culture'/><category scheme='http://www.blogger.com/atom/ns#' term='naomi shihab nye'/><category scheme='http://www.blogger.com/atom/ns#' term='books'/><title type='text'>Naomi Shihab Nye: The value of public libraries</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-gnKqzu1hHSI/Te9zW6JHYAI/AAAAAAAAB5Y/YQ0TCu5NLvY/s1600/Free-Library.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://1.bp.blogspot.com/-gnKqzu1hHSI/Te9zW6JHYAI/AAAAAAAAB5Y/YQ0TCu5NLvY/s320/Free-Library.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;b&gt;Because of Libraries We Can Say These Things&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Naomi Shihab Nye&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;She is holding the book close to her body,&lt;br /&gt;carrying it home on the cracked sidewalk,&lt;br /&gt;down the tangled hill.&lt;br /&gt;If a dog runs at her again, she will use the book as a shield.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-KvzEB7w14qs/Te9zolx1GXI/AAAAAAAAB5c/6qmk41HRv2s/s1600/Naomishihabnye.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="133" src="http://4.bp.blogspot.com/-KvzEB7w14qs/Te9zolx1GXI/AAAAAAAAB5c/6qmk41HRv2s/s200/Naomishihabnye.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;She looked hard among the long lines&lt;br /&gt;of books to find this one.&lt;br /&gt;When they start talking about money,&lt;br /&gt;when the day contains such long and hot places,&lt;br /&gt;she will go inside.&lt;br /&gt;An orange bed is waiting.&lt;br /&gt;Story without corners.&lt;br /&gt;She will have two families.&lt;br /&gt;They will eat at different hours.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;She is carrying a book past the fire station&lt;br /&gt;and the five and dime.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;What this town has not given her&lt;br /&gt;the book will provide; a sheep,&lt;br /&gt;a wilderness of new solutions.&lt;br /&gt;The book has already lived through its troubles.&lt;br /&gt;The book has a calm cover, a straight spine.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;When the step returns to itself,&lt;br /&gt;as the best place for sitting,&lt;br /&gt;and the old men up and down the street&lt;br /&gt;are latching their clippers,&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;she will not be alone.&lt;br /&gt;She will have a book to open&lt;br /&gt;and open and open.&lt;br /&gt;Her life starts here.&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-4847252685384261531?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/4847252685384261531/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=4847252685384261531' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4847252685384261531'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4847252685384261531'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/naomi-shihab-nye-value-of-public.html' title='Naomi Shihab Nye: The value of public libraries'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-gnKqzu1hHSI/Te9zW6JHYAI/AAAAAAAAB5Y/YQ0TCu5NLvY/s72-c/Free-Library.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-5992352395260637054</id><published>2011-06-07T21:38:00.001+08:00</published><updated>2011-06-07T21:39:19.496+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='australian politics'/><category scheme='http://www.blogger.com/atom/ns#' term='australian history'/><category scheme='http://www.blogger.com/atom/ns#' term='arts and culture'/><category scheme='http://www.blogger.com/atom/ns#' term='michael breen'/><category scheme='http://www.blogger.com/atom/ns#' term='foreign policy'/><category scheme='http://www.blogger.com/atom/ns#' term='books'/><category scheme='http://www.blogger.com/atom/ns#' term='war'/><category scheme='http://www.blogger.com/atom/ns#' term='water'/><title type='text'>Michael Breen on Dangerous Knowledge: Impressions from the 2011 Sydney Writers Festival</title><content type='html'>&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-AG9J6PSIFzo/Te4pME2bdTI/AAAAAAAAB5U/j1QRRTO5E1E/s1600/sydney_writers_festival_bridge.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://1.bp.blogspot.com/-AG9J6PSIFzo/Te4pME2bdTI/AAAAAAAAB5U/j1QRRTO5E1E/s400/sydney_writers_festival_bridge.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;In yesterday's piece on his impressions of the 2011 Sydney Writers Festival my friend and colleague Michael Breen wrote that:&lt;/span&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;"Three streams of thought emerged from the sessions I attended. One was what you could call dangerous information, the second information in decline and the third the non-rational gap between information and action"&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;span style="font-size: small;"&gt;In this the second part of his reflections on the Conference, Michael discusses some dangerous knowledge uncovered by Australian war historian Greg Lockhart who documents a military and history cover up used to to serve imperial power and stoke racial fear. As Michael points out in his summary, Greg Lockhart's work demolishes historical myths that have sustained Australia's national identity.&amp;nbsp; &lt;/span&gt;The complete article by &lt;a href="http://www.allenandunwin.com/default.aspx?page=311&amp;amp;author=347"&gt;Greg Lockhart&lt;/a&gt; that Michael is referring to can be found &lt;a href="http://www.griffithreview.com/images/stories/edition_articles/ed32_pdfs/greg%20lockhart_race%20fear%20dangerous%20denial.pdf"&gt;here&lt;/a&gt; on the online edition of the &lt;a href="http://www.griffithreview.com/"&gt;Griffith Review.&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;The first part of&amp;nbsp; Michael's article&lt;i&gt; &lt;a href="http://www.blogger.com/goog_1453098503"&gt;What Economists Can't Buy You&lt;/a&gt;&lt;/i&gt;&lt;a href="http://wwwcolinpenter.blogspot.com/2011/06/michal-breen-impressions-from-2011.html"&gt; and&lt;i&gt; Have We Got a Lie for You &lt;/i&gt;&lt;/a&gt;was published previously (here).&amp;nbsp; Part &lt;i&gt;2&amp;nbsp;&lt;/i&gt;&lt;i&gt; &lt;/i&gt;is published below.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;An earlier piece Michael wrote on the &lt;a href="http://wwwcolinpenter.blogspot.com/2010/08/legacy-of-rampage-of-jimmy-governor.html"&gt;Legacy of memories of Jimmy Governor&lt;/a&gt; is one of the most read pieces on this blog.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;After  many years as a Jesuit teacher, educator and leader in Australia and  overseas, Michael lived in Western Australia for many years where he  established one of WA's leading small management consultancies. I was  fortunate to work with and learn from Michael in the early years of my  consultancy career.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://1.bp.blogspot.com/-2H6dnIIpcxU/TeytvPfSaQI/AAAAAAAAB5M/xowbUH12A-k/s1600/sydney_writers_festival_.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="213" src="http://1.bp.blogspot.com/-2H6dnIIpcxU/TeytvPfSaQI/AAAAAAAAB5M/xowbUH12A-k/s320/sydney_writers_festival_.jpg" width="320" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;Michael  retired to Canberra and now lives in the NSW Southern Highlands where  he continues to write and think about contemporary issues and educates  and agitates about social and political issues.&lt;b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Impressions&amp;nbsp; from the Sydney Writers Festival&amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Part 2:&amp;nbsp; Media-politician folie a deux and Gatekeepers, Whistle blowers and Imperialism&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;by Michael Breen&lt;/b&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; Before returning to a monumental national information scam I want to look at the third emergent matter which was the sick relationship between government and the press. The scene resembles two snakes with mouths full of one another’s tails stifling discourse and infuriating citizens. Kerry O’Brien facilitated a Town Hall session of over 1600 people involving Bob Carr, Lenore Taylor, Bob Ellis, Barrie Cassidy and George Megalogenis on finding leadership. There was majority agreement politics and its coverage were at a spectacular low, though Carr says it is always like that and that pollies ought just get on with it.&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp; Others redistributed responsibility to the media, politicians and people who want to be entertained rather than informed. The bread of consumerism and the circuses of cheesecake are still winners, as Roman emperors knew so well. The mainstream media profit from the supply of bread and celebrity circuses.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Lindsay Tanner had a session on “Sideshow” his book in which politicians and the media dumb down lest they offend anyone who matters. Politicians have to be seen to be doing something. Have you noticed how often they now say, “We are working very hard on or with so and so about this matter”? Howard perfected the get out of an interview corner technique with “We are spending so many dollars over the next whatever years on that.”&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp; Lindsay says maintenance of assets is not a popular area for politicians because there is not the chance to invite the media to “a grand opening”. Politicians have to put on a funny hat or budgie smugglers or go on a commercial TV pop show to get noticed, and recognition is everything for them. Press conferences are endangered activities in Canberra these days. The snake cycle-media wants-poly speaks-journos pounce on cosmetic slip up-poly defends-media wants just goes mobiously onwards. Abbott makes an art form of it in a confessional-penitential way. He outrageously overstates, then when confronted and found to have sinned, as he knows he will be, confesses pleads human fallibility and has had more exposure than getting it out right in the first place.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;This year’s Alan Ramsey’s chat with, the still The Hon Senator, John Faulkner was anything but a chat. Ramsey barked grumpily, disappointed that Labor is no longer Labour. He grilled Faulkner who was caught between the Scylla of Labor’s silly factions and the &lt;span style="font-style: normal;"&gt;Charybdis&lt;/span&gt; of the Carr, Bracks and Faulkner committee report on failure and reform in the party. Poor Faulkner could only point to genuine values and his commitment to lobbying his comrades to act honourably.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Andrew Denton yelled from the gallery, “Why must we have a Prime Minister who cannot communicate who talks in stolid unexciting blurts?” Ramsey held firmly to No Questions! which made AD the focus of the meeting after the meeting.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;The most enthralling session by far for me was Military Historian Greg Lockhart’s segment in a Griffith Review panel with British Journalist Barbara Gunnell, Assange watcher, and ex MP John Langmore. The title “Gatekeepers, Whistleblowers and Imperialism” conveys the flavour of the session but nothing could have prepared those attending for Lockhart’s material and its historical and cultural consequences.&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;He commenced waving a copy of a neatly handwritten 1911 record by General Nicholson Chief of the Imperial General Staff; minutes of an Imperial conference at which Australia’s Minister for Defence Senator George Pearce offered to develop an Australian expeditionary force to be at the service of Britain wherever in the world Britain wanted. The document was buried in the Director of Military Operations’ file as War Office 106/43. That is for nigh eighty years before John Mordyke an Australian military historian unearthed it in 1988. As Lockhart says before this “…there was no public knowledge that the key military discussions that determined Australia’s entry into World War I had ever taken place” Griffith Review 32 P.144.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; The cover-up was necessary because the “offer” was contrary to the letter and the spirit of the 1904-revised Defence Act and the minds of many in Federal Parliament and the Australian people. The act permitted an Australian defence army but not an expeditionary force especially not under the command of another nation.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;The bones of the story lie thus. The British were keen to have Australian help in time of war. Kitchener visited Australia and in a report recommended compulsory military training for Australian youth. 92,000 boys between twelve and seventeen commenced compulsory training in 1911. Kitchener put the wind up Australian politicians about the likely threat of an attack from Japan as John Mordyke covers in his second book “ ‘We should do this thing quietly’ Japan and the Great Deception in Australian Defence Policy 1911-1914” (2002).&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;The constructed threat was the suggestion that following the Sino Japanese war Japan would turn expansionist eyes on Australia. Australia’s response, “We cannot defend ourselves; better we chum up to Britain and the motherland will defend us”. Sound familiar? After the secret deal Pearce gave the nod to train an Australian expeditionary force in 1912.&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp; So by the outbreak of war in 1914 Australia had trained 18,000 men in a British type of brigade and 2,000 light horsemen. Munitions, clothing and saddlery factories were going full steam.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;The official line, which underpins the Anzac myth, is that the Australian army was trained in six weeks which common sense and documents prove is a lie. Visiting Australia four months before the declaration of war in 1914 the Imperial Inspector General of Overseas Forces, General Sir Ian Hamilton wrote, to British Prime Minister, H. H Asquith&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp; “…Play the tune of an Australian army for Australia, and they dance to any extent not otherwise. Australia-not Empire-is then the string we must harp on. That is to say, we must encourage them to do what they will do willingly and lavishly, namely pay up for safeguarding a White Australia from the cursed Jap! Then when the time comes, and we are fighting for our lives in India or elsewhere, I for one am confidant that the whole military force of Australia will be freely at our disposal”.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;And thus it did happen and still does in “the domino theory”, “the threat from the north”, “the yellow peril”, the White Australia Policy and now military white papers claiming that as China becomes more economically powerful it will be more militarily powerful and want Australian soil. That is unless we get big friends to protect us. In fact the opposite is true. By clasping hands with America we have made ourselves more a target from terrorists. Obvious as this is Mick Kelty chief of the Federal Police stated it out loud and John had him retract immediately. Bali bombings claimed a greater percentage of Australian lives than the percentage of American lives lost in the Twin Towers and Pentagon in 2001. Who doubts that this would not have happened were we not seen as mates of Bush’s USA?&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;There are many more pieces to the story of the great deception including the fact that the first convoy of Australian troops sailing in 1914 was escorted across the Indian Ocean by friendly the Japanese battle cruiser “Ibuki.”&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Let’s see more from Lockhart again, “Deceptions are part of politics. What makes this one special is its continuing centrality in Australian history. ‘Twenty thousand volunteers were enlisted in six weeks beginning in early August 1914’. But, all too easily dazzled by these enlistments, generations of historians have failed to see that without extensive prior planning, organization and training, the AIF could not possibly have been constituted as it was for the Gallipoli landing”.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;It seems that since a White force from Britain seized Australia in the eighteenth century there has been an ongoing fear that a dark race will in turn treat aboriginal people and us as and grab us. The current fear fuel is that boatloads of dark refugees and illegal immigrants will overrun us; not the white British and American white ones who come in by plane. Instead of celebrating our isolated position have a non-alliance policy we join imperial, immoral forces in silly conflicts as if this will be some kind of insurance. Then we have to sneak out with lives and integrity lost after Gallipoli, the Western Front, Vietnam, Iraq and now Afghanistan. We create hatred from nations who should be our friends. We spend more money on militaristic toys and propaganda than building relationships. Were this Gallipoli lie not so central to our culture we could be excused for forgetting about it.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;By perpetuating the heroic Gallipoli and ANZAC myths of men who miraculously became soldiers overnight such was their valour and strength that we bury the fact that they and Australia were tricked into the whole business by a Kali motherland deceiving us into believing that if we hated locally, fought globally and gratuitously we would be safe.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-5992352395260637054?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/5992352395260637054/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=5992352395260637054' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5992352395260637054'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5992352395260637054'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/michael-breen-on-dangerous-knowledge.html' title='Michael Breen on Dangerous Knowledge: Impressions from the 2011 Sydney Writers Festival'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-AG9J6PSIFzo/Te4pME2bdTI/AAAAAAAAB5U/j1QRRTO5E1E/s72-c/sydney_writers_festival_bridge.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-1093753354902428982</id><published>2011-06-06T18:37:00.004+08:00</published><updated>2011-06-07T07:00:19.833+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arts and culture'/><category scheme='http://www.blogger.com/atom/ns#' term='michael breen'/><category scheme='http://www.blogger.com/atom/ns#' term='books'/><title type='text'>Michal Breen: Impressions from the 2011 Sydney Writers Festival</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-6HtjXfg5UZk/TeytkEKpErI/AAAAAAAAB5I/o9jdJ84ALXA/s1600/sydneywritersfestiva.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-6HtjXfg5UZk/TeytkEKpErI/AAAAAAAAB5I/o9jdJ84ALXA/s200/sydneywritersfestiva.jpg" width="165" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;The Sydney Writers Festival is one of the largest such events in the world, so when I heard that my friend and professional colleague &lt;a href="http://au.linkedin.com/pub/michael-d-breen/14/8b3/559"&gt;Michael Breen&lt;/a&gt; was going I asked him if he would write a piece for the blog.&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Michael's article is presented in two parts. &lt;i&gt;Part 1 What Economists Can't Buy You&lt;/i&gt; and&lt;i&gt; Have We Got a Lie for You &lt;/i&gt;is published below. Part &lt;i&gt;2&amp;nbsp; Media-politician folie a deux &lt;/i&gt;and&lt;i&gt; Gatekeepers, Whistle blowers and Imperialism &lt;/i&gt;will be published over coming days.&lt;/div&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;An earlier piece Michael wrote on the &lt;a href="http://wwwcolinpenter.blogspot.com/2010/08/legacy-of-rampage-of-jimmy-governor.html"&gt;Legacy of memories of Jimmy Governor&lt;/a&gt; is one of the most read pieces on this blog.&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;After many years as a Jesuit teacher, educator and leader in Australia and overseas, Michael lived in Western Australia for many years where he established one of WA's leading small management consultancies. I was fortunate to work with and learn from Michael in the early years of my consultancy career.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-2H6dnIIpcxU/TeytvPfSaQI/AAAAAAAAB5M/xowbUH12A-k/s1600/sydney_writers_festival_.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="213" src="http://1.bp.blogspot.com/-2H6dnIIpcxU/TeytvPfSaQI/AAAAAAAAB5M/xowbUH12A-k/s320/sydney_writers_festival_.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;Michael retired to Canberra and now lives in the NSW Southern Highlands where he continues to write and think about contemporary issues and educates and agitates about social and political issues.&lt;/div&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;i&gt;Impressions&amp;nbsp; from the Sydney Writers Festival&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;i&gt;by Michael Breen&lt;/i&gt;&lt;/b&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;Mostly we don’t see writers we read their stuff. So it is unusual for thousands of readers to meet hundreds of writers to listen and respond and start a million conversations. Why is the Sydney Writers’ Festival one of the largest such events in the world? What is its magnetism? Chip Rowley the festival’s artistic director quotes Milan Kundara from &lt;/i&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;The Book of Laughter and Forgetting,&lt;/i&gt;&lt;i&gt; “The struggle of man against power is the struggle of memory against forgetting”.&amp;nbsp; Much of the festival for me was unearthing things we should never have had the chance to forget.&lt;/i&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt; &lt;/i&gt;&lt;/div&gt;&lt;i&gt;&amp;nbsp;Three streams of thought emerged from the sessions I attended.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;One was what you could call dangerous information, the second information in decline and the third the non-rational gap between information and action.&lt;/i&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;What Economists can’t buy you.&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;Ross Gittins, Herald journalist and economic commentator’s session “The Happy Economist” was a sell out as were copies of his book. Gittins said Bob Hawke jolted him with a statement that ‘economics is about happiness’. So Gittins chased up happiness, its definitions and surprises, like facts that conservatives are more happy than progressives. &lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;Can money buy happiness? Most people we know would say “no”. But strugglers need bread and money for to buy some of it. The paradox is that we say money won’t give you happiness but act as if the opposite is true.&amp;nbsp; We say natural resources like air, water etc. are precious but act as if they are almost free and infinite. To economise we cut expensive labour costs and at the same time waste natural unrenewable resources. We use an indicator like Gross Domestic Product because it is expressed in numbers, because we consider numbers give facts close to reality, even though GDP is not a measure of national wellbeing.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;Gittins, who has commented for decades on economics, and economies, points out economists operate as if the economy is in a box separate from the planet. The planet is near breaking from cancerous expansion of population, and inordinate consumption on the one hand and degradation of precious finite resources on the other. We are on a hedonistic treadmill where running will not reach happiness, but bring eventual unhappiness.&lt;/i&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&amp;nbsp;So for the situation to even start to get better rich countries need to live more simply, to reduce consumption and give some of their utilities to poorer countries, to reduce population, to protect resources and to reform economic thinking.&amp;nbsp;&lt;/i&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-6j1b8iR9cDY/Teyt5Xd39XI/AAAAAAAAB5Q/V7jhbKqT0MM/s1600/sydneyweroters.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="133" src="http://4.bp.blogspot.com/-6j1b8iR9cDY/Teyt5Xd39XI/AAAAAAAAB5Q/V7jhbKqT0MM/s200/sydneyweroters.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&amp;nbsp;Paul Gilding in “Growing Pains” a joint session with Gitting argued that the crisis is with us now and growing and that like the crisis of World War II new leaders will arise and the changes for sustainability will go on for centuries. Planet Saved! Gilding seems not to understand the behaviours of groups in crisis. One of the irrational responses to crisis, apart from the fight-flight we are seeing now, is the notion that a messianic figure or figures will emerge and save us. Gittins’ hope lies in changes to thinking by economists, governments and people despite our non-rational behaviour.&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;&lt;b&gt;Have we got a Lie for You&lt;/b&gt;&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;&lt;/i&gt;&lt;i&gt;The second and very central stream at the festival was the Wikileaks phenomenon. In the year since last year’s festival, Assange and co have changed the international information stage by removing some of the illusory props and widening the proscenium. Wikileaks have done so in the size of their information dump, the seriousness and secrecy involved and the effects flowing to journalism and governments. Much of the material we suspected was there is now on show. Suspicions are now evidenced based. So far more damage has been done to government and corporation images, their credibility and egos than trauma to individuals or groups; except of course for Corporal Bradley Manning and Assange. The former in arguably torturous solitary confinement and the latter the plaything of the imperial and Swedish justice systems.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;i&gt;  &lt;/i&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;Leaker’s (there ought to be a better title; how about “searchlighters”, “unearthers”, “spin strippers”?) have often been personally damaged which trauma fuels the rage of their activism. Julian Assange is a highly intelligent, very complex, betimes grandiose and naïve soul. Often the man’s personal private activity gets more&amp;nbsp; focus than his publishing. And wouldn’t governments and corporations much prefer that angle? The Writers’ Festival owes Assange a lot for his efforts but when asked at a large Town Hall session on Wikileaks what Australia could do to support him the audience applauded loudly. Andrew Fowler said lawyers and journalists need to pressure government, Sulette Dreyfus pointed out we ought pressure parliamentarians about a piece of proposed legislation limiting information and increasing ASIO powers. But Assange and Manning?&lt;/i&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;  &lt;/i&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;Hopefully governments will be forced to lower the barriers between what is essentially secret and what is not. The fear, though, is that they will erect tougher barriers to protect their embarrassment. There is talk in the USA of amending the freedom of speech amendment to enhance secrecy. Many journalists feel guilty about not preventing the Iraq war and so they ought take more risks while absolutely defending their sources. Yet how do you manage that if you work for the Murdoch Empire?&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-1093753354902428982?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/1093753354902428982/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=1093753354902428982' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1093753354902428982'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1093753354902428982'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/michal-breen-impressions-from-2011.html' title='Michal Breen: Impressions from the 2011 Sydney Writers Festival'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-6HtjXfg5UZk/TeytkEKpErI/AAAAAAAAB5I/o9jdJ84ALXA/s72-c/sydneywritersfestiva.jpg' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-1286125227928830418</id><published>2011-06-06T15:49:00.003+08:00</published><updated>2011-06-06T16:24:36.796+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='australian politics'/><category scheme='http://www.blogger.com/atom/ns#' term='australian history'/><category scheme='http://www.blogger.com/atom/ns#' term='civil society'/><category scheme='http://www.blogger.com/atom/ns#' term='WA politics'/><category scheme='http://www.blogger.com/atom/ns#' term='Protest'/><category scheme='http://www.blogger.com/atom/ns#' term='Western Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='activism'/><category scheme='http://www.blogger.com/atom/ns#' term='dissent'/><category scheme='http://www.blogger.com/atom/ns#' term='environment'/><category scheme='http://www.blogger.com/atom/ns#' term='democracy'/><title type='text'>Breaking the silences in WA history: A history of WA forest protest movements</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-FeKBYJSdHHM/TeyFWs37pKI/AAAAAAAAB5A/xeoKCNJUacw/s1600/waforest.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-FeKBYJSdHHM/TeyFWs37pKI/AAAAAAAAB5A/xeoKCNJUacw/s320/waforest.jpg" width="276" /&gt;&lt;/a&gt;Reading a PhD thesis is not something you do for fun.&lt;br /&gt;&lt;br /&gt;But Ron Chapman's PhD &lt;a href="http://researchrepository.murdoch.edu.au/724/2/02Whole.pdf"&gt;Fighting for the Forests: A History of the WA Forest Protest Movement 1895-2001&lt;/a&gt; is an important document of WA&amp;nbsp; history.&lt;br /&gt;&lt;br /&gt;I have long argued that&amp;nbsp; protest action by ordinary West Australian citizens, in the form of social movements and civil society action, has been at the forefront of most significant social, political, economic and environmental change in this state. This is not reflected in traditional narratives about Western Australian history which largely marginalize or trivialize the action taken by WA citizens fighting for social, economic, racial and environmental justice.&lt;br /&gt;&lt;br /&gt;So I was excited to read Chapman's thesis which shows that forest protest has been a major force for  environmental and political reform throughout WA history.&lt;br /&gt;&lt;br /&gt;Chapman shows how over time small scale protest activity by citizens  was transformed into a social movement that had a significant influence  on forest policy and practice, culminating in the defeat of the Court Government in 2001 and the adoption of policy by the Gallop Government to protect WA forests&lt;br /&gt;&lt;br /&gt;Chapman describes the diversity of protest activities used by WA civil  society groups to focus public attention on forest issues and pressure  the WA Government to change its forest policies and practices. He shows how protest groups had to constantly adapt organization and strategies to the changing social and political conditions.&lt;br /&gt;&lt;br /&gt;Chapman's analyses the campaigns and strategies used by West Australian citizens and civil society groups from 1895 to 2001. He distinguishes a number of distinct periods, firstly from the late 19th century to 1950, and then a second period from 1950 to 2001, characterized by 5 distinct phases:&lt;br /&gt;&lt;ol&gt;&lt;li&gt;Formative phase from the 1950's-60's which saved urban bushland.&lt;/li&gt;&lt;li&gt;Transitional phase during the 1970's which adopted assertive forms of protest.&lt;/li&gt;&lt;li&gt;Collaborative phase during the 1980's when campaigners began to collaborate with and influence political parties.&lt;/li&gt;&lt;li&gt;Expansionary phase during the 1990's which saw the spread of local protest groups in the South west.&lt;/li&gt;&lt;li&gt;Confrontational phase which involved an intensive campaign of confrontational and direct action.&lt;/li&gt;&lt;/ol&gt;Chapman's research demonstrate the importance of "localism" as an activist and organizing strategy. Chapman shows how the WA native forest protest movement established a network of urban and south-west activist groups which encouraged broad public support.&lt;br /&gt;&lt;br /&gt;The eventual success of the forest protest movement resulted from the rise of these organized and effective local groups and campaigns focused on public education, media exposure and local action. The transformation of local action into an influential social movement played a significant role in bringing down a government and protecting&amp;nbsp; WA forests.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-1286125227928830418?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/1286125227928830418/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=1286125227928830418' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1286125227928830418'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1286125227928830418'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/breaking-silences-in-wa-history-history.html' title='Breaking the silences in WA history: A history of WA forest protest movements'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-FeKBYJSdHHM/TeyFWs37pKI/AAAAAAAAB5A/xeoKCNJUacw/s72-c/waforest.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-183167209318442616</id><published>2011-06-05T21:06:00.000+08:00</published><updated>2011-06-05T21:06:02.269+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wendell Berry'/><category scheme='http://www.blogger.com/atom/ns#' term='daily life'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><title type='text'>Sunday poem- Wendell Berry: Lives and deaths that have belonged to us</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-HxNtgviy2ck/Tet-2Ae0N5I/AAAAAAAAB40/XoJYfZPw-_M/s1600/wendell_berry.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-HxNtgviy2ck/Tet-2Ae0N5I/AAAAAAAAB40/XoJYfZPw-_M/s400/wendell_berry.jpg" t8="true" width="335" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;strong&gt;Wendell Berry&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;No, no, there is no going back.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Less and less you are&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;that possibility you were.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;More and more you have become&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;those lives and deaths&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;that have belonged to you.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;You have become a sort of grave&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;containing much that was&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;and is no more in time, beloved&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;then, now, and always.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;And so you have become a sort of tree&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;standing over a grave.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Now more than ever you can be&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;generous toward each day&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;that comes, young, to disappear&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;forever, and yet remain&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;unaging in the mind.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;Every day you have less reason&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;not to give yourself away.&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Times New Roman;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/--jFaQnK8If8/Tet_LOguonI/AAAAAAAAB44/iO2gmZqIY_E/s1600/wb-leavings.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/--jFaQnK8If8/Tet_LOguonI/AAAAAAAAB44/iO2gmZqIY_E/s320/wb-leavings.jpg" t8="true" width="203" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-183167209318442616?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/183167209318442616/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=183167209318442616' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/183167209318442616'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/183167209318442616'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/sunday-poem-wendell-berry-lives-and.html' title='Sunday poem- Wendell Berry: Lives and deaths that have belonged to us'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-HxNtgviy2ck/Tet-2Ae0N5I/AAAAAAAAB40/XoJYfZPw-_M/s72-c/wendell_berry.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-2758795525564706302</id><published>2011-06-05T15:59:00.000+08:00</published><updated>2011-06-05T15:59:38.898+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='civil society'/><category scheme='http://www.blogger.com/atom/ns#' term='social policy'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><category scheme='http://www.blogger.com/atom/ns#' term='commodity culture'/><title type='text'>Creating counterfeit communities</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-OLg-c1vrNM4/Tes3J9xzc2I/AAAAAAAAB4s/FkKyKmQymPw/s1600/counterfeitcommunity.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-OLg-c1vrNM4/Tes3J9xzc2I/AAAAAAAAB4s/FkKyKmQymPw/s200/counterfeitcommunity.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;The adverts appear everywhere. Developers adverting their ritzy  housing estates claiming that they don't build houses, they build  communities. And property developers employ community development  specialists to create "communities" in order to sell more houses at  higher prices.&lt;br /&gt;&lt;br /&gt;And then there are the Government  departments and NGO's who describe their top down efforts to impose  solutions on people to achieve already defined outcomes&amp;nbsp; as "community  development".&lt;br /&gt;&lt;br /&gt;Frankly it is all an illusion.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-85MYmdKQFsg/Tes1N0HUIcI/AAAAAAAAB4o/xG4UkrGHg8Y/s1600/community_development.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="96" src="http://4.bp.blogspot.com/-85MYmdKQFsg/Tes1N0HUIcI/AAAAAAAAB4o/xG4UkrGHg8Y/s320/community_development.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;It is as Australian blogger and writer &lt;a href="http://seekingcommunity.ca/blogs/brucedwatson/community-beware-it-might-be-counterfeit-or-just-another-commodity"&gt;Bruce Watson&lt;/a&gt;  rightly points out the commodification of community-&amp;nbsp; the turning of a  complex human and social institution into a commodity that can be  exploited for profit and political gain. Watson reminds us that most of  what takes place under the banner of "community" has become clouded and  easily manipulated for commodification and marketing.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/Counterfeit-Community-Exploitation-Longings-Connectedness/dp/0847688720"&gt;John Freie&lt;/a&gt; and&amp;nbsp; &lt;a href="http://headway-brainfood.blogspot.com/"&gt;Bruce Watson&lt;/a&gt;  call it "counterfeit communities" and it is a good description. In  counterfeit communities it is less important that  communities exist in  reality. It is the appearance of community that is  important. People  are encouraged to see the manifestations and  spirit of community without accepting the complex interactions that must occur for it to be realized. As Wilson writes:&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;"Community  has regrettably become a product to be advertised, marketed  and sold.  It makes no difference whether genuine community exists or  not. As long  as it appears to exist. Consequently, we are subjected to  planned  communities that are advertised as “truly a special place”,  “we’ve made  the dream a reality” and “the tasteful community you  deserve” with a  “neighbourhood bar and grill” (in the multi-story  shopping centre  complex)"&lt;/i&gt;&lt;/blockquote&gt;As Watson points counterfeit  communities, despite all the glossy brochures, promises and hyperbole,  are inherently hollow and exploitative. They are never fully satisfying.&lt;br /&gt;&lt;br /&gt;And Wilson gets to the nub of counterfeit community: &lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;"Counterfeit community extends the power and expands the wealth of those who create it".&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-2758795525564706302?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/2758795525564706302/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=2758795525564706302' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/2758795525564706302'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/2758795525564706302'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/creating-counterfeit-communities.html' title='Creating counterfeit communities'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-OLg-c1vrNM4/Tes3J9xzc2I/AAAAAAAAB4s/FkKyKmQymPw/s72-c/counterfeitcommunity.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-3809317048946477811</id><published>2011-06-04T18:16:00.002+08:00</published><updated>2011-06-04T18:20:10.096+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='australian history'/><category scheme='http://www.blogger.com/atom/ns#' term='political music'/><category scheme='http://www.blogger.com/atom/ns#' term='activism'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate criminality'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><title type='text'>Tribute CD in memory of Alastair Hulett (1951-2010)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-TDIzZiml4tc/TeoFRf_FgdI/AAAAAAAAB4g/uXDyR1ZzFNE/s1600/hulett.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="392" src="http://3.bp.blogspot.com/-TDIzZiml4tc/TeoFRf_FgdI/AAAAAAAAB4g/uXDyR1ZzFNE/s400/hulett.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b style="font-weight: normal;"&gt;Pleased to hear of the tribute album to  the Scottish singer songwriter and revolutionary socialist &lt;/b&gt;&lt;b&gt;&lt;a href="https://www.facebook.com/group.php?gid=280716701355"&gt;&lt;b style="font-weight: normal;"&gt;Alistair Hulett&lt;/b&gt;&lt;/a&gt;&lt;/b&gt;&lt;b style="font-weight: normal;"&gt; who died in January 2010. &lt;/b&gt;&lt;b style="font-weight: normal;"&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.facebook.com/group.php?gid=280716701355"&gt;&lt;b style="font-weight: normal;"&gt;Hulett&lt;/b&gt;&lt;/a&gt;, who lived in Australia for 25 years, was a Scottish born folk singer who used his music to educate, inform, inspire and confront. &lt;br /&gt;&lt;br /&gt;&lt;b style="font-weight: normal;"&gt;The CD &lt;a href="http://21c-reviews.blogspot.com/2011/05/various-artists-love-loss-liberty-songs.html"&gt;Love, Loss and Liberty&lt;/a&gt;&lt;/b&gt;  is a collection of Hulett's songs performed by  musicians including June Tabor, Roy Bailey, Nancy Kerr and Rory Mcleod.  Reviews can be read &lt;a href="http://21c-reviews.blogspot.com/2011/05/various-artists-love-loss-liberty-songs.html"&gt;here&amp;nbsp; &lt;/a&gt;and &lt;a href="http://www.fourdogsmusic.co.uk/love-loss-and-liberty-the-songs-of-alistair-hulett-various-artists.html"&gt;here&lt;/a&gt;.&lt;b style="font-weight: normal;"&gt; &lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Hulett wrote many songs about the silences and forgotten events in Australian history- about unions and the labor movement, racism, refugees, Indigenous struggles and capitalism. As well as writing and singing songs in the acoustic folk tradition, Hulett was instrumental in the Australian punk scene during the 1970s and 80's.&lt;br /&gt;&lt;br /&gt;His song &lt;a href="http://unionsong.com/u484.html"&gt;He Fades Away&lt;/a&gt; is a powerful indictment of the greatest industrial and corporate crime in Australian history- the deaths and suffering of millions of Australians due to exposure to asbestos.&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt; &lt;/b&gt;He Fades Away” is about an Australian miner dying young of asbestosis, from exposure to asbestos. The song is written from the perspective of the wife of the miner who is dying of asbestosis. The English singer June Tabor does a powerful performance of Hulett's song. &lt;br /&gt;&lt;blockquote&gt;&lt;b&gt;He Fades Away&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Alastair Hulett&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;There's a man in my bed I used to love him&lt;br /&gt;His kisses used to take my breath away&lt;br /&gt;There's a man in my bed I hardly know him&lt;br /&gt;I wipe his face and hold his hand&lt;br /&gt;And watch him as he slowly fades away&lt;br /&gt;And he fades away&lt;br /&gt;Not like leaves that fall in autumn&lt;br /&gt;Turning gold against the grey&lt;br /&gt;He fades away&lt;br /&gt;Like the bloodstains on the pillow case&lt;br /&gt;That I wash every day&lt;br /&gt;He fades away&lt;br /&gt;There's a man in my bed, he's on a pension&lt;br /&gt;Although he's only fifty years of age&lt;br /&gt;The lawyer says we might get compensation&lt;br /&gt;In the course of due procedure&lt;br /&gt;But he couldn't say for certain at this stage&lt;br /&gt;And he's not the     only one&lt;br /&gt;Who made that trip so many years ago&lt;br /&gt;To work the Wittenoom mines&lt;br /&gt;So many young men old before their time&lt;br /&gt;And dying slow&lt;br /&gt;He fades away&lt;br /&gt;A wheezing bag of bones his&lt;br /&gt;Lungs half clogged and full of clay&lt;br /&gt;He fades away&lt;br /&gt;There's a man in my bed they never told him&lt;br /&gt;The cost of bringing home his weekly pay&lt;br /&gt;And when the courts decide how much they owe him&lt;br /&gt;How will he spend his money&lt;br /&gt;When he lies in bed and coughs his life away?&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-3809317048946477811?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/3809317048946477811/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=3809317048946477811' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/3809317048946477811'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/3809317048946477811'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/tribute-cd-in-memory-of-alastair-hulett.html' title='Tribute CD in memory of Alastair Hulett (1951-2010)'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-TDIzZiml4tc/TeoFRf_FgdI/AAAAAAAAB4g/uXDyR1ZzFNE/s72-c/hulett.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-8858322141233999246</id><published>2011-06-04T16:29:00.003+08:00</published><updated>2011-06-04T16:38:56.393+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='dennis brutus'/><category scheme='http://www.blogger.com/atom/ns#' term='books'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><category scheme='http://www.blogger.com/atom/ns#' term='political poetry'/><title type='text'>The economy of grace: New online collection of poems by Dennis Brutus</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-A0KWbRVoR_4/TensmEGmwmI/AAAAAAAAB4Y/eoPRCHR1qkM/s1600/brutus+book.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://3.bp.blogspot.com/-A0KWbRVoR_4/TensmEGmwmI/AAAAAAAAB4Y/eoPRCHR1qkM/s400/brutus+book.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;i&gt;“No poem is ever finished—it is merely abandoned.” &lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;“Perhaps all poems are merely drafts.”&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Dennis Brutus&lt;/b&gt;&lt;/blockquote&gt;&lt;blockquote&gt;"&lt;i&gt;Someone&lt;/i&gt;&lt;br /&gt;&lt;i&gt;made me more alive,&lt;/i&gt;&lt;br /&gt;&lt;i&gt;more human;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;I repay that gift&lt;/i&gt;&lt;br /&gt;&lt;i&gt;by making more alive&lt;/i&gt;&lt;br /&gt;&lt;i&gt;someone else". &lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;b&gt;Dennis Brutus&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Nov 14 1976&lt;/b&gt;&lt;/blockquote&gt;For those of us involved in social and political activism the poet &lt;a href="http://wwwcolinpenter.blogspot.com/search/label/dennis%20brutus"&gt;Dennis Brutus&lt;/a&gt; is an inspiration. Brutus's poetry has appeared many times on this blog &lt;a href="http://wwwcolinpenter.blogspot.com/search/label/dennis%20brutus"&gt;(here).&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;So imagine my excitement when I stumbled across this online collection of unpublished poems by Dennis Brutus &lt;a href="http://www.worcester.edu/dbrutus/Shared%20Documents/PoemsDennisBrutus2010.pdf"&gt;"Poetry and Human Rights: Poems by Dennis Brutus"&amp;nbsp; &lt;/a&gt;published by Worcester State College. The book contains many unpublished poems uncovered in Brutus private papers held by Worcester State College.&lt;br /&gt;&lt;br /&gt;In his famous poem &lt;a href="http://en.wikipedia.org/wiki/Easter,_1916"&gt;"Easter 1916"&lt;/a&gt; the Irish poem W.B Yeats warned of the emotional price paid by those involved in political struggle:&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;" Too much sacrifice&lt;/i&gt;&lt;br /&gt;&lt;i&gt;can make a stone of the heart"&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-IZoZK_jd1e8/TensyYv5dVI/AAAAAAAAB4c/aPKsCgXzqiQ/s1600/brutus.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-IZoZK_jd1e8/TensyYv5dVI/AAAAAAAAB4c/aPKsCgXzqiQ/s320/brutus.jpg" width="209" /&gt;&lt;/a&gt;&lt;/div&gt;What I find inspiring about Dennis Brutus's work is that despite his intense lifelong political commitment and engagement , his heart never turned to stone.&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;"I salute the jacarandas anyway&lt;/i&gt;&lt;br /&gt;&lt;i&gt;whatever else the world may offer&lt;/i&gt;&lt;br /&gt;&lt;i&gt;offer for our praise&lt;/i&gt;&lt;br /&gt;&lt;i&gt;or our opprobrium&lt;/i&gt;&lt;br /&gt;&lt;i&gt;I salute the jacarandas anyway.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;It will be as if I never lived&lt;/i&gt;&lt;br /&gt;&lt;i&gt;there will be no trace of me&lt;/i&gt;&lt;br /&gt;&lt;i&gt;there will be no sign of me remembered&lt;/i&gt;&lt;br /&gt;&lt;i&gt;it will be as if I never lived&lt;/i&gt;&lt;br /&gt;&lt;i&gt;no trace of me will remain&lt;/i&gt;&lt;br /&gt;&lt;i&gt;it will be as if nothing had been.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;What will it matter if nothing remains?&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;you will have breathed the fresh morning air&lt;/i&gt;&lt;br /&gt;&lt;i&gt;and walked the dewy morning grass&lt;/i&gt;&lt;br /&gt;&lt;i&gt;and will have asserted for once your being&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;and I will salute the jacarandas once more.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;Oct. 3, 2008&lt;br /&gt;For Mahmoud Darwish&lt;br /&gt;East London, Oct. 11, 2008&lt;/b&gt;&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;&amp;nbsp;* * * * * *&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;X Parish, New Orleans&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Corpses floating in that murk&lt;/i&gt;&lt;br /&gt;&lt;i&gt;of water, mud, debris, arms dangling&lt;/i&gt;&lt;br /&gt;&lt;i&gt;or stiff in death’s rigor, breasts&lt;/i&gt;&lt;br /&gt;&lt;i&gt;bloated with congealed blood;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;burly boatmen, bursting with vigor&lt;/i&gt;&lt;br /&gt;&lt;i&gt;in orange protectors, pole&lt;/i&gt;&lt;br /&gt;&lt;i&gt;their skiffs expertly, their tenterhooks&lt;/i&gt;&lt;br /&gt;&lt;i&gt;grapple with cadavers, impale thighs&lt;/i&gt;&lt;br /&gt;&lt;i&gt;exposed in death’s indifferent obscenity;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;in call centers data clerks enter ciphers&lt;/i&gt;&lt;br /&gt;&lt;i&gt;that record someone’s loss:&lt;/i&gt;&lt;br /&gt;&lt;i&gt;there is no place for grief.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;Oct., 2005&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;* * * * * * &lt;/i&gt;&lt;br /&gt;&lt;i&gt;An erratic experience&lt;/i&gt;&lt;br /&gt;&lt;i&gt;concrete wilderness&lt;/i&gt;&lt;br /&gt;&lt;i&gt;a scrivener’s jungle&lt;/i&gt;&lt;br /&gt;&lt;i&gt;they will exclaim dismayed&lt;/i&gt;&lt;br /&gt;&lt;i&gt;somewhat in pity, somewhat in horror&lt;/i&gt;&lt;br /&gt;&lt;i&gt;while I chuckle amused&lt;/i&gt;&lt;br /&gt;&lt;i&gt;buried in my predicament. &lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;* * * * * * &lt;/i&gt;&lt;br /&gt;&lt;i&gt;Beyond this problem&lt;/i&gt;&lt;br /&gt;&lt;i&gt;many others rise&lt;/i&gt;&lt;br /&gt;&lt;i&gt;peaks loom through mists&lt;/i&gt;&lt;br /&gt;&lt;i&gt;beyond this range&lt;/i&gt;&lt;br /&gt;&lt;i&gt;gathering our energies&lt;/i&gt;&lt;br /&gt;&lt;i&gt;we know much more&lt;/i&gt;&lt;br /&gt;&lt;i&gt;will be demanded&lt;/i&gt;&lt;br /&gt;&lt;i&gt;in times to come.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;&lt;br /&gt;July 21, 2004&lt;/b&gt;&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-8858322141233999246?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/8858322141233999246/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=8858322141233999246' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8858322141233999246'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8858322141233999246'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/economy-of-grace-new-online-collection.html' title='The economy of grace: New online collection of poems by Dennis Brutus'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-A0KWbRVoR_4/TensmEGmwmI/AAAAAAAAB4Y/eoPRCHR1qkM/s72-c/brutus+book.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-2133659547008608004</id><published>2011-06-02T15:06:00.000+08:00</published><updated>2011-06-02T15:06:12.811+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='public goods and services'/><category scheme='http://www.blogger.com/atom/ns#' term='privatization'/><category scheme='http://www.blogger.com/atom/ns#' term='australian politics'/><category scheme='http://www.blogger.com/atom/ns#' term='economics'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate economic system'/><category scheme='http://www.blogger.com/atom/ns#' term='water'/><category scheme='http://www.blogger.com/atom/ns#' term='neoliberalism'/><category scheme='http://www.blogger.com/atom/ns#' term='environment'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><title type='text'>The failure of market led approaches in Australian water policy</title><content type='html'>&lt;blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-mBLO1wNdawc/Tec1rQsR_sI/AAAAAAAAB4Q/qJGB9lNlnSU/s1600/fair+water+use.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-mBLO1wNdawc/Tec1rQsR_sI/AAAAAAAAB4Q/qJGB9lNlnSU/s1600/fair+water+use.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;"Australian water is now effectively commoditised: allocated to whoever is willing to pay the going price"&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Ian Douglas&lt;/i&gt;&lt;/blockquote&gt;Excellent &lt;a href="http://www.abc.net.au/unleashed/2731364.html"&gt;article by Ian Douglas&lt;/a&gt; of &lt;a href="http://www.abc.net.au/unleashed/ian-douglas-27224.html"&gt;Fair Water Use Australia&lt;/a&gt; on the failure of market approaches in national water reform.: &lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;"This  blind commitment to growth, which also suffuses the policy  platforms  of the major parties, is being used to justify public-private   partnerships and the construction of ill-conceived and untenably costly   water infrastructure, most notoriously desalination plants. Our   governments appear quite comfortable entering into public-private   partnerships with multinationals whose track record in terms of   corporate responsibility on the global stage is, at best, in-glorious.&lt;/i&gt;"&lt;/blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-3zx92owd0-4/Tec104CRovI/AAAAAAAAB4U/kVwhcsxnH_4/s1600/water.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-3zx92owd0-4/Tec104CRovI/AAAAAAAAB4U/kVwhcsxnH_4/s320/water.jpg" width="234" /&gt;&lt;/a&gt;&lt;/div&gt;Douglas  argues that the reliance on market based approaches and the  privatization of water is incompatible with the idea of access to water  as a public good and poses a serious threat to Australia's water future.&lt;br /&gt;&lt;br /&gt;Douglas  argues that despite the fact that polling indicates that at least 70%  of  Australians are opposed to water privatization it continues to be  imposed on  the nation, under the guise of water reform:&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;"Australian  water reform was conceived in 1994 by the Council of  Australian  Governments; nurtured by the prevailing mantra that  free-market  exposure was the ultimate panacea for undercapitalised and  inefficient  public utilities. COAG went one giant leap further, in  deciding to  establish a national water market; arguing that this would  direct water  to its most productive use.&lt;br /&gt;&lt;br /&gt;In the years since these  sweeping changes were announced, the wisdom of  applying free market  principles to the management of an essential  natural resource has been  largely discredited by events overseas: In  the water-supply sector,  major corporate players have been accused and,  in more than a few  instances, convicted of price-gouging,  anti-competitive behaviour,  corrupt practice and fraud. On all  continents there are moves to wrest  control from private corporations.  Globally, more than 90 per cent of  water services are now publicly  owned.&lt;br /&gt;&lt;br /&gt;In Australia there are  valid concerns that water reform is leaving  crucial decisions, with  respect to the “where”, “when” and “how” of  water distribution, in the  hands of entities whose priority is profit  rather than socially and  environmentally responsible water use.  Questions are being raised as to  why our governments have been prepared  to implement these radical  policies without seeking and obtaining  prior electoral mandate and in  the absence of adequate constitutional  protection of water.&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-2133659547008608004?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/2133659547008608004/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=2133659547008608004' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/2133659547008608004'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/2133659547008608004'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/failure-of-market-led-approaches-in.html' title='The failure of market led approaches in Australian water policy'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-mBLO1wNdawc/Tec1rQsR_sI/AAAAAAAAB4Q/qJGB9lNlnSU/s72-c/fair+water+use.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-9065920236886179881</id><published>2011-06-02T05:43:00.000+08:00</published><updated>2011-06-02T05:43:44.054+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='naomi shihab nye'/><category scheme='http://www.blogger.com/atom/ns#' term='daily life'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><title type='text'>Naomi Shihab Nye: At First Light</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-HOqkPNboBdU/Teaw9dz_AyI/AAAAAAAAB4I/XiOFqdoEuuw/s1600/firstlihght.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="265" src="http://3.bp.blogspot.com/-HOqkPNboBdU/Teaw9dz_AyI/AAAAAAAAB4I/XiOFqdoEuuw/s400/firstlihght.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;blockquote&gt;&amp;nbsp; "This morning the newspaper&lt;br /&gt;was too terrible to deliver&lt;br /&gt;so the newsboy just pitched&lt;br /&gt;a little sheaf&lt;br /&gt;of Kleenex"&lt;br /&gt;&lt;b&gt;Consolation&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Naomi Shihab Nye&lt;/b&gt; &lt;/blockquote&gt;&lt;a href="http://www.poetryfoundation.org/bio/naomi-shihab-nye"&gt;Naomi Shihab Nye&lt;/a&gt;'s evocative poems below capture exactly what it is like when I get up in darkness each day.&lt;br /&gt;&lt;br /&gt;In all &lt;a href="http://rinabeana.com/poemoftheday/index.php/category/naomi-shihab-nye/"&gt;her poetry and prose &lt;/a&gt;Naomi Shihab Nye writes clearly and beautifully of the daily realities of life and the sad state of the world in which we live. Her work has &lt;a href="http://wwwcolinpenter.blogspot.com/search/label/naomi%20shihab%20nye"&gt;featured &lt;/a&gt;on the blog before. &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Words When We Need Them&lt;/b&gt;&lt;br /&gt;&lt;i&gt;By Naomi Shihab Nye&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Before this early moment,&lt;br /&gt;another, ripe with rain,&lt;br /&gt;the scent of its own full shape.&lt;br /&gt;&lt;br /&gt;Each day the rooster&lt;br /&gt;we have never seen&lt;br /&gt;raises the first greeting&lt;br /&gt;and darkness which holds us&lt;br /&gt;in its loose pocket all night&lt;br /&gt;sets us down.&lt;br /&gt;&lt;br /&gt;Now we walk,&lt;br /&gt;waking up rooms,&lt;br /&gt;switching on lights.&lt;br /&gt;&lt;br /&gt;Into the breath,&lt;br /&gt;wordless but ripe&lt;br /&gt;with all possible words,&lt;br /&gt;messages not yet gathered&lt;br /&gt;or sent.&lt;br /&gt;&lt;br /&gt;Morning looms,&lt;br /&gt;more friend than&lt;br /&gt;the best friend.&lt;br /&gt;We could still say.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Breaking the Fast&lt;br /&gt;&lt;i&gt;By Naomi Shihab Nye&lt;/i&gt;&lt;/b&gt; &lt;br /&gt;1.&lt;br /&gt;Japanese teacher says:&lt;br /&gt;At first light, rise.&lt;br /&gt;Don’t hover between&lt;br /&gt;sleep and waking,&lt;br /&gt;this makes you heavy,&lt;br /&gt;puts a stone inside your heart.&lt;br /&gt;&lt;br /&gt;The minute you drift back to shore,&lt;br /&gt;anchor.  Breathe.&lt;br /&gt;Remember your deepest name.&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;Sometimes objects stun me,&lt;br /&gt;bamboo strainer, gray mug,&lt;br /&gt;sitting exactly where&lt;br /&gt;they were left.&lt;br /&gt;&lt;br /&gt;They have not slept&lt;br /&gt;or dreamt of lost faces.&lt;br /&gt;&lt;br /&gt;I touch them carefully,&lt;br /&gt;saying, tell me what you know.&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;Cup of waves,&lt;br /&gt;strawberry balanced&lt;br /&gt;in a seashell.&lt;br /&gt;&lt;br /&gt;In morning the water seems&lt;br /&gt;clear to the bottom.&lt;br /&gt;&lt;br /&gt;No fish blocks my view.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-9065920236886179881?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/9065920236886179881/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=9065920236886179881' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/9065920236886179881'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/9065920236886179881'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/06/naomi-shihab-nye-at-first-light.html' title='Naomi Shihab Nye: At First Light'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-HOqkPNboBdU/Teaw9dz_AyI/AAAAAAAAB4I/XiOFqdoEuuw/s72-c/firstlihght.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-8413008182467087887</id><published>2011-05-29T09:45:00.001+08:00</published><updated>2011-05-29T09:45:58.626+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='daily life'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><title type='text'>Sunday morning Reflections</title><content type='html'>&lt;b&gt;&lt;span style="font-size: x-small;"&gt;photo courtesy of The Boston Globe &lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-O9ShosgodL8/TeGkvAzNMcI/AAAAAAAAB4E/sCDM95vKUqY/s1600/bostonglobe.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="260" src="http://3.bp.blogspot.com/-O9ShosgodL8/TeGkvAzNMcI/AAAAAAAAB4E/sCDM95vKUqY/s400/bostonglobe.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;The Guest House&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Rumi &lt;/b&gt;&lt;br /&gt;&lt;br /&gt;This being human is a guest house.&lt;br /&gt;Every morning a new arrival.&lt;br /&gt;&lt;br /&gt;A joy, a depression, a meanness,&lt;br /&gt;some momentary awareness comes&lt;br /&gt;as an unexpected visitor.&lt;br /&gt;&lt;br /&gt;Welcome and entertain them all!&lt;br /&gt;Even if they are a crowd of sorrows,&lt;br /&gt;who violently sweep your house&lt;br /&gt;empty of its furniture&lt;br /&gt;still, treat each guest honorably.&lt;br /&gt;He may be clearing you out for some delight.&lt;br /&gt;&lt;br /&gt;The dark thought, the shame, the malice. &lt;br /&gt;meet them at the door laughing and invite them in.&lt;br /&gt;&lt;br /&gt;Be grateful for whatever comes.&lt;br /&gt;because each has been sent&lt;br /&gt;as a guide from beyond.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-8413008182467087887?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/8413008182467087887/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=8413008182467087887' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8413008182467087887'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8413008182467087887'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/sunday-morning-reflections.html' title='Sunday morning Reflections'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-O9ShosgodL8/TeGkvAzNMcI/AAAAAAAAB4E/sCDM95vKUqY/s72-c/bostonglobe.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-7994919989987444491</id><published>2011-05-28T10:53:00.013+08:00</published><updated>2011-05-28T11:13:40.100+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='australian politics'/><category scheme='http://www.blogger.com/atom/ns#' term='australian history'/><category scheme='http://www.blogger.com/atom/ns#' term='refugee policy'/><category scheme='http://www.blogger.com/atom/ns#' term='immigration detention'/><category scheme='http://www.blogger.com/atom/ns#' term='Europe'/><category scheme='http://www.blogger.com/atom/ns#' term='asylum seekers'/><category scheme='http://www.blogger.com/atom/ns#' term='international affairs'/><title type='text'>The dark side of Australia"s refugee policies: Safe havens and the Balkans wars</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-VRxI3JVXD-o/TeBjHNZ_kvI/AAAAAAAAB34/Ojok6odja24/s1600/refugeepolicy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/-VRxI3JVXD-o/TeBjHNZ_kvI/AAAAAAAAB34/Ojok6odja24/s400/refugeepolicy.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;Once again events of the past have been catapulted into our daily existence.&lt;br /&gt;&lt;br /&gt;The &lt;a href="http://www.guardian.co.uk/news/blog/2011/may/26/ratko-mladic-arrest"&gt;arrest of former Bosnian Serb General Ratko Mladic&lt;/a&gt; is a reminder of the terrible events of the &lt;a href="http://en.wikipedia.org/wiki/Bosnian_War"&gt;Balkans Wars&lt;/a&gt; of the 1990s.&lt;br /&gt;&lt;br /&gt;Mladic will stand trial accused of the massacre of 8,000 Muslim men and boys at &lt;a href="http://www.opendemocracy.net/conflict-yugoslavia/srebrenica_2651.jsp?utm_source=feedblitz&amp;amp;utm_medium=FeedBlitzEmail&amp;amp;utm_content=201210&amp;amp;utm_campaign=0"&gt;Srebrenica in 1995&lt;/a&gt; and the deaths of 10,000 people (including 3000 children) during the 3.5 year &lt;a href="http://en.wikipedia.org/wiki/Siege_of_Sarajevo"&gt;siege of Sarajevo&lt;/a&gt; during the early 1990's.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-PV2Aka0kHZU/TeBjfEAei4I/AAAAAAAAB4A/dBAxWwbxpuI/s1600/mlacticbosnia.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="127" src="http://1.bp.blogspot.com/-PV2Aka0kHZU/TeBjfEAei4I/AAAAAAAAB4A/dBAxWwbxpuI/s200/mlacticbosnia.jpg" width="200" /&gt;&lt;/a&gt;&lt;br /&gt;Mladic led the &lt;a href="http://en.wikipedia.org/wiki/Bosnian_War"&gt;Bosnian Serb armed forces &lt;/a&gt;during the Balkan Wars of the 1990's and was responsible for the worst ethnically motivated mass murders in Europe since WW 2. He was arrested in a small farming town north of Belgrade after Police were tipped off by a local source.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-HNzLYJA6jHY/TeBjTA2UwrI/AAAAAAAAB38/6pLJJBXDZ90/s1600/bosnianrefugees.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="213" src="http://1.bp.blogspot.com/-HNzLYJA6jHY/TeBjTA2UwrI/AAAAAAAAB38/6pLJJBXDZ90/s320/bosnianrefugees.JPG" width="320" /&gt;&lt;/a&gt;So while those events resonate around the world, they have a profound resonance here in Australia, particularly for people who fled the Balkans war and came to Australia under Safe Haven visas in search of sanctuary. Many found it, but others didn't, as &lt;a href="http://home.vicnet.net.au/%7Ewomenweb/sources/Later%20Stories/Pamela_Curr.htm"&gt;Pamela Curr&lt;/a&gt; from the Melbourne based&lt;a href="http://www.asrc.org.au/"&gt; Asylum Seeker Resource Centre&lt;/a&gt; points out in this piece. &lt;br /&gt;&lt;br /&gt;Pamela's piece reminds us that that some refugees from the Balkan Wars who came to Australia were treated appallingly by Australian Governments of both political persuasions, despite government rhetoric about safe havens.&lt;br /&gt;&lt;br /&gt;Pamela's piece is a reminder that the "dark side" of Australian Government immigration policies and practices, something that is ever more evident by the day,&amp;nbsp; has a long history that should never be forgotten. &lt;br /&gt;&lt;blockquote&gt;"It was dark and noisy in the Trades Hall Bar. The boy leant forward&amp;nbsp;  as he told me about the day Ratko Mladic came to his village. The  soldiers rounded up everyone then separated the men and the women.  The boy stood beside his father at the back of the group. &lt;br /&gt;&lt;br /&gt;Mladic called out for boys born in certain years to step forward. He  was 17. His year was called. As he moved to obey, his father fixed  his arm in a vice-like grip, wordlessly holding him back. The boy saw  his friends marched around the side of the barn. Then the shots rang  out. The father whispered to the boy- run- NOW. In the distress and  confusion, he escaped into the hills. &lt;br /&gt;&lt;br /&gt;This boy came to Australia in 1999 on a Safe Haven visa when the  Australian government responded to a call to accept evacuees until  they could safely return. He stayed at the Albury army camp and was  welcomed by the local community who responded with generosity and  hospitality to the Kosavars. Then overnight the Australian army left  and the private security contractors took over and the open camp  became a prison. &lt;br /&gt;&lt;br /&gt;The boy and his friend escaped on the same day. They worked on farms  along the Murray until betrayed and handed over to Immigration. Then  they were detained in Maribyrnong Detention centre. There, they  witnessed the terrible death of Viliami Tanginoa who dived head first  off the basket ball post after being ignored all day. They saw his  body lying in the rain for an hour. Then they were taken to the  Melbourne Custody Centre and locked in isolation for six weeks. Then  they were taken to the Fitzroy Police cells and locked up for 23  hours out of 24 for months. They were never charged with any crime. &lt;br /&gt;&lt;br /&gt;Eventually they were released to report to the police station every  day until they were deported." &lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-7994919989987444491?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/7994919989987444491/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=7994919989987444491' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/7994919989987444491'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/7994919989987444491'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/dark-side-of-australias-refugee.html' title='The dark side of Australia&quot;s refugee policies: Safe havens and the Balkans wars'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-VRxI3JVXD-o/TeBjHNZ_kvI/AAAAAAAAB34/Ojok6odja24/s72-c/refugeepolicy.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-8836360946363250548</id><published>2011-05-25T22:33:00.000+08:00</published><updated>2011-05-25T22:33:52.504+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='books'/><category scheme='http://www.blogger.com/atom/ns#' term='daily life'/><category scheme='http://www.blogger.com/atom/ns#' term='Nikos Kazantzakis'/><title type='text'>Nikos Kazantzakis and the Politics of the Spirit</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-c1B-Beae-qA/Td0TM_86byI/AAAAAAAAB3s/yoomLHLdhP0/s1600/IMG_1639.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/-c1B-Beae-qA/Td0TM_86byI/AAAAAAAAB3s/yoomLHLdhP0/s400/IMG_1639.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span id="goog_1146554145"&gt;&lt;/span&gt;&lt;span id="goog_1146554146"&gt;&lt;/span&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;&amp;nbsp;"Gradually I began to understand that it does not matter very much what problem, whether big or small, is tormenting us; the only thing that matters is that we be tormented, that we find a ground for being tormented. In other words that we exercise our minds in order to keep certainty from turning us into idiots, that we fight to open every closed door we find in front of us".&lt;/i&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;Nikos Kazantzakis, Report to Greco&amp;nbsp; &lt;/i&gt;&lt;/b&gt;&lt;/blockquote&gt;&amp;nbsp;On my fortnightly pilgrimage to scour the shelves of the Reid Library at the University of Western Australia I found the second volume of the biography of the Cretan writer &lt;a href="http://en.wikipedia.org/wiki/Nikos_Kazantzakis"&gt;Nikos Kazantzakis&lt;/a&gt; by Peter Bien &lt;a href="http://www.blogger.com/goog_1146554124"&gt;( Kazantzakis: Politics of the Spirit, 2007).&amp;nbsp;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Kazantzakis is best known for his 1946 book &lt;a href="http://en.wikipedia.org/wiki/Zorba_the_Greek"&gt;Zorba The Greek&lt;/a&gt; (made into a famous film starring Anthony Quinn) and the &lt;a href="http://en.wikipedia.org/wiki/The_Last_Temptation_of_Christ"&gt;Last Temptation of Christ,&lt;/a&gt; published in 1960 (which was made into a controversial &lt;a href="http://www.imdb.com/title/tt0095497/"&gt;film by Martin Scorsese&lt;/a&gt;) &lt;br /&gt;&lt;br /&gt;In my 30's I read everything that Kazantzakis wrote and was deeply affected by his work. Bien's mammoth work, which totals over 600 pages, is the second volume of his biography of Kazantzakis's (the&lt;a href="http://press.princeton.edu/titles/4425.html"&gt; firs&lt;/a&gt;t volume&amp;nbsp; was published in 1989). &lt;br /&gt;&lt;br /&gt;I look forward to re-engaging with the remarkable life and work of Nikos Kazantzakis.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-8836360946363250548?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/8836360946363250548/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=8836360946363250548' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8836360946363250548'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8836360946363250548'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/nikos-kazantzakis-and-politics-of.html' title='Nikos Kazantzakis and the Politics of the Spirit'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-c1B-Beae-qA/Td0TM_86byI/AAAAAAAAB3s/yoomLHLdhP0/s72-c/IMG_1639.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-9069661190493780504</id><published>2011-05-24T21:19:00.002+08:00</published><updated>2011-05-25T07:32:54.011+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arts and culture'/><category scheme='http://www.blogger.com/atom/ns#' term='music'/><category scheme='http://www.blogger.com/atom/ns#' term='books'/><category scheme='http://www.blogger.com/atom/ns#' term='dylan'/><title type='text'>The never ending creativity of Bob Dylan</title><content type='html'>&lt;blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-tY6rlQMjuzQ/TduvVdL1rQI/AAAAAAAAB3g/s1hk7SuFzWo/s1600/dylandocophot.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="218" src="http://3.bp.blogspot.com/-tY6rlQMjuzQ/TduvVdL1rQI/AAAAAAAAB3g/s1hk7SuFzWo/s320/dylandocophot.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp;&lt;i&gt;"Everybody knows by now that there's a gazillion books on me either  out or coming out in the near future. So I'm encouraging anybody who's  ever met me, heard me or even seen me, to get in on the action and  scribble their own book. You never know, somebody might have a great  book in them"&lt;/i&gt; -&amp;nbsp; Bob Dylan, “&lt;a href="http://www.bobdylan.com/news/my-fans-and-followers"&gt;To my fans and followers&lt;/a&gt;”, 13 May 2011&lt;/blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-WG4IgexjfaA/TduvseY_zdI/AAAAAAAAB3k/yh775Y_9FCE/s1600/bob_dylan_-_azkena_rock_festival_2010_2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-WG4IgexjfaA/TduvseY_zdI/AAAAAAAAB3k/yh775Y_9FCE/s1600/bob_dylan_-_azkena_rock_festival_2010_2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;Bob Dylan is 70. The longevity and brilliance of his career is frankly breathtaking. And his creative output continues unabated into his sixth decade of making music. He continues to tour extensively, has further back-catalog releases planned and is reportedly writing a sequel to Chronicles the first volume of his autobiography&lt;i&gt;.&amp;nbsp;&lt;/i&gt; No doubt there will be future recordings and he continues to deliver the highly acclaimed radio show Theme Time Radio Hour.&lt;br /&gt;&lt;br /&gt;This &lt;a href="http://www.opendemocracy.net/david-hayes/bob-dylan-at-70-revolution-in-head-revisited?utm_source=feedblitz&amp;amp;utm_medium=FeedBlitzEmail&amp;amp;utm_content=201210&amp;amp;utm_campaign=Nightly_%272011-05-24%2005%3a30%3a00%27"&gt;piece by&lt;/a&gt; David Hayes from the UK online publication Open Democracy is well worth reading. Hayes makes the point that the period since the mid 1990's has been among Dylan's most prolific and creative periods. I think he is right.&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;The media deluge that surrounds his 70th birthday - &lt;a href="http://www.aarp.org/entertainment/arts-music/info-03-2011/bob-dylan-birthday-tribute.html%20"&gt;tributes&lt;/a&gt;, articles and profiles galore, new books and new editions of books, career reviews, and countless &lt;a href="http://www.opendemocracy.net/david-hayes/bob-dylan-conversation"&gt;items&lt;/a&gt;  in the “Dylan and me” sub-genre - is evidence of this rediscovery of a  figure who (it is hard to recall now) was regarded during parts of the  1980s and 1990s as no longer of fresh interest artistically.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;In great part the &lt;a href="http://www1.rollingstone.com/dylan/%20"&gt;recognition&lt;/a&gt; is owed to Dylan’s immense and diverse creative efforts since the late 1990s. The turning-point &lt;a href="http://www.music-news.com/shownews.asp?H=Dylan-at-70-continues-to-confound-expectation-says-academic&amp;amp;nItemID=41384"&gt;may&lt;/a&gt;  have been 1997, when the singer received emergency medical treatment  for a serious heart infection. In the same year Dylan issued the first  of what would become a series of three acclaimed albums of original  songs (&lt;i&gt;Time Out of Mind&lt;/i&gt;, &lt;i&gt;Love and Theft&lt;/i&gt;, &lt;i&gt;Together Through Life&lt;/i&gt;).&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;These  alone represent a musical renaissance in terms of the preceding decade.  But there have in the post-1997 years also been well packaged  compilations and “official” bootlegs of earlier material from his &lt;a href="http://www.bobdylan.com/albums"&gt;prolific&lt;/a&gt;&amp;nbsp;&amp;nbsp; oeuvre (including to date nine &lt;a href="http://www.bobdylan.com/music/bootleg-series-vol-1-3"&gt;volumes&lt;/a&gt; of &lt;i&gt;The Bootleg Series&lt;/i&gt;, with many live performances and out-takes), and covers (&lt;i&gt;Christmas in the Heart&lt;/i&gt;); an astonishing autobiography, &lt;a href="http://books.simonandschuster.co.uk/Chronicles-Volume-1/Bob-Dylan/9780743478649"&gt;&lt;i&gt;Chronicles: Volume One&lt;/i&gt;&lt;/a&gt;,  which seems both to absorb and extend the literary lineages it belongs  to, much as his music does; hosting an exuberant weekly radio show, &lt;a href="http://www.thebobdylanfanclub.com/themetime/index.htm"&gt;&lt;i&gt;Theme Time Radio Hour&lt;/i&gt;&lt;/a&gt;,  where songs of many styles and periods loosely connected by subject are  presented with an inimitable mix of affection, learning and bone-dry  wit; having his drawings and paintings exhibited, and reproduced in book  form (&lt;a href="http://www.bobdylanart.com/exhibition.asp"&gt;&lt;i&gt;Bob Dylan: The Drawn Blank Series&lt;/i&gt;&lt;/a&gt;);  and not least a concert schedule often described as the “never-ending  tour”, which has seen Dylan perform live around 100 times a year across  two decades and forty countries.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Dylan’s appearance in a range of  advertisements (for lingerie, cola and cars) has, meanwhile, extended  his commercial profile in what would earlier in his career have been  unthinkable ways. More beneficial to his artistic reputation has been  the work of film directors who have explored his achievement and  beguiling persona via documentary (Martin Scorsese’s superb &lt;a href="http://www.pbs.org/wnet/americanmasters/episodes/bob-dylan/about-the-film/574/%20"&gt;&lt;i&gt;No Direction Home&lt;/i&gt;&lt;/a&gt; [2005]) and drama (Todd Haynes’s &lt;i&gt;I’m Not There &lt;/i&gt;[2007], where six actors portray Dylan at various stages of his life).&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;All  this - and there is both more, and more to come - is enough to make  Dylan’s “late period” (assuming he really is mortal) worthy of note as a  further rich phase of an already epic journey. This “mature” work also  casts a fresh light on his career as a whole, in that the 1960s era of  cultural and psychological transformation which his music helped define  can now more clearly be seen as but one (albeit the founding and  decisive) period in an ongoing achievement of astounding range. The arc  of &lt;a href="http://moreintelligentlife.com/content/arts/tim-de-lisle/forever-young?page=full"&gt;decades&lt;/a&gt; now, for example, allows the potent aura of ageless wisdom conveyed by some of the most renowned songs of Dylan’s 20s (&lt;i&gt;Man of Constant Sorrow&lt;/i&gt;) to be heard alongside moving reflections on age, change and mortality (&lt;i&gt;Not Dark Yet&lt;/i&gt;) composed decades on.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-HJ9Cuw_e-VA/Tduv7pTf7MI/AAAAAAAAB3o/Sdl3nwg7sPs/s1600/Dylanrotolo067.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="175" src="http://1.bp.blogspot.com/-HJ9Cuw_e-VA/Tduv7pTf7MI/AAAAAAAAB3o/Sdl3nwg7sPs/s200/Dylanrotolo067.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;Bob  Dylan has now spent fifty years doing what any great artist does -  elaborating and sharing a distinct vision, and seeking to remain true to  what he once called “the inspiration behind the inspiration”. The core  of this achievement - songs, writings and performances (and some of the  best “Dylanologists”, &lt;a href="http://journal.oraltradition.org/authors/show/414"&gt;Betsy Bowden&lt;/a&gt;, Paul Williams, &lt;a href="http://www.faber.co.uk/work/bob-dylan/9780571254453/"&gt;Greil Marcus&lt;/a&gt; and &lt;a href="http://www.michaelgray.net/biography.html"&gt;Michael Gray&lt;/a&gt;  among them, emphasise how important the latter are to any assessment of  his musical genius) - is more than ever available to anyone who cares  and can afford to explore them.&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-9069661190493780504?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/9069661190493780504/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=9069661190493780504' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/9069661190493780504'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/9069661190493780504'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/never-ending-creativity-of-bob-dylan.html' title='The never ending creativity of Bob Dylan'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-tY6rlQMjuzQ/TduvVdL1rQI/AAAAAAAAB3g/s1hk7SuFzWo/s72-c/dylandocophot.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-4849626040449198106</id><published>2011-05-23T20:48:00.000+08:00</published><updated>2011-05-23T20:48:56.432+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='australian politics'/><category scheme='http://www.blogger.com/atom/ns#' term='australian history'/><category scheme='http://www.blogger.com/atom/ns#' term='mining'/><category scheme='http://www.blogger.com/atom/ns#' term='WA politics'/><category scheme='http://www.blogger.com/atom/ns#' term='Western Australia'/><category scheme='http://www.blogger.com/atom/ns#' term='Gillard government'/><category scheme='http://www.blogger.com/atom/ns#' term='superprofits tax'/><category scheme='http://www.blogger.com/atom/ns#' term='Barnett government'/><title type='text'>Colin Barnett's Budget and WA and Commonwealth relations</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-v0498A3MPDU/TdpXbnrvliI/AAAAAAAAB3U/bkZ5JgQ08dE/s1600/wabudget.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-v0498A3MPDU/TdpXbnrvliI/AAAAAAAAB3U/bkZ5JgQ08dE/s200/wabudget.jpg" width="150" /&gt;&lt;/a&gt;&lt;/div&gt;Sarah Burnside has written a thoughtful piece in &lt;a href="http://newmatilda.com/2011/05/23/first-royalties-then-secession"&gt;New Matilda&lt;/a&gt; about the political theatrics displayed by WA Premier Colin Barnett and his ability to exploit the&amp;nbsp; natural hostility West Australians have for Federal Governments in Canberra, particularly Federal Labor Governments.&lt;br /&gt;&lt;br /&gt;Sarah argues that Colin Barnett's decision in the State Budget to increase state mining royalties is one of a long line of showdowns over the years between the West Australian Government and Canberra. It&amp;nbsp; is also a potent political ploy that has created problems for both Federal Labor and the WA Labor Opposition. Sarah writes:&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;Last week&amp;nbsp;— in an exception to the general rule that state budgets are of little interest to the nation at large — the &lt;span class="caps"&gt;WA&lt;/span&gt; Liberal-National Government announced an increase to mining royalties, eliciting &lt;a href="http://www.watoday.com.au/wa-news/barnett-hypocritical-for-slugging-miners-20110521-1exkp.html" target="_blank"&gt;criticism&lt;/a&gt; from the federal Government and delighting the Opposition.&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;  The royalty increase was provocative in light of the proposed minerals rent resource tax (&lt;span class="caps"&gt;MRRT&lt;/span&gt;).  In cutting a deal prior to the 2010 election, the Government promised  that any future royalty increases would be rebated once the &lt;span class="caps"&gt;MRRT&lt;/span&gt; was imposed in 2012. Thus it looks a lot like &lt;span class="caps"&gt;WA&lt;/span&gt; gazumped Federal Labor by incurring a debt on the Commonwealth’s behalf........&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt; .................The Government disagrees. Julia Gillard has confirmed that adjustments  will be made to infrastructure spending to Western Australia to "protect  the federal budget". Martin Ferguson, who &lt;a href="http://www.abc.net.au/news/stories/2011/05/19/3221676.htm" target="_blank"&gt;confirmed&lt;/a&gt;  that the government would honour its deal with the mining industry,  criticised the increase as a "short term grab for cash" which may be "to  the eventual disadvantage of the West Australian community". Wayne Swan  has disputed the numbers: the &lt;span class="caps"&gt;WA&lt;/span&gt; Government  claims that the increase will represent $2 billion over the next three  years but Swan argues that there is "a real doubt" as to the accuracy of  this&amp;nbsp;prediction.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt; In any event, as business reporter Michael Pascoe &lt;a href="http://www.watoday.com.au/business/was-royalties-stunt-results-in-costly-pyrrhic-victory-20110521-1exth.html" target="_blank"&gt;pointed out&lt;/a&gt;,  the Commonwealth Grants Commission process adjusts monies given to the  states against the revenue they raise themselves. Pascoe charges that  Barnett has "wilfully damage[d] his own budget … to score a petty  political point against Canberra, recording the most Pyrrhic of  victories". This is politics-as-theatre; in the next act the Premier, a  picture of outraged innocence, &lt;a href="http://www.theaustralian.com.au/national-affairs/colin-barnett-and-wayne-swan-trade-threats-over-iron-ore-royalties/story-fn59niix-1226059968945" target="_blank"&gt;characterised&lt;/a&gt; Swan and Gillard’s remarks about infrastructure spending as a&amp;nbsp;threat.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt; &lt;i&gt; The dispute puts the &lt;span class="caps"&gt;WA&lt;/span&gt; &lt;span class="caps"&gt;ALP&lt;/span&gt; in a difficult position. Leader Eric Ripper &lt;a href="http://www.abc.net.au/news/stories/2011/05/20/3222855.htm" target="_blank"&gt;stated&lt;/a&gt;  rather vaguely that if the federal government "threatens infrastructure  spending…that would show a complete lack of understanding of how  politics in Western Australia&amp;nbsp;works."&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt; This stand-off has been brewing for some time, as illustrated by complaints about &lt;span class="caps"&gt;WA&lt;/span&gt;’s &lt;span class="caps"&gt;GST&lt;/span&gt; share: of each dollar of &lt;span class="caps"&gt;GST&lt;/span&gt;  revenue generated within the state, it receives about 68 cents. In late  March, in what was seen as an attempt to placate the mining states,  Gillard &lt;a href="http://www.abc.net.au/pm/content/2011/s3178033.htm" target="_blank"&gt;announced&lt;/a&gt; a "full scale review" of &lt;span class="caps"&gt;GST&lt;/span&gt; revenue allocation. Barnett was not mollified. In April, he &lt;a href="http://www.theaustralian.com.au/national-affairs/state-politics/beggar-state-drains-gst-says-colin-barnett/story-e6frgczx-1226032924166" target="_blank"&gt;charged&lt;/a&gt;  that Tasmania had "become Australia’s national park", asking "what  right is there to simply take some of the spoils of the hard work in  other states?" The presence of iron ore within state boundaries seems  increasingly to be viewed as the result of some special virtue on &lt;span class="caps"&gt;WA&lt;/span&gt;’s part&amp;nbsp;— rather than of luck and&amp;nbsp;geography"&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-l22o86okU9M/TdpXo-2NbGI/AAAAAAAAB3Y/XgnvMi-5jqA/s1600/PERTH.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-l22o86okU9M/TdpXo-2NbGI/AAAAAAAAB3Y/XgnvMi-5jqA/s1600/PERTH.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-4849626040449198106?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/4849626040449198106/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=4849626040449198106' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4849626040449198106'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/4849626040449198106'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/colin-barnetts-budget-and-wa-and.html' title='Colin Barnett&apos;s Budget and WA and Commonwealth relations'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-v0498A3MPDU/TdpXbnrvliI/AAAAAAAAB3U/bkZ5JgQ08dE/s72-c/wabudget.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-3834304716531946367</id><published>2011-05-22T17:52:00.001+08:00</published><updated>2011-05-22T17:53:36.747+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='books'/><category scheme='http://www.blogger.com/atom/ns#' term='italy'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><title type='text'>In memorian: a poem by Guiseppi Ungaretti</title><content type='html'>&lt;strong&gt;&lt;em&gt;&lt;/em&gt;&lt;/strong&gt; &lt;br /&gt;&lt;blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-8VbonOXoAv8/Tdjct0MsTnI/AAAAAAAAB3Q/fypgoXKQ9R0/s1600/eccoANTHOLOGYPOETRY.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" j8="true" src="http://4.bp.blogspot.com/-8VbonOXoAv8/Tdjct0MsTnI/AAAAAAAAB3Q/fypgoXKQ9R0/s400/eccoANTHOLOGYPOETRY.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;strong&gt;&lt;em&gt;In Memoriam&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;by Guiseppe Ungaretti*&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;He was called&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Mohammed Sheab&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Descendant of nomad emirs&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;a suicide&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;because he no longer had&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;a country&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;He loved France&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;and changed his name&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Became Marcel&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;but was not French&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;and had fogotten how&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;to live&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;in his own people's tent&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;where they listened to the sing-song&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;of the Koran&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;as they sip coffee&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;He did&amp;nbsp; not know&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;how to release&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;the song&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;of his unconstraint&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;I followed his coffin&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;I and the managress of the hotel&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;where we lived&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;in Paris&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;number 5 rue des Carmes&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;steep decrepit alleyway&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;he rests&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;in the cemetry at Ivry&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;a suburb that always&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;looks&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;like the day&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;they dismantle a fairground&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;And perhaps only I&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;still know&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;he lived&lt;/em&gt;&lt;/strong&gt;&lt;/blockquote&gt;translated from the Italian by Patrick Creagh.&lt;br /&gt;&lt;br /&gt;* &lt;a href="https://www.facebook.com/pages/Giuseppe-Ungaretti/112086702141715"&gt;Guiseppe Ungaretti&lt;/a&gt; (1888-1970)&amp;nbsp;was an Italian poet, journalist, essayist and academic. Ungaretti started writing poetry whilst fighting in the trenches during WW1.&lt;br /&gt;&lt;br /&gt;published in Kaminsky I &amp;amp; Harris S (2010) &lt;strong&gt;&lt;a href="http://www.amazon.com/Ecco-Anthology-International-Poetry/dp/0061583243"&gt;The ECCO Anthology of International Poetry&lt;/a&gt;.&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-3834304716531946367?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/3834304716531946367/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=3834304716531946367' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/3834304716531946367'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/3834304716531946367'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/in-memorian-poem-by-guiseppi-ungaretti.html' title='In memorian: a poem by Guiseppi Ungaretti'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-8VbonOXoAv8/Tdjct0MsTnI/AAAAAAAAB3Q/fypgoXKQ9R0/s72-c/eccoANTHOLOGYPOETRY.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-626538766337287276</id><published>2011-05-21T09:41:00.000+08:00</published><updated>2011-05-21T09:41:51.521+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arab uprisings'/><category scheme='http://www.blogger.com/atom/ns#' term='middle east'/><category scheme='http://www.blogger.com/atom/ns#' term='egypt'/><category scheme='http://www.blogger.com/atom/ns#' term='acts of defiance'/><title type='text'>100 days of the Egyptian revolution: Voices from within</title><content type='html'>&lt;blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-cU3b7Rw0zfI/TdcXUdpz0mI/AAAAAAAAB3A/CQD4-Lw5Lxw/s1600/egypt-uprising--new_20110205092434.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://1.bp.blogspot.com/-cU3b7Rw0zfI/TdcXUdpz0mI/AAAAAAAAB3A/CQD4-Lw5Lxw/s320/egypt-uprising--new_20110205092434.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;"The revolution was a great human achievement .It means people are willing  to die for freedom and justice. When you participate in a real  revolution you become a much better person. You are ready to defend  human values"&amp;nbsp; &lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;b&gt;&lt;i&gt;Alaa&amp;nbsp; al-Awany&lt;/i&gt;&lt;/b&gt;&lt;/blockquote&gt;100 days have passed since uprisings by the Egyptian people caused the overthrow of Hosni Mubarek, the Egyptian dictator and friend of the West. But there is growing concern within Egypt&amp;nbsp; that a counter-revolution is taking place with old regime military loyalists consolidating power with army support.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-5CMr296yr0o/TdcXpvsRh2I/AAAAAAAAB3I/5iAXd6JUrHs/s1600/egyptprotests.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="176" src="http://2.bp.blogspot.com/-5CMr296yr0o/TdcXpvsRh2I/AAAAAAAAB3I/5iAXd6JUrHs/s320/egyptprotests.jpg" width="320" /&gt;&lt;/a&gt;The&amp;nbsp; UK Guardian has &lt;a href="http://www.guardian.co.uk/world/series/the-new-egypt-100-days-on"&gt;published&amp;nbsp;&amp;nbsp; a series of articles&lt;/a&gt; from prominent activists within Egypt offering their views on the current situation. &lt;br /&gt;&lt;br /&gt;Egypt's most celebrated writer &lt;a href="http://www.guardian.co.uk/world/2011/may/20/egyptian-novelist-hails-revolution"&gt;Alaa al-Awany&lt;/a&gt; warns of a counter revolution by the army who is using the threat of unrest and violence by so called thugs and criminals as justification for ongoing repression.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.guardian.co.uk/world/2011/may/20/torture-still-rife-egypt-activist?intcmp=239"&gt;Heba Morayef&lt;/a&gt; is an Egyptian based researcher for Human Rights Watch writes that torture and imprisonment by the military remains rife. Morayef describes how protestors and activists involved in the uprisings continue to be arbitrarily imprisoned.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.guardian.co.uk/world/2011/may/20/overthrow-workplace-mubaraks-urges-elhamalawy"&gt;Hossam al-Hamaalaway&lt;/a&gt; is a prominent Egyptian journalist, blogger and activist who writes of the resentment and anger within Egyptian society about the neo-liberal policies that have impoverished people. He argues that what is needed is socioeconomic&amp;nbsp; aqnd workplace reform- giving people decent salaries, protecting their rights and improving their economic lot. His blog is &lt;a href="http://www.arabawy.org/"&gt;here&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The piece below is extracted from his &lt;a href="http://www.guardian.co.uk/world/2011/may/20/overthrow-workplace-mubaraks-urges-elhamalawy"&gt;latest article&lt;/a&gt;: &lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;The revolution was against the Mubarak regime but all we've managed  to do so far is remove Mubarak himself. The ones running the country  right now are Mubarak's generals, who were the backbone of his  dictatorship from day one.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Many are therefore disappointed with Egypt's  progress – me less so because I never had high expectations from an  army takeover. But two things have changed in Egypt in the past 100 days  which give me hope, and both relate to the fact that the revolution is  unfinished. The first is that mass strikes are continuing. The second is  that workers have taken the step of establishing independent trade  unions, which I believe are the silver bullet for any dictatorship..................................&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;But the main part of any revolution has to be socio-economic  emancipation for the citizens of a country; if you want to eliminate  corruption or stop vote-buying then you have to give people decent  salaries, make them aware of their rights and not leave them in dire  economic need. A middle-class activist can return to his executive job  after they think the revolution is over, but a public transport worker  who has spent 20 years in service and is getting paid only 189 Egyptian  pounds a month – you can't ask this guy to go back to work and tell his  starving kids at home that everything will be sorted out once we have a  civilian government in the future.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;So this is phase two of the  revolution, the phase of socio-economic change. What we need to do now  is take Tahrir to the factories, the universities,  the workplaces. In  every single institution in this country there is a mini-Mubarak who  needs to be overthrown. In every  institution there are figures from the  old state security regime who need to be overthrown. These guys are the  counter-revolution. Maybe the counter-revolution isn't clearly  organised with a specific command structure, but you have to assume that  everyone who belonged to the old regime and  enjoyed privileges  under  it  is going to try to defend those privileges, and much of the malaise  you see around you in Egypt today is down to that.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-sc7_B53Bxys/TdcYF3IeNzI/AAAAAAAAB3M/CeWAvBaTVRU/s1600/egypt_uprising__5415216249_099119c920_o.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://3.bp.blogspot.com/-sc7_B53Bxys/TdcYF3IeNzI/AAAAAAAAB3M/CeWAvBaTVRU/s320/egypt_uprising__5415216249_099119c920_o.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;There is huge  resentment within the Egyptian working class about the neoliberal  policies that have impoverished them over the past 20 years, and the  struggle for change will be a dramatic one. No doubt the western powers  and Arab monarchs who are already deeply unhappy at what they see taking  place in Egypt will be even more dismayed at this. But however much  pressure they put on the military junta, the pressure of the street can  be stronger. The Egyptian people are vigilant about their own  revolution.&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-626538766337287276?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/626538766337287276/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=626538766337287276' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/626538766337287276'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/626538766337287276'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/100-days-of-egyptian-revolution-voices.html' title='100 days of the Egyptian revolution: Voices from within'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-cU3b7Rw0zfI/TdcXUdpz0mI/AAAAAAAAB3A/CQD4-Lw5Lxw/s72-c/egypt-uprising--new_20110205092434.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-1639100624795073040</id><published>2011-05-21T08:01:00.005+08:00</published><updated>2011-05-21T08:05:44.447+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arab uprisings'/><category scheme='http://www.blogger.com/atom/ns#' term='mahmoud darwish'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><category scheme='http://www.blogger.com/atom/ns#' term='political poetry'/><title type='text'>Mahmoud Darwish " On Wishes"</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-YWfuEY3DsZE/TdcAV7Hd-2I/AAAAAAAAB20/Yf56h5dSNiY/s1600/darwishtree.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="282" src="http://3.bp.blogspot.com/-YWfuEY3DsZE/TdcAV7Hd-2I/AAAAAAAAB20/Yf56h5dSNiY/s400/darwishtree.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;"&lt;/i&gt;&lt;/b&gt;&lt;i&gt;I yearn for the bread my mother bakes&lt;br /&gt;I ache for my mother’s coffee. &lt;br /&gt;And her touch."&lt;/i&gt;&lt;b&gt; &lt;/b&gt;&lt;br /&gt;&lt;b&gt;Mahmoud Darwish&lt;/b&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;&lt;b&gt;On Wishes&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;Mahmoud Darwish&lt;/b&gt;&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;Don't say to me:&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Would I were a seller of bread in Algiers&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; That I might sing with a rebel&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Don't say to me:&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Would I were a herdsman in the Yemen&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; That I might sing to the shudderings of the time.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Don't say to me:&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; Would I were a cafe waiter in Havana&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; That I might sing to the victories of sorrowing women&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Don't say to me:&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; Would I worked as a young labourer in Aswan&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; That I might sing to the rocks&lt;/i&gt;. &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt; My friend,&lt;/i&gt;&lt;br /&gt;&lt;i&gt;The Nile will not flow into the Volga,&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Nor the Congo or the Jordan into the Euphrates.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Each river has its source, its course, its life.&lt;/i&gt;&lt;br /&gt;&lt;i&gt; My friend, our land is not barren.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Each land has its time for being born,&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Each dawn a date with a rebel. &lt;/i&gt;&lt;/blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-qfZfgI2WVOk/TdcAiHZkWRI/AAAAAAAAB24/3GiCMlFiZyg/s1600/darwish_cartoon.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://1.bp.blogspot.com/-qfZfgI2WVOk/TdcAiHZkWRI/AAAAAAAAB24/3GiCMlFiZyg/s320/darwish_cartoon.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-1639100624795073040?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/1639100624795073040/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=1639100624795073040' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1639100624795073040'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1639100624795073040'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/mahmoud-darwish-on-wishes.html' title='Mahmoud Darwish &quot; On Wishes&quot;'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-YWfuEY3DsZE/TdcAV7Hd-2I/AAAAAAAAB20/Yf56h5dSNiY/s72-c/darwishtree.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-3768475667021096134</id><published>2011-05-19T15:01:00.004+08:00</published><updated>2011-05-19T15:07:19.699+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ireland'/><category scheme='http://www.blogger.com/atom/ns#' term='Christy Moore'/><category scheme='http://www.blogger.com/atom/ns#' term='music'/><title type='text'>Christy Moore: "the Atlantic's seethe and swell" and the death of the Two Conneelys</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-QN5sLIo42lk/TdS_f_ULiKI/AAAAAAAAB2w/yTSUklE0HGc/s1600/mooreking_puck.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-QN5sLIo42lk/TdS_f_ULiKI/AAAAAAAAB2w/yTSUklE0HGc/s320/mooreking_puck.jpg" width="317" /&gt;&lt;/a&gt;&lt;/div&gt;The "seethe and swell" of the Atlantic Ocean has been in my thoughts a lot recently as my step daughter is currently sailing from one side of the Atlantic to the other- from the Caribbean Islands to the French Riviera. &lt;br /&gt;&lt;br /&gt;So Irish balladeer &lt;a href="http://en.wikipedia.org/wiki/Christy_Moore"&gt;Christy Moore's&lt;/a&gt; song&lt;a href="http://christymoore.lyricsometer.com/song/The+Two+Conneeleys/"&gt; Two Conneeleys,&lt;/a&gt; which is a haunting elegy to 2 brothers lost in the Atlantic Sea near the island of Inis Maan off the Irish coast, has a particular poignancy.&amp;nbsp; &lt;a href="http://en.wikipedia.org/wiki/Inishmaan"&gt;Innis Maan &lt;/a&gt;is one of the three &lt;a href="http://en.wikipedia.org/wiki/Aran_Islands" title="Aran Islands"&gt;Aran Islands&lt;/a&gt; in &lt;a href="http://en.wikipedia.org/wiki/Galway_Bay" title="Galway Bay"&gt;Galway Bay&lt;/a&gt; on the west coast of &lt;a href="http://en.wikipedia.org/wiki/Ireland" title="Ireland"&gt;Ireland&lt;/a&gt;. It has an estimated population of 160 people and is a stronghold of traditional Irish culture.&lt;br /&gt;&lt;br /&gt;The &lt;a href="http://christymoore.lyricsometer.com/song/The+Two+Conneeleys/"&gt;Two Conneelys&lt;/a&gt; is one of my favourite Christy Moore songs as it&amp;nbsp; brings together so much of Moore's unique style. His remarkable phrasing and tone of singing, the uniqueness of his guitar picking and his haunting lyrics are all present in the song which pays tribute to the lives of two Irish brothers who drowned at sea off the coast of Inis Maan.&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-KcemrbFGoks/TdS_b3H9VDI/AAAAAAAAB2s/EmmuynR4d78/s1600/innismaan.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="307" src="http://3.bp.blogspot.com/-KcemrbFGoks/TdS_b3H9VDI/AAAAAAAAB2s/EmmuynR4d78/s400/innismaan.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Christy Moore is arguably Irelands greatest contemporary singer in the Irish folk tradition. As a founder of Plantxy and Moving Hearts he revolutionized traditional Irish music by merging traditional and contemporary instrumentation. Moore continues to deliver CD's and live performances of remarkable power and beauty.&lt;br /&gt;&lt;br /&gt;The Two Conneelys (and his tribute to Guisepe Conlon) can be found on Moore's 1994 CD &lt;a href="http://www.theballadeers.com/cm_d20_puck.htm"&gt;King Puck.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Moore's songs have featured on the blog before&lt;a href="http://wwwcolinpenter.blogspot.com/2011/01/in-memory-of-pete-posthelwaite-1946.html"&gt; (here&lt;/a&gt;), namely his remarkable tribute to Irishman Guiseppe Conlon, which featured in this blog piece about the death of British actor Pete Posthelwaite (who played Conlon in the Jim Sheridan film In the Name of the Father).&lt;br /&gt;&lt;h1&gt;&lt;pre&gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;The Two Conneeleys&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;&lt;pre&gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;(Christy Moore and W.Page)&lt;br /&gt;&lt;br /&gt;Hear the Atlantic seethe and swell&lt;br /&gt;And hear the lonesome chapel bell&lt;br /&gt;God save their souls and mind them well&lt;br /&gt;Tomas and Sean Conneeley&lt;br /&gt;&lt;br /&gt;Yesterday at half past four&lt;br /&gt;They pushed their currach from the shore&lt;br /&gt;One took the net while one took the oar&lt;br /&gt;The two fisherman Conneeley&lt;br /&gt;&lt;br /&gt;From Conor's fort and from Synge's chair&lt;br /&gt;Towards Inis Mor and Inis Iarr&lt;br /&gt;They scout the sea in silent prayer&lt;br /&gt;As they go searching for their neighbours&lt;br /&gt;&lt;br /&gt;Dia diob a beiir iascairi brea&lt;br /&gt;nac mbeid ar ais ar barr an tra&lt;br /&gt;Go mbeid sib sona sasta ar neam&lt;br /&gt;Tomas agus Sean o' Congaile*&lt;br /&gt;&lt;br /&gt;Draw the seaweed up the hill&lt;br /&gt;And sow potatoes in the drill&lt;br /&gt;Try to understand God's will&lt;br /&gt;And the loss of the two Conneeleys&lt;br /&gt;&lt;br /&gt;Hear the Atlantic seethe and swell&lt;br /&gt;And hear the lonesome chapel bell&lt;br /&gt;God save their souls and mind them well&lt;br /&gt;Tomas and Sean Conneeley&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;&lt;pre&gt;&lt;span style="font-size: small;"&gt;&lt;b style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;*English Translation of Irish Verse:&lt;/b&gt;&lt;/span&gt;&lt;/pre&gt;&lt;pre&gt;&lt;span style="font-size: small;"&gt;&lt;b style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;God be with you two fine fishermen&lt;/b&gt;&lt;/span&gt;&lt;/pre&gt;&lt;pre&gt;&lt;span style="font-size: small;"&gt;&lt;b style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Who will not be back at the top of the strand&lt;/b&gt;&lt;/span&gt;&lt;/pre&gt;&lt;pre&gt;&lt;span style="font-size: small;"&gt;&lt;b style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;May you have peace and happiness in Heaven&lt;/b&gt;&lt;/span&gt;&lt;/pre&gt;&lt;pre&gt;&lt;span style="font-size: small;"&gt;&lt;b style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Tomás and Seán Conneeley&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;&lt;/h1&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-3768475667021096134?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/3768475667021096134/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=3768475667021096134' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/3768475667021096134'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/3768475667021096134'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/christy-moore-atlantics-seethe-and.html' title='Christy Moore: &quot;the Atlantic&apos;s seethe and swell&quot; and the death of the Two Conneelys'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-QN5sLIo42lk/TdS_f_ULiKI/AAAAAAAAB2w/yTSUklE0HGc/s72-c/mooreking_puck.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-2458017312169931018</id><published>2011-05-18T23:49:00.001+08:00</published><updated>2011-05-18T23:56:08.779+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='privatization'/><category scheme='http://www.blogger.com/atom/ns#' term='australian politics'/><category scheme='http://www.blogger.com/atom/ns#' term='australian history'/><category scheme='http://www.blogger.com/atom/ns#' term='immigration detention'/><category scheme='http://www.blogger.com/atom/ns#' term='human rights'/><category scheme='http://www.blogger.com/atom/ns#' term='Gillard government'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><category scheme='http://www.blogger.com/atom/ns#' term='asylum seekers'/><category scheme='http://www.blogger.com/atom/ns#' term='serco'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate harm'/><title type='text'>Serco: profiting from failure, lack of accountability and a disregard for human life</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-zcIGtqZZ6b0/TdPpXZ9XUFI/AAAAAAAAB2o/0AXgymUoAr0/s1600/sercologo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="112" src="http://2.bp.blogspot.com/-zcIGtqZZ6b0/TdPpXZ9XUFI/AAAAAAAAB2o/0AXgymUoAr0/s200/sercologo.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;Here are the results of privatization and Serco running public services. A complete lack of accountability for public funds, extreme profit gouging from the public purse, an obsession with secrecy, unauthorized use of force, poorly trained and under prepared staff and a disregard for human life that leads to self&amp;nbsp; harm, suicide and death of those in Serco's care.&lt;br /&gt;&lt;br /&gt;Each day there are more exposures of Serco's shocking record in running Australia's immigration detention centres.&lt;br /&gt;&lt;br /&gt;Detainees in Villawood&amp;nbsp; were &lt;a href="http://www.abc.net.au/news/stories/2011/05/18/3219866.htm"&gt;forced to use a cigarette lighter&lt;/a&gt; to try to burn through a rope used by a detainee to take his own life. Serco staff were ill prepared and untrained to respond to attempted suicide. according to ABC Online which reports:&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;Detainees say they tried to burn through the rope 41-year-old Ahmed Al Akabi had used to take his own life.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;They say they have borne witness to a string of suicides at the  centre in the past year, including that of Iraqi-born teacher Mr Akabi.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;The detainees, mostly of Kurdish origin, relayed numerous concerns  over their indefinite detention, with several afflicted by illnesses  related to stress and depression.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Tensions at the centre came to a head last month when riot police  were called in during a night of rioting that saw several buildings  destroyed by fire.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;One of the men who found Mr Akabi says guards employed by Villawood's  privately owned operator, Serco, were ill-equipped and not adequately  trained to respond appropriately to the suicide attempt.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;The man says the guards did not have a sharp instrument available to cut Mr Akabi down and did not know how to respond.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;The detainee, who did not want to be identified, says he and others  tried to hold Mr Akabi aloft in a bid to save him from suffocation until  help arrived.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;He says they were forced to use the cigarette lighter to try to save  the father of three, but were too late; he was pronounced dead a short  time later.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;Serco declined to comment on specific allegations, but in a statement  to the ABC said it runs a comprehensive staff training program that  goes beyond its contractual obligations.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;"Serco is committed to doing everything we can to prevent those in our care from coming to harm," the statement said.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;"Our staff take this commitment extremely seriously and work hard to keep those in our care safe and secure."&lt;/i&gt;&lt;/blockquote&gt;The amount of public funds paid to Serco &lt;a href="http://www.heraldsun.com.au/news/more-news/billion-bonanza-in-asylum-contract/story-fn7x8me2-1226055681045"&gt;was secretly doubled by the Federal Government &lt;/a&gt;and is expected to reach $1 billion within months. This is despite the Federal Government claiming that Serco was only paid $370 million. This windfall has massively boosted Serco's Australian revenue by 30%:&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;Serco originally signed a five-year contract worth $370 million to  run the facilities, including the Maribyrnong Detention Centre, until  mid-2014.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;But immigration industry experts said this figure was now likely to burst through the billion-dollar barrier.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;Figures  obtained from government tender records show the total size of Serco's  contracts in relation to asylum-seekers was quietly doubled in November  to more than $756 million.&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;But immigration industry sources are saying the latest contract  amount for Serco is already six months out of date, and it stands to  make hundreds of millions more from the taxpayers with continued boat  arrivals.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;One source said the asylum-seeker boom since November  had already added up to $200 million to the total value of Serco's  detention contracts. That would value them at up to $950 million as of  this month.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;Industry experts said Serco's bonanza was set to  easily crack the $1 billion barrier if the Government's new "Malaysia  Solution" does not work and refugee boats keep coming.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;An  Immigration Department spokesman refused to speculate on the Serco  bonanza. A Serco spokeswoman said these were "questions for the  Government".&lt;/i&gt;&lt;/blockquote&gt;&amp;nbsp;Serco is so fearful of exposure of its activities that it considers the unauthorized presence of media near a detention centre to be a critical safety threat- the highest possible threat level. This&lt;a href="http://www.abc.net.au/news/stories/2011/05/18/3220131.htm?section=justin"&gt; report&lt;/a&gt; found that: &lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;The company running the country's immigration detention  centres has upgraded how seriously it takes the unauthorised presence  of media, putting it on par with a bomb threat or an escape.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;The Serco document says "unauthorised" media presence at a detention  centre is now considered "critical" - the highest possible threat level.&lt;/i&gt;&lt;/blockquote&gt;Accounts of events from within Christmas Island detention centres show that Serco's use of force, its under-staffing and ill preparedness and poor management were major contributors to recent riots and protests on Christmas Island. A full account of the claims can be read &lt;a href="http://www.abc.net.au/unleashed/2717968.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;a class="moz-txt-link-freetext" href="http://wwwnemesisproject.blogspot.com/"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-2458017312169931018?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/2458017312169931018/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=2458017312169931018' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/2458017312169931018'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/2458017312169931018'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/serco-profiting-from-failure-lack-of.html' title='Serco: profiting from failure, lack of accountability and a disregard for human life'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-zcIGtqZZ6b0/TdPpXZ9XUFI/AAAAAAAAB2o/0AXgymUoAr0/s72-c/sercologo.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-5542109333812162087</id><published>2011-05-17T23:18:00.001+08:00</published><updated>2011-05-17T23:19:54.135+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='foreign policy'/><category scheme='http://www.blogger.com/atom/ns#' term='arab uprisings'/><category scheme='http://www.blogger.com/atom/ns#' term='middle east'/><category scheme='http://www.blogger.com/atom/ns#' term='international affairs'/><title type='text'>Foreign Policy in Focus: the summer of revolt in Arab states</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-qZODcKxwqE0/TdKRyZWPBmI/AAAAAAAAB2g/cnKWDF3xVRk/s1600/FPIF.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://2.bp.blogspot.com/-qZODcKxwqE0/TdKRyZWPBmI/AAAAAAAAB2g/cnKWDF3xVRk/s400/FPIF.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;The US Journal &lt;a href="http://www.fpif.org/regions/middleeast"&gt;Foreign Policy in Focus&lt;/a&gt; is always a good source for articles on international events and a critical analyses of American and western foreign policy hegemony.&lt;br /&gt;&lt;br /&gt;This weeks edition has a number of pieces on the Arab summer of revolt and uprisings in Syria, Yemen and the &lt;a href="http://www.fpif.org/regions/middleeast"&gt;United Arab Emirates&lt;/a&gt;, and the potential of Turkey to provide a model for other Arab democracies;&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;"The revolutions of 1989 toppled a number of  undemocratic regimes but  failed, in Tiananmen Square, to transform Chinese  politics. Similarly,  the Arab Spring has come up against serious resistance.  And the Obama  administration continues to hesitate.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;In Syria, the government of Bashar al-Assad has &lt;a href="http://salsa.democracyinaction.org/dia/track.jsp?v=2&amp;amp;c=Z9iGXp02L8Q8vJgrzA%2FBHjcJE5tbojlO"&gt;killed  at least 850 people and imprisoned 8,000 others&lt;/a&gt;.  "In an age where  Islamic extremism and terrorism continue to dominate  Washington’s foreign  policy relations in the Middle East, the Obama  administration has been careful  not to prematurely push Assad  overboard," writes Foreign Policy In Focus  (FPIF) contributor Daniel  DePetris in &lt;a href="http://salsa.democracyinaction.org/dia/track.jsp?v=2&amp;amp;c=sTFSGbq4%2FfOmEYlo1UHS%2BDcJE5tbojlO"&gt;Don't Count Bashar  Out&lt;/a&gt;.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt; "White House rhetoric is heating up, President Obama’s National   Security Council continues to demand that Assad halt the killing of  unarmed  protesters, and the administration has&amp;nbsp;recently  drafted&amp;nbsp;individual  sanctions. But in the case of Syria, Washington has  yet to adopt the  regime-change outlook that became so prevalent during  the Tunisian and Egyptian  uprisings."&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;In Yemen, too, Washington has been reluctant  to  jettison an ally. "Since Obama came to office in January 2009, U.S.   security assistance to the Yemeni regime has gone up 20-fold," writes  FPIF  columnist Stephen Zunes in &lt;a href="http://salsa.democracyinaction.org/dia/track.jsp?v=2&amp;amp;c=ai%2ByQIJuUdA6K5Fm4ok85jcJE5tbojlO"&gt;Yemen on the Edge&lt;/a&gt;.&amp;nbsp;"Despite   such large-scale unconditional support, however, the 32-year reign of   autocratic President Ali Abdullah Saleh may finally be coming to an  end. Yet  the Obama administration has been ambivalent in its support  for a democratic  transition in this impoverished but strategically  important country."&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Meanwhile, the leaders of the Arab Spring are  looking  around for role models. FPIF contributor Richard Javad  Heydarian looks at the  potential of Turkey to serve as an example for  aspiring Arab democrats. "Political  freedom, accountability,  corruption, and economic justice are at the center of  democratic  protests," he writes in &lt;a href="http://salsa.democracyinaction.org/dia/track.jsp?v=2&amp;amp;c=QM3NgKSXgj5EabfynOGBhTcJE5tbojlO"&gt;Arab Spring,  Turkish Summer?&lt;/a&gt;  "Turkey’s record on these issues has drawn the notice  of many in the  Islamic world. But Turkey’s experience with electoral politics and   market economics is unique, a response to the specifics of Turkish  history and  culture. The example therefore may not be replicable."&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-5542109333812162087?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/5542109333812162087/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=5542109333812162087' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5542109333812162087'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5542109333812162087'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/foreign-policy-in-focus-summer-of.html' title='Foreign Policy in Focus: the summer of revolt in Arab states'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-qZODcKxwqE0/TdKRyZWPBmI/AAAAAAAAB2g/cnKWDF3xVRk/s72-c/FPIF.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-972398017667580000</id><published>2011-05-16T07:49:00.001+08:00</published><updated>2011-05-16T07:52:05.901+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='nuclear crises'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><category scheme='http://www.blogger.com/atom/ns#' term='japan'/><category scheme='http://www.blogger.com/atom/ns#' term='international affairs'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate harm'/><title type='text'>10 lessons from the nuclear disasters at Fukishima and Chernobyl</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-CuKjq73Wy6E/TdBmVy-9ulI/AAAAAAAAB2c/XDhgHa9B2as/s1600/fukushima.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="236" src="http://1.bp.blogspot.com/-CuKjq73Wy6E/TdBmVy-9ulI/AAAAAAAAB2c/XDhgHa9B2as/s320/fukushima.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;Excellent article from the &lt;a href="http://www.miamiherald.com/2011/05/15/2216014/ten-lessons-from-chernobyl-and.html#storylink=fbuser"&gt;Miami Herald &lt;/a&gt;by &lt;span class="italic"&gt;&lt;a href="http://www.wagingpeace.org/menu/about/people/president-bio.pdf"&gt;David Krieger&lt;/a&gt; who is a councilor on  the World Future Council and the chair of the executive committee of the  International Network of Engineers and Scientists for Global  Responsibility. &lt;/span&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;Here are 10 lessons from the Chernobyl nuclear disaster 25 years ago and the Fukushima disaster this year.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt; 1. Nuclear power is a highly complex, expensive and dangerous way to boil water to create steam to turn turbines.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt; 2. Accidents happen, and the worst-case scenario often turns out to be worse than imagined or planned for.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;        3. The nuclear industry and its experts cannot plan for every contingency or prevent every disaster.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;  4. Governments do not effectively regulate the nuclear industry to  assure the safety of the public. Regulators of the nuclear industry  often come from the nuclear industry itself and tend to be too close to  it to regulate it effectively.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt; 5. Hubris, complacency and  high-level radiation are a deadly mix. Hubris on the part of the nuclear  industry and its government regulators — along with complacency on the  part of the public — has led to the creation of vast amounts of  high-level radiation that must be guarded from release to the  environment for tens of thousands of years.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt; 6. The corporations  that run the nuclear power plants are protected from catastrophic  economic failure by government limits on liability. If the corporations  that own nuclear power plants had to bear the burden of potential  financial losses in the event of a catastrophic accident, they would not  build the plants because they know the risks are unacceptable. It is  only when government limits the liability, as the Price-Anderson Act  does in the United States, that companies go ahead and build nuclear  power plants. No other private industry is given such liability  protection, which leaves the taxpayers on the hook.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt; 7. Radiation releases from nuclear accidents cannot be contained in space and will not stop at national borders.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;  8. Radiation releases from nuclear accidents cannot be contained in  time and will adversely affect countless future generations.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt; 9.  Nuclear energy — as well as nuclear weapons — and human beings cannot  coexist without the risk of future catastrophes. The survivors of the  atomic bombings of Hiroshima and Nagasaki have long known that nuclear  weapons and human beings cannot coexist. Fukushima, like Chernobyl  before it, makes clear that human beings and nuclear power plants also  cannot coexist.&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt; 10. The accidents at Fukushima and Chernobyl are a  bracing reminder to phase out nuclear energy. We need to move as  rapidly as possible to a global energy plan based upon conservation and  various forms of renewable energy: solar cells, wind, geothermal, and  energy that is extracted from the oceans and the tides and the currents.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;  Poet Maya Angelou once said, “History, despite its wrenching pain,  cannot be unlived, but if faced with courage doesn’t need to be lived  again.” We need the courage to abandon nuclear power. No one should have  to experience the wrenching pain of another Chernobyl or another  Fukushima.&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-972398017667580000?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/972398017667580000/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=972398017667580000' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/972398017667580000'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/972398017667580000'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/10-lessons-from-nucelar-disasters-at.html' title='10 lessons from the nuclear disasters at Fukishima and Chernobyl'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-CuKjq73Wy6E/TdBmVy-9ulI/AAAAAAAAB2c/XDhgHa9B2as/s72-c/fukushima.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-7885343940774623002</id><published>2011-05-15T20:00:00.001+08:00</published><updated>2011-05-15T20:08:23.972+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='books'/><title type='text'>Current Reading</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;The books shown include:&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.spinifexpress.com.au/Bookstore/book/id=205/"&gt;Marie-Monique Robin the World According to Monsanto&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.thenewpress.com/index.php?option=com_title&amp;amp;task=view_title&amp;amp;metaproductid=1481"&gt;Martin Duberman Paul Robeson: A Biography&lt;/a&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://lens.blogs.nytimes.com/2011/03/18/a-muse-named-patti-smith/"&gt;Judy Linn &amp;amp; Patti Smith Patti Smith 1969-1976&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.nybooks.com/"&gt;New York Review of Books&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt; &lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt; &lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Bli1dynql-Y/Tc-xTt4KpGI/AAAAAAAAB2Q/a75hrfM2py8/s1600/IMG_1607.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="240" src="http://3.bp.blogspot.com/-Bli1dynql-Y/Tc-xTt4KpGI/AAAAAAAAB2Q/a75hrfM2py8/s320/IMG_1607.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/-ME6TjCD6EqM/Tc-pQZxryHI/AAAAAAAAB2E/zhYOBbFFM7E/s1600/IMG_1604.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://4.bp.blogspot.com/-ME6TjCD6EqM/Tc-pQZxryHI/AAAAAAAAB2E/zhYOBbFFM7E/s320/IMG_1604.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Y0-AiIG0oNc/Tc-pB5C8HjI/AAAAAAAAB2A/K9n8Ov0Lv3k/s1600/IMG_1603.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span id="goog_999511757"&gt;&lt;/span&gt;&lt;span id="goog_999511758"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-YnFCn8XgG8s/Tc-xjMhpvBI/AAAAAAAAB2U/dxIPClHh_70/s1600/IMG_1605.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="240" src="http://3.bp.blogspot.com/-YnFCn8XgG8s/Tc-xjMhpvBI/AAAAAAAAB2U/dxIPClHh_70/s320/IMG_1605.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-FlB4REaf8lo/Tc-xwZhvEwI/AAAAAAAAB2Y/WJjgTBObk8c/s1600/IMG_1609.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://1.bp.blogspot.com/-FlB4REaf8lo/Tc-xwZhvEwI/AAAAAAAAB2Y/WJjgTBObk8c/s320/IMG_1609.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-7885343940774623002?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/7885343940774623002/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=7885343940774623002' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/7885343940774623002'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/7885343940774623002'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/current-reading.html' title='Current Reading'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Bli1dynql-Y/Tc-xTt4KpGI/AAAAAAAAB2Q/a75hrfM2py8/s72-c/IMG_1607.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-1121497248592078199</id><published>2011-05-14T23:41:00.011+08:00</published><updated>2011-05-15T10:33:46.350+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='dennis brutus'/><category scheme='http://www.blogger.com/atom/ns#' term='arts and culture'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><title type='text'>Dennis Brutus: Letting the facts sing</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-v98YMQWHHgY/Tc87DGkDsoI/AAAAAAAAB14/sSqgML_swds/s1600/brutus+book.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-v98YMQWHHgY/Tc87DGkDsoI/AAAAAAAAB14/sSqgML_swds/s320/brutus+book.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;"Sometimes a mesh of ideas&lt;br /&gt;webs the entranced mind,&lt;br /&gt;the assenting delighted mental eye;&lt;br /&gt;and sometimes the thrust and clash&lt;br /&gt;of forged and metalled words&lt;br /&gt;makes musical clangour in the brain;&lt;br /&gt;and sometimes a nude and simple word&lt;br /&gt;standing unlit or adorned&lt;br /&gt;may plead mutely in cold or dark&lt;br /&gt;for an answering warmth, an enlightening&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; sympathy;&lt;br /&gt;state the bare fact and let it sing."&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Dennis Brutus&lt;/b&gt;&lt;br /&gt;&lt;b&gt;from A Simple Lust: Collected Poems of South African Jail &amp;amp; Exile&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-OlVSBRJVsSc/Tc87eln_tzI/AAAAAAAAB18/IxBILrtkCl0/s1600/Old_book_bindings_cropped-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-OlVSBRJVsSc/Tc87eln_tzI/AAAAAAAAB18/IxBILrtkCl0/s1600/Old_book_bindings_cropped-1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-1121497248592078199?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/1121497248592078199/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=1121497248592078199' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1121497248592078199'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1121497248592078199'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/dennis-brutus-letting-facts-sing.html' title='Dennis Brutus: Letting the facts sing'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-v98YMQWHHgY/Tc87DGkDsoI/AAAAAAAAB14/sSqgML_swds/s72-c/brutus+book.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-824519399076828342</id><published>2011-05-14T17:59:00.000+08:00</published><updated>2011-05-14T17:59:41.282+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arts and culture'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><title type='text'>The Witnessing Prescence: Denise Levertov</title><content type='html'>&lt;blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-31Whlwxt95g/Tc5SSDvRilI/AAAAAAAAB1s/9atMM5Fp8eM/s1600/levertov.forest.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="277" src="http://4.bp.blogspot.com/-31Whlwxt95g/Tc5SSDvRilI/AAAAAAAAB1s/9atMM5Fp8eM/s320/levertov.forest.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;Witness&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;Denise Levertov&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;&lt;i&gt;Sometimes the mountain&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;&lt;i&gt;is hidden from me in veils&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;&lt;i&gt;of cloud, sometimes&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;&lt;i&gt;I am hidden from the mountains&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;&lt;i&gt;in veils of inattention, apathy, fatigue,&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;&lt;i&gt;when I forget or refuse to go&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;&lt;i&gt;down to the shore or a few yards&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;&lt;i&gt;up the road, on a clear day, to reconfirm&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;&lt;i&gt;that witnessing prescence.&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/post-edit.g?blogID=6794141474524732897&amp;amp;postID=824519399076828342" name="_Toc23572789"&gt;&lt;span class="Heading1Char"&gt;Beginners&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/b&gt;&lt;i&gt;&lt;b&gt;Dedicated to the memory of Karen &lt;span class="SpellE"&gt;Silkwood&lt;/span&gt; and Eliot &lt;span class="SpellE"&gt;Gralla&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;“From too much love of living&lt;span class="GramE"&gt;,&lt;/span&gt;&lt;br /&gt;Hope and desire set free,&lt;br /&gt;Even the weariest river&lt;br /&gt;Winds somewhere to the sea—“&lt;br /&gt;&lt;br /&gt;&lt;/i&gt;But we have only begun&lt;br /&gt;To love the earth.&lt;br /&gt;&lt;br /&gt;We have only begun&lt;br /&gt;&lt;span class="GramE"&gt;To&lt;/span&gt; imagine the fullness of life.&lt;br /&gt;&lt;br /&gt;How could we tire of hope?&lt;br /&gt;—so much is in bud.&lt;br /&gt;&lt;br /&gt;How can desire fail?&lt;br /&gt;—we have only begun&lt;br /&gt;&lt;br /&gt;to imagine justice and mercy&lt;span class="GramE"&gt;,&lt;/span&gt;&lt;br /&gt;only begun to envision&lt;br /&gt;&lt;br /&gt;how it might be&lt;br /&gt;to live as siblings with beast and flower,&lt;br /&gt;not as oppressors.&lt;br /&gt;&lt;br /&gt;Surely our river&lt;br /&gt;cannot already be hastening&lt;br /&gt;into the sea of nonbeing?&lt;br /&gt;&lt;br /&gt;Surely it cannot&lt;br /&gt;drag, in the silt&lt;span class="GramE"&gt;,&lt;/span&gt;&lt;br /&gt;all that is innocent?&lt;br /&gt;&lt;br /&gt;Not yet, not yet—&lt;br /&gt;there is too much broken&lt;br /&gt;that must be mended,&lt;br /&gt;&lt;br /&gt;too much hurt we have done to each other&lt;br /&gt;that cannot yet be forgiven.&lt;br /&gt;&lt;br /&gt;We have only begun to know&lt;br /&gt;the power that is in us if we would join&lt;br /&gt;our solitudes in the communion of struggle.&lt;/span&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt; So much is unfolding that must&lt;br /&gt;complete its gesture&lt;span class="GramE"&gt;,&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;so much is in bud.&lt;/span&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-mbQSkNePH2Y/Tc5Scse5ylI/AAAAAAAAB1w/StHXfszjUsA/s1600/levertov.fallforest.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="150" src="http://3.bp.blogspot.com/-mbQSkNePH2Y/Tc5Scse5ylI/AAAAAAAAB1w/StHXfszjUsA/s200/levertov.fallforest.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;pre style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;The Jacob's Ladder&lt;br /&gt;Denise Levertov&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;The stairway is not&lt;br /&gt;a thing of gleaming strands&lt;br /&gt;a radiant evanescence&lt;br /&gt;for angels' feet that only glance in their tread, and need not&lt;br /&gt;touch the stone.&lt;br /&gt;&lt;br /&gt;It is of stone.&lt;br /&gt;A rosy stone that takes&lt;br /&gt;a glowing tone of softness&lt;br /&gt;only because behind it the sky is a doubtful, a doubting&lt;br /&gt;night gray.&lt;br /&gt;&lt;br /&gt;A stairway of sharp&lt;br /&gt;angles, solidly built.&lt;br /&gt;One sees that the angels must spring&lt;br /&gt;down from one step to the next, giving a little&lt;br /&gt;lift of the wings:&lt;br /&gt;&lt;br /&gt;and a man climbing&lt;br /&gt;must scrape his knees, and bring&lt;br /&gt;the grip of his hands into play. The cut stone&lt;br /&gt;consoles his groping feet. Wings brush past him.&lt;br /&gt;The poem ascends.&lt;/span&gt;&lt;/pre&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-824519399076828342?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/824519399076828342/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=824519399076828342' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/824519399076828342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/824519399076828342'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/witnessing-prescence-denise-levertov.html' title='The Witnessing Prescence: Denise Levertov'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-31Whlwxt95g/Tc5SSDvRilI/AAAAAAAAB1s/9atMM5Fp8eM/s72-c/levertov.forest.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-5951906605263094448</id><published>2011-05-14T17:01:00.001+08:00</published><updated>2011-05-14T17:07:06.374+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='music'/><title type='text'>Favourite Songs: Bruce Hornsby "The Way it is"  and "The End of the Innocence</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_YH2rkvJkk2A/Svg0yCZh4uI/AAAAAAAAAfg/J50Xk8PvH74/s1600-h/hornsby.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5402125787272962786" src="http://4.bp.blogspot.com/_YH2rkvJkk2A/Svg0yCZh4uI/AAAAAAAAAfg/J50Xk8PvH74/s320/hornsby.jpg" style="display: block; height: 299px; margin: 0px auto 10px; text-align: center; width: 300px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-style: italic;"&gt;"Remember when the days were young/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;And rolled beneath a deep blue sky&lt;/span&gt;/ &lt;span style="font-style: italic;"&gt;Didn't have care in the world&lt;/span&gt;/.....  &lt;span style="font-style: italic;"&gt;But now these skies are threatening/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;They' re beating plowshares into swords/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;For this tired old man we elected King/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;Armchair warriors often fail&lt;/span&gt;/ &lt;span style="font-style: italic;"&gt;And we've been poisoned by these fairy tales&lt;/span&gt;/ &lt;span style="font-style: italic;"&gt;The lawyers clean up all details&lt;/span&gt;/ &lt;span style="font-style: italic;"&gt;Since daddy had to lie".&lt;/span&gt;&lt;br /&gt;&lt;b&gt;The End of the Innocence Bruce Hornsby/Don Henley&lt;/b&gt;&lt;/blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;a href="http://www.brucehornsby.com/index.html"&gt;Bruce Hornsby&lt;/a&gt; is of one of those &lt;a href="http://en.wikipedia.org/wiki/Bruce_Hornsby"&gt;consummate musicians who over a long career&lt;/a&gt; has crossed many musical genres. He has been a successful singer songwriter, had commercial hits in the 1980's, and as a piano player has played with some of the finest American jazz, blues, country and contemporary musicians, including the Grateful Dead, BB King, Lou Reed, Chaka Khan, Bonnie Rait, Pat Metheny and Charlie Haden to name a few.&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Recently Hornsby appeared playing piano on one of my favourite CD's for 2009 &lt;a href="http://www.hadenfamilyandfriends.com/"&gt;Charlie Haden Family and Friends&lt;/a&gt; the country album by jazz icon Charlie Haden (who I have written about &lt;a href="http://wwwcolinpenter.blogspot.com/2009/09/charlie-haden-music-as-form-of.html"&gt;here&lt;/a&gt;). Hornsby's evocative piano playing features on a number of the tracks. Hornsby is a such a fine piano player with a distinctive touch, whether playing solo or as a part of larger band.&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Bruce Hornsby is probably best remembered for his &lt;a href="http://www.brucehornsby.com/album_the_way_it_is.htm"&gt;1986 album &lt;span style="font-style: italic;"&gt;The Way it Is&lt;/span&gt;&lt;/a&gt;, recorded with his band the Range, which featured 3 top 20 hits, including the song &lt;a href="http://www.dailymotion.com/video/x1tn79_bruce-hornsby-the-way-it-is_music"&gt;The Way It Is&lt;/a&gt;. That album sold millions worldwide, stayed in the charts for over 12 months and won Hornsby a Grammy for Best New Artist. After a couple of successful  albums Hornsby tired of the commercial pressures, and returned to his roots which included jazz, folk and bluegrass.&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Two of my favourite US songs- &lt;a href="http://www.dailymotion.com/video/x1tn79_bruce-hornsby-the-way-it-is_music" style="font-style: italic;"&gt;The Way It Is&lt;/a&gt; and the &lt;span style="font-style: italic;"&gt;End of Innocence&lt;/span&gt;- were both composed by Bruce Hornsby and reflect something of the feelings of many Americans during the years of the Presidency of Ronald Reagan.&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;The song the&lt;span style="font-style: italic;"&gt; Way It Is&lt;/span&gt; was the first track on the 1986 album of the same name. Hornsby's piano solo introduction is such a distinctive piece, as is the piano solo in the middle of the song.&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;The song speaks of issues of poverty, homelessness and of civil rights in the US in the mid 80's- and the turning away from those issues during the Reagan era (see the lyrics below). In one way the song is a statement of resignation about the difficulty of addressing injustice, but also about the need for strength and persistence in the face of injustice. In one line Hornsby sings "Some things will never change". But then he follows up with the line"But don't you believe em".&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-style: italic;"&gt;The &lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/The_End_of_the_Innocence_%28song%29" style="font-style: italic;"&gt;End of the Innocence&lt;/a&gt; was co-written by Hornsby with Don Henley in 1989 and while I have always liked Don Henley's version of the song,  Hornsby's&lt;a href="http://www.youtube.com/watch?v=96xggjRjOJU&amp;amp;feature=related"&gt; live version on solo piano&lt;/a&gt; is better (I think). Hornsby slows the song down and gives the song a very different feel. It becomes a lament, a song of regret (as well as sequing into a version of Danny Boy).&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;I always liked the way the song bridges the personal and the social, with its references to Ronald Reagan (&lt;span style="font-style: italic;"&gt;For this tired old man we elected King/&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Armchair warriors often fail&lt;/span&gt;) to the passing of the hopes and innocence of the 1960's and 1970's and to the pain and regret of lost hopes. Hornsby's live version captures the yearning, regret and nostalgia that is such a strong element of the song.&lt;/div&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;&lt;span style="font-style: italic;"&gt;Lyrics of The Way It Is (Bruce Hornsby)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-style: italic;"&gt;&amp;nbsp;&lt;/span&gt;  &lt;span style="font-style: italic;"&gt;&lt;br /&gt;Standing in line marking time/&lt;/span&gt;&lt;span style="font-style: italic;"&gt;Waiting for the welfare dime/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;'Cause they can't buy a job&lt;/span&gt;/ &lt;span style="font-style: italic;"&gt;The man in the silk suit hurries by/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;As he catches the poor old ladies' eyes&lt;/span&gt;/ &lt;span style="font-style: italic;"&gt;Just for fun he says "Get a job"&lt;/span&gt;/  &lt;span style="font-style: italic;"&gt;That's just the way it is/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;Some things will never change/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;That's just the way it is/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;But don't you believe them&lt;/span&gt;/  &lt;span style="font-style: italic;"&gt;They say hey little boy you can't go&lt;/span&gt; &lt;span style="font-style: italic;"&gt;Where the others go/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;'Cause you don't look like they do&lt;/span&gt;/ &lt;span style="font-style: italic;"&gt;Said hey old man how can you stand&lt;/span&gt; &lt;span style="font-style: italic;"&gt;To think that way/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;Did you really think about it&lt;/span&gt; &lt;span style="font-style: italic;"&gt;Before you made the rules/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;He said, Son&lt;/span&gt;  &lt;span style="font-style: italic;"&gt;That's just the way it is&lt;/span&gt;/ &lt;span style="font-style: italic;"&gt;Some things will never change&lt;/span&gt;/ &lt;span style="font-style: italic;"&gt;That's just the way it is&lt;/span&gt;/ &lt;span style="font-style: italic;"&gt;But don't you believe them/&lt;/span&gt;  &lt;span style="font-style: italic;"&gt;Well they passed a law in '64/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;To give those who ain't got a little more/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;But it only goes so far/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;Because the law won't change another's mind&lt;/span&gt;/ &lt;span style="font-style: italic;"&gt;When all it sees at the hiring time/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;Is the line on the color bar&lt;/span&gt;/  &lt;span style="font-style: italic;"&gt;That's just the way it is/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;Some things will never change/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;That's just the way it is/&lt;/span&gt; &lt;span style="font-style: italic;"&gt;But don't you believe them&lt;/span&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-5951906605263094448?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/5951906605263094448/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=5951906605263094448' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5951906605263094448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5951906605263094448'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2009/11/favourite-songs-bruce-hornsby-way-it-is.html' title='Favourite Songs: Bruce Hornsby &quot;The Way it is&quot;  and &quot;The End of the Innocence'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YH2rkvJkk2A/Svg0yCZh4uI/AAAAAAAAAfg/J50Xk8PvH74/s72-c/hornsby.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-1073968938627831247</id><published>2011-05-14T11:14:00.000+08:00</published><updated>2011-05-14T11:14:23.329+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='robert fisk'/><category scheme='http://www.blogger.com/atom/ns#' term='gulf war'/><category scheme='http://www.blogger.com/atom/ns#' term='middle east'/><title type='text'>Robert Fisk on Bahrain</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-tIZmRRixmv8/Tc3zDJ_UJGI/AAAAAAAAB1g/nnUgVadnMeQ/s1600/bahrain+protests.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="133" src="http://4.bp.blogspot.com/-tIZmRRixmv8/Tc3zDJ_UJGI/AAAAAAAAB1g/nnUgVadnMeQ/s200/bahrain+protests.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody"&gt;As always &lt;a href="http://www.independent.co.uk/opinion/commentators/fisk/robert-fisk-why-no-outcry-over-these-torturing-tyrants-2283907.html"&gt;Robert Fisk asks questions&lt;/a&gt; the West avoids. Why does the West overthrow some  Arab tyrants, while other Arab tyrants who serve the West's interests  get away with oppressing, shooting, torturing  and murdering their  citizens without a whimper from the West and other Arab leaders?&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-uVJ4NVF-qDI/Tc3zS8TJQrI/AAAAAAAAB1k/7W_1eWQ1M18/s1600/fisk.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-uVJ4NVF-qDI/Tc3zS8TJQrI/AAAAAAAAB1k/7W_1eWQ1M18/s1600/fisk.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody"&gt;The extract below is from Robert Fisk's latest &lt;a href="http://www.independent.co.uk/opinion/commentators/fisk/robert-fisk-why-no-outcry-over-these-torturing-tyrants-2283907.html"&gt;piece i&lt;/a&gt;n the UK Independent newspaper. Fisk has written before about the uprisings in Bahrain&lt;a href="http://www.independent.co.uk/news/world/middle-east/robert-fisk-in-manama-bahrain-ndash-an--uprising-on-the-verge-of-revolution-2220639.htm"&gt; here.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;Robert Fisk&lt;/span&gt; &lt;/b&gt;&lt;/blockquote&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;Why No outcry over these torturing tyrants&lt;/span&gt;&lt;/b&gt; &lt;/blockquote&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;Christopher Hill, a former US secretary of state  for east Asia who was ambassador to Iraq – and usually a very obedient  and un-eloquent American diplomat – wrote the other day that "the notion  that a dictator can claim the sovereign right to abuse his people has  become unacceptable".&lt;/span&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/blockquote&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;    Unless, of course – and Mr Hill did not mention this – you happen to live in Bahrain.&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/blockquote&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;On this tiny island, a Sunni monarchy, the  al-Khalifas, rule a majority Shia population and have responded to  democratic protests with death sentences, mass arrests, the imprisonment  of doctors for letting patients die after protests and an "invitation"  to Saudi forces to enter the country. They have also destroyed dozens of  Shia mosques with all the thoroughness of a 9/11 pilot. But then, let's  remember that most of the 9/11 killers were indeed Saudis.&lt;/span&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;div class="font-null" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;And  what do we get for it? Silence.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="font-null" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;Silence in the US media, largely  silence in the European press, silence from our own beloved CamerClegg  and of course from the White House. And – shame of shame – silence from  the Arabs who know where their bread is buttered. That means, of course,  also silence from al-Jazeera. I often appear on their otherwise  excellent Arabic and English editions, but their failure to mention  Bahrain is shameful, a dollop of shit in the dignity that they have  brought to reporting in the Middle East. The Emir of Qatar – I know him  and like him very much – does not need to belittle his television empire  in this way.&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; &lt;/span&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt; &lt;/span&gt;&lt;div class="font-null" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;CamerClegg is silent, of course, because Bahrain is  one of our "friends" in the Gulf, an eager arms buyer, home to  thousands of Brit expatriates who – during the mini-revolution by  Bahrain's Shia – spent their time writing vicious letters to the local  pro-Khalifa press denouncing Western journalists. And as for the  demonstrators, I recall a young Shia woman telling me that if only the  Crown Prince would come to the Pearl Roundabout and talk with the  protesters, they would carry him on their shoulders around the square. I  believed her. But he didn't come. Instead, he destroyed their mosques  and claimed the protests were an Iranian plot – which was never the case  – and destroyed the statue of the pearl at the roundabout, thus  deforming the very history of his own country.&lt;/span&gt;&lt;/div&gt;&lt;div class="font-null" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="font-null" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Obama,  needless to say, has his own reasons for silence. Bahrain hosts the US  Fifth Fleet and the Americans don't want to be shoved out of their happy  little port (albeit that they could up-sticks and move to the UAE or  Qatar anytime they wish) and want to defend Bahrain from mythical  Iranian aggression. So you won't find La Clinton, so keen to abuse the  Assad family, saying anything bad about the al-Khalifas. Why on earth  not? Are we all in debt to the Gulf Arabs? They are honourable people  and understand when criticism is said with good faith. But no, we are  silent. Even when Bahraini students in Britain are deprived of their  grants because they protested outside their London embassy, we are  silent. CamerClegg, shame on you.......&lt;/span&gt;&lt;/div&gt;&lt;div class="font-null" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="font-null" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;What is this nonsense? Well, I will tell you. It has nothing to do with  the Bahrainis or the al-Khalifas. It is all about our fear of Saudi  Arabia. Which also means it is about oil. It is about our absolute  refusal to remember that 9/11 was committed largely by Saudis. It is  about our refusal to remember that Saudi Arabia supported the Taliban,  that Bin Laden was a Saudi, that the most cruel version of Islam comes  from Saudi Arabia, the land of head-choppers and hand-cutters. It is  about a conversation I had with a Bahraini official – a good and decent  and honest man – in which I asked him why the Bahraini prime minister  could not be elected by a majority Shia population. "The Saudis would  never permit it," he said. Yes, our other friends. The Saudis.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-UgT-qtDV4Wg/Tc3zeZ5Aw3I/AAAAAAAAB1o/FceavA94GwU/s1600/fisk+in+bahrain.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="218" src="http://4.bp.blogspot.com/-UgT-qtDV4Wg/Tc3zeZ5Aw3I/AAAAAAAAB1o/FceavA94GwU/s320/fisk+in+bahrain.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-1073968938627831247?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/1073968938627831247/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=1073968938627831247' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1073968938627831247'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1073968938627831247'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/robert-fisk-on-bahrain.html' title='Robert Fisk on Bahrain'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-tIZmRRixmv8/Tc3zDJ_UJGI/AAAAAAAAB1g/nnUgVadnMeQ/s72-c/bahrain+protests.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-5306464377133951462</id><published>2011-05-08T21:18:00.005+08:00</published><updated>2011-05-08T22:03:51.470+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arts and culture'/><category scheme='http://www.blogger.com/atom/ns#' term='Judith wright'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><title type='text'>Poetry and daily life: Reading Judith Wright</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-SaBG8z1c_j8/TcaXpscCGUI/AAAAAAAAB1M/1mHzaDZCH7k/s1600/judithwrighttree.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="161" src="http://2.bp.blogspot.com/-SaBG8z1c_j8/TcaXpscCGUI/AAAAAAAAB1M/1mHzaDZCH7k/s200/judithwrighttree.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Poetry should be an important part of our daily lives. A poem can assist us to live good lives. It enables contemplation, reverence for the cycles of daily life and a more refined moral outlook.&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Judith_Wright"&gt;Judith Wright&lt;/a&gt;'s poetry always has that effect on me. Wright is a profoundly social, political and mystical poet. Her poetry derives its power from its directness and profound humanity, and is best read "out in the world". Which is where I read her poetry today- between breaks whilst goal umpiring my teenage son's football match. Other blog pieces on Judith Wright can be found &lt;a href="http://wwwcolinpenter.blogspot.com/search/label/Judith%20wright"&gt;here.&lt;/a&gt;&lt;/div&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;Grace&lt;/b&gt;&lt;br /&gt;&lt;i&gt;by Judith Wright&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Living is dailiness, a simple bread&lt;br /&gt;that's worth the eating. But I have known a wine,&lt;br /&gt;a drunkeness that can't be spoken or sung&lt;br /&gt;without betraying it. Far past Yours or Mine,&lt;br /&gt;even past Ours, it has nothing at all to say;&lt;br /&gt;it slants a sudden laser through common day.&lt;br /&gt;&lt;br /&gt;It seems to have nothing to do with things at all,&lt;br /&gt;requires another element or dimension.&lt;br /&gt;Not contemplation brings it: it merely happens,&lt;br /&gt;past expectation and beyond intention;&lt;br /&gt;takes over the depth of flesh, the inward eye,&lt;br /&gt;is there, then vanishes. Does not live or die,&lt;br /&gt;because it occurs beyond the here and now,&lt;br /&gt;positives, negatives, what we hope and are.&lt;br /&gt;Not even being in love, or making love,&lt;br /&gt;brings it. It plunges a sword from a dark star.&lt;br /&gt;&lt;br /&gt;Maybe there was once a word for it. Call it grace.&lt;br /&gt;I have seen it, once or twice though a human face.&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-WtT3-nc0X5A/TcaYA4l0QiI/AAAAAAAAB1U/JJF6sJPl8Ro/s1600/judith-wright.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="150" src="http://1.bp.blogspot.com/-WtT3-nc0X5A/TcaYA4l0QiI/AAAAAAAAB1U/JJF6sJPl8Ro/s200/judith-wright.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;To Mary Gilmore&lt;/b&gt;&lt;br /&gt;&lt;i&gt;by Judith Wright&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Having arranged for the mail and stopped the papers,&lt;br /&gt;tied loaves of bread Orlando-like to the tree,&lt;br /&gt;love- messages for birds; suitcase in hand&lt;br /&gt;I pause and regard the irony of me.&lt;br /&gt;&lt;br /&gt;Supposed to be fifty-six, hair certainly grey, &lt;br /&gt;stepping out much like sixteen on another journey&lt;br /&gt;through a very late spring, the conference papers packed&lt;br /&gt;as a half excuse for a double tonged holiday;&lt;br /&gt;&lt;br /&gt;as though I believed- well, then, as though I believed.&lt;br /&gt;Remember Mary Gilmore, her little son&lt;br /&gt;turned sixty four and bald; And Mary playing&lt;br /&gt;her poet's game as though she'd never be done.&lt;br /&gt;&lt;br /&gt;This is my place. It isn't far to my grave,&lt;br /&gt;the waiting stone. But still there's life to do&lt;br /&gt;and a taste of spring in the air. Should I sit and grieve,&lt;br /&gt;Mary or keep the ink running, like you?&lt;br /&gt;&lt;br /&gt;Years have their truth, and each as true as another.&lt;br /&gt;Salute, Mary. Not long now till we know&lt;br /&gt;the blackened deathly world you once foresaw;&lt;br /&gt;but now-let's live. I pick up my case and go.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-XvsIEA0p5i4/TcaYIRKkK9I/AAAAAAAAB1Y/H2K_UUyJxqo/s1600/wrightmemorial.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://1.bp.blogspot.com/-XvsIEA0p5i4/TcaYIRKkK9I/AAAAAAAAB1Y/H2K_UUyJxqo/s320/wrightmemorial.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Request to a Year&lt;/b&gt;&lt;br /&gt;&lt;i&gt;By Judith Wright&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;If the year is meditating a suitable gift,&lt;br /&gt;I should like it to be the attitude&lt;br /&gt;of my great-great-grandmother,&lt;br /&gt;legendary devotee of the arts,&lt;br /&gt;&lt;br /&gt;who having eight children&lt;br /&gt;and little opportunity for painting pictures,&lt;br /&gt;sat one day on a high rock&lt;br /&gt;beside a river in Switzerland&lt;br /&gt;&lt;br /&gt;and from a difficult distance viewed&lt;br /&gt;her second son, balanced on a small ice-floe,&lt;br /&gt;drift down the current toward a waterfall&lt;br /&gt;that struck rock bottom eighty feet below,&lt;br /&gt;&lt;br /&gt;while her second daughter, impeded,&lt;br /&gt;no doubt, by the petticoats of the day,&lt;br /&gt;stretched out a last-hope alpenstock&lt;br /&gt;(which luckily later caught him on his way).&lt;br /&gt;&lt;br /&gt;Nothing, it was evident, could be done;&lt;br /&gt;And with the artist’s isolating eye&lt;br /&gt;My great-great-grandmother hastily sketched the scene.&lt;br /&gt;The sketch survives to prove the story by.&lt;br /&gt;&lt;br /&gt;Year, if you have no Mother’s day present planned,&lt;br /&gt;Reach back and bring me the firmness of her hand.&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-5306464377133951462?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/5306464377133951462/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=5306464377133951462' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5306464377133951462'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/5306464377133951462'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/poetry-and-daily-life.html' title='Poetry and daily life: Reading Judith Wright'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-SaBG8z1c_j8/TcaXpscCGUI/AAAAAAAAB1M/1mHzaDZCH7k/s72-c/judithwrighttree.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-1185049536867812353</id><published>2011-05-07T11:15:00.002+08:00</published><updated>2011-05-07T11:17:31.298+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='mining'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate economic system'/><category scheme='http://www.blogger.com/atom/ns#' term='BP'/><category scheme='http://www.blogger.com/atom/ns#' term='Gulf oil spill'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><category scheme='http://www.blogger.com/atom/ns#' term='corporate harm'/><title type='text'>Carl Safina on the catastrophic consequences of the Deepwater Horizon disaster</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Ajz2PWIft04/TcS4slLZETI/AAAAAAAAB1E/T6rdduwIV_Y/s1600/deepwaterexplosopn.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="239" src="http://2.bp.blogspot.com/-Ajz2PWIft04/TcS4slLZETI/AAAAAAAAB1E/T6rdduwIV_Y/s320/deepwaterexplosopn.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h3 style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;a href="http://carlsafina.org/"&gt;A Sea in Flames: The Deepwater Horizon Oil Blowout&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp; by &lt;a href="http://www.democracynow.org/2010/5/27/expert_ecological_impact_of_spill_could"&gt;Carl Safina&lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Twelve months after the disaster in the Gulf of Mexico which resulted from the explosion at the BP's Deepwater Horizon more books are appearing that chronicle the catastrophe and its terrible legacy. &lt;a href="http://carlsafina.org/"&gt;Carl Safina&lt;/a&gt; is a renowned marine ecologist and expert on the world's oceans.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-xckap_xblOM/TcS5OmFTrNI/AAAAAAAAB1I/cwbE4ERJVsE/s1600/aseainflames_300.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-xckap_xblOM/TcS5OmFTrNI/AAAAAAAAB1I/cwbE4ERJVsE/s1600/aseainflames_300.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;The extract below is from Douglas Brinkley's* &lt;a href="http://www.truthdig.com/arts_culture/item/the_disastrous_cost_of_oil_addiction_20110505/#"&gt;review&lt;/a&gt; of &lt;a href="http://en.wikipedia.org/wiki/Carl_Safina"&gt;Carl Safina&lt;/a&gt;'s new book on the Deepwater Horizon catastrophe&amp;nbsp; and the terrible legacy for the planet:&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;In “A Sea in Flames,” his newest  installment, Safina investigates the impact of the BP Deepwater Horizon  blowout......&lt;/span&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt; His kinship is with two tribes of people: gulf fishermen and  marine biologists. “Crucial mistakes, disastrous consequences, the  weakness of power, unpreparedness and overreaction, the quiet dignity of  everyday heroes,” he writes. “The 2010 Gulf of Mexico blowout brought  more than oil to the surface.”.................&lt;/span&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Back in 2008 around 300 exploratory wells  were dug in the deep water of the Gulf of Mexico. Very few Americans  questioned the environmental damage inherent in such activity. “Our  everyday use of fossil fuels is changing the atmosphere,” Safina warns,  “ruining the world’s oceans.” He garners credibility by being  evenhanded. Doing some complicated math, he argues that the mixing of  millions of gallons of BP oil with the Gulf’s 660 quadrillion gallons of  water allowed the oil to easily dilute. But the carbon dioxide we’re  emitting into the atmosphere, he scolds, isn’t being diluted. It’s  building up in an extremely toxic way.&lt;/span&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Safina suggests that the oceans are Earth’s  lungs and they’re smoking two packs of cigarettes a day. Sea water is  getting more acidic due to carbon dioxide. This spells dire consequences  for oceans, which are losing habitats ranging from glaciers to tropical  reefs at an astonishing rate. “Because we’ve bet the house on burning  oil, coal, and gas,” he writes, “our atmosphere’s concentration of  carbon dioxide is a third higher now than at the start of the Industrial  Revolution.”&amp;nbsp;&lt;/span&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;At the end of “A Sea in Flames,” Safina is  desperate to close the deal against fossil fuels. His previously steady  and nuanced prose turns polemical. He reminds us that oil is making  undemocratic countries like Russia, Iran and Saudi Arabia powerful.  Petro dictators, he charges, are stoking anti-Americanism all over the  world. If we don’t get behind a Marshall Plan-like program for renewable  energy, it seems, China will surpass America as the world’s superpower.&lt;/span&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Carbon dioxide, the killer of Earth, can be  slain only by consumers who are aware of how hideous oil, coal and gas  truly are to the atmosphere and oceans, Safina argues. The smartest way  to respond to the Gulf disaster shouldn’t have been cleaning birds or  picking up turtles or spraying 1.84 million gallons of Corexit 9500.  Instead, an infuriated citizenry should have pulled the subsidies out  from under Big Petroleum. Tax the oil conglomerates out of business.  It’s still not too late. Better to be, as Safina puts it, “shocked at  the pump” than dead in the water.&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;* Douglas Brinkley is a professor of  history at Rice University. His most recent book is “The Quiet World:  Saving Alaska’s Wilderness Kingdom 1879-1960.” &lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-1185049536867812353?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/1185049536867812353/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=1185049536867812353' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1185049536867812353'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1185049536867812353'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/carl-safina-on-catastrophic.html' title='Carl Safina on the catastrophic consequences of the Deepwater Horizon disaster'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Ajz2PWIft04/TcS4slLZETI/AAAAAAAAB1E/T6rdduwIV_Y/s72-c/deepwaterexplosopn.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-8193677541726043122</id><published>2011-05-07T10:37:00.001+08:00</published><updated>2011-05-07T10:38:13.725+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arts and culture'/><category scheme='http://www.blogger.com/atom/ns#' term='Bruce Dawe'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><title type='text'>Bruce Dawe and " those worn coins of memory"</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-VWJsApFkGu8/TcSwNF35dII/AAAAAAAAB1A/8vajMqnjIUk/s1600/landscape+fields.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="270" src="http://2.bp.blogspot.com/-VWJsApFkGu8/TcSwNF35dII/AAAAAAAAB1A/8vajMqnjIUk/s400/landscape+fields.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;The Wallet&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;(for Andrew Court)&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;By Bruce Dawe&lt;/b&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;Sometimes, it may be years, it may be less,&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;a life is merged with yours and then moves on,&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;but where and how and why may not be known&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;until much later word comes back&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;from that far universe as from a star,&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;and suddenly you're shaken with this sense&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;that certain lives which occur were once most&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;immediate to yours have lived and gone&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;and you have only lately learned&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;something of how they lived, that precious knowledge&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;coined in a realm whose currency&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;is rarely recognised any longer&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;as legal tender, those worn coins&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;as memory you can never trade&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;or spend for what they're worth while still&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;regretful for your own forgetfulness....&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Bruce_Dawe"&gt;Bruce Dawe&lt;/a&gt; is considered one of Australia's most influential poets. An earlier piece on Bruce Dawe's poetry and his style of social and political critique is &lt;/span&gt;&lt;a href="http://wwwcolinpenter.blogspot.com/2010/06/bruce-dawe-poet-of-social-and-political.html" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;here.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-8193677541726043122?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/8193677541726043122/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=8193677541726043122' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8193677541726043122'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/8193677541726043122'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/bruce-dawe-and-those-worn-coins-of.html' title='Bruce Dawe and &quot; those worn coins of memory&quot;'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-VWJsApFkGu8/TcSwNF35dII/AAAAAAAAB1A/8vajMqnjIUk/s72-c/landscape+fields.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-1677288581683068457</id><published>2011-05-02T21:51:00.001+08:00</published><updated>2011-05-02T21:52:55.873+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='USA'/><category scheme='http://www.blogger.com/atom/ns#' term='chris hedges'/><category scheme='http://www.blogger.com/atom/ns#' term='war'/><category scheme='http://www.blogger.com/atom/ns#' term='war on terror'/><category scheme='http://www.blogger.com/atom/ns#' term='international affairs'/><title type='text'>Chris Hedges on the reported death of Osama Bin Laden</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-gJz1EcyWFRY/Tb62SQaTczI/AAAAAAAAB0w/QjXz_0b1o1Y/s1600/hedges.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="220" src="http://2.bp.blogspot.com/-gJz1EcyWFRY/Tb62SQaTczI/AAAAAAAAB0w/QjXz_0b1o1Y/s320/hedges.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody"&gt;Chris  Hedges is a wise journalist and writer whose opinions I deeply respect.  He won a Pulitzer Prize reporting from the front lines as the Middle  East Bureau Chief for the New York Times until he resigned because of comments he made about  its pro war editorial policies.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody"&gt;Here are his comments on the reported  death of Osama Bin Laden from the US online publication Truthdig&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;blockquote style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody"&gt; &lt;/span&gt;&lt;i&gt;Editor’s note: Chris Hedges made these  remarks about Osama bin Laden’s death at a Truthdig fundraising event in  Los Angeles on Sunday evening.&lt;/i&gt;&lt;/span&gt;&lt;/h6&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;I know that because of this announcement,  that reportedly Osama bin Laden was killed, Bob wanted me to say a few  words about it … about al-Qaida. I spent a year of my life covering  al-Qaida for The New York Times. It was the work in which I, and other  investigative reporters, won the Pulitzer Prize. And I spent seven years  of my life in the Middle East. I was the Middle East bureau chief for  The New York Times. I’m an Arabic speaker. And when someone came over  and told Jean and me the news, my stomach sank. I’m not in any way naïve  about what al-Qaida is. It’s an organization that terrifies me. I know  it intimately.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://4.bp.blogspot.com/-f5-QMsNXsUA/Tb62qAC94qI/AAAAAAAAB04/YWrNvhvl0Ak/s1600/hedgesdeathofliberalcalss.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-f5-QMsNXsUA/Tb62qAC94qI/AAAAAAAAB04/YWrNvhvl0Ak/s200/hedgesdeathofliberalcalss.jpg" width="200" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;But I’m also intimately familiar with the  collective humiliation that we have imposed on the Muslim world. The  expansion of military occupation that took place throughout, in  particular the Arab world, following 9/11 – and that this presence of  American imperial bases, dotted, not just in Iraq and Afghanistan, but  in Kuwait, Saudi Arabia, Doha – is one that has done more to engender  hatred and acts of terror than anything ever orchestrated by Osama bin  Laden.&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;And the killing of bin Laden, who has  absolutely no operational role in al-Qaida – that’s clear – he’s kind of  a spiritual mentor, a kind of guide … he functions in many of the ways  that Hitler functioned for the Nazi Party. We were just talking with  Warren about Kershaw’s great biography of Hitler, which I read a few  months ago, where you hold up a particular ideological ideal and strive  for it. That was bin Laden’s role. But all actual acts of terror, which  he may have signed off on, he no way planned.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;I think that one of the most interesting  aspects of the whole rise of al-Qaida is that when Saddam Hussein … and I  covered the first Gulf War, went into Kuwait with the 1st Battalion,  1st Marines, was in Basra during the Shiite uprising until I was  captured and taken prisoner by the Iraqi Republican Guard. I like to say  I was embedded with the Iraqi Republican Guard. Within that initial  assault and occupation of Kuwait, bin Laden appealed to the Saudi  government to come back and help organize the defense of his country.  And he was turned down. And American troops came in and implanted  themselves on Muslim soil. &lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="ad_300x250_box_right"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://3.bp.blogspot.com/-Bk2B4K2UfPE/Tb62eTI7rpI/AAAAAAAAB00/_BEk7a9V_TA/s1600/hedgesempire.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-Bk2B4K2UfPE/Tb62eTI7rpI/AAAAAAAAB00/_BEk7a9V_TA/s200/hedgesempire.jpg" width="132" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;  When I was in New York, as some of you were, on 9/11, I was in Times  Square when the second plane hit. I walked into The New York Times, I  stuffed notebooks in my pocket and walked down the West Side Highway and  was at Ground Zero four hours later. I was there when Building 7  collapsed. And I watched as a nation drank deep from that very dark  elixir of American nationalism … the flip side of nationalism is always  racism, it’s about self-exaltation and the denigration of the other.&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;  &lt;br /&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;And it’s about forgetting that terrorism is  a tactic. You can’t make war on terror. Terrorism has been with us  since Sallust wrote about it in the Jugurthine Wars. And the only way to  successfully fight terrorist groups is to isolate themselves, isolate  those groups, within their own societies. And I was in the immediate  days after 9/11 assigned to go out to Jersey City and the places where  the hijackers had lived and begin to piece together their lives. I was  then very soon transferred to Paris, where I covered all of al-Qaida’s  operations in the Middle East and Europe.&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;So I was in the Middle East in the days  after 9/11. And we had garnered the empathy of not only most of the  world, but the Muslim world who were appalled at what had been done in  the name of their religion. And we had major religious figures like  Sheikh Tantawy, the head of al-Azhar – who died recently – who after the  attacks of 9/11 not only denounced them as a crime against humanity,  which they were, but denounced Osama bin Laden as a fraud … someone who  had no right to issue fatwas or religious edicts, no religious  legitimacy, no religious training. And the tragedy was that if we had  the courage to be vulnerable, if we had built on that empathy, we would  be far safer and more secure today than we are.&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;We responded exactly as these terrorist  organizations wanted us to respond. They wanted us to speak the language  of violence. What were the explosions that hit the World Trade Center,  huge explosions and death above a city skyline? It was straight out of  Hollywood. When Robert McNamara in 1965 began the massive bombing  campaign of North Vietnam, he did it because he said he wanted to “send a  message” to the North Vietnamese—a message that left hundreds of  thousands of civilians dead.&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;These groups learned to speak the language  we taught them. And our response was to speak in kind. The language of  violence, the language of occupation—the occupation of the Middle East,  the wars in Iraq and Afghanistan—has been the best recruiting tool  al-Qaida has been handed. If it is correct that Osama bin Laden is dead,  then it will spiral upwards with acts of suicidal vengeance. And I  expect most probably on American soil. The tragedy of the Middle East is  one where we proved incapable of communicating in any other language  than the brute and brutal force of empire.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;And empire finally, as Thucydides  understood, is a disease. As Thucydides wrote, the tyranny that the  Athenian empire imposed on others it finally imposed on itself. The  disease of empire, according to Thucydides, would finally kill Athenian  democracy. And the disease of empire, the disease of nationalism … these  of course are mirrored in the anarchic violence of these groups, but  one that locks us in a kind of frightening death spiral. So while I  certainly fear al-Qaida, I know it’s intentions. I know how it works. I  spent months of my life reconstructing every step Mohamed Atta took.  While I don’t in any way minimize their danger, I despair. I despair  that we as a country, as Nietzsche understood, have become a monster  that we are attempting to fight.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://1.bp.blogspot.com/-acdcxNkJfCc/Tb62y5Wr6UI/AAAAAAAAB08/yT1YwXbn1jw/s1600/hedges+covers.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-acdcxNkJfCc/Tb62y5Wr6UI/AAAAAAAAB08/yT1YwXbn1jw/s200/hedges+covers.jpg" width="133" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;Thank you.  &lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-1677288581683068457?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/1677288581683068457/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=1677288581683068457' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1677288581683068457'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/1677288581683068457'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/chris-hedges-on-reported-death-of-osama.html' title='Chris Hedges on the reported death of Osama Bin Laden'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-gJz1EcyWFRY/Tb62SQaTczI/AAAAAAAAB0w/QjXz_0b1o1Y/s72-c/hedges.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-6893170168608068447</id><published>2011-05-01T23:32:00.003+08:00</published><updated>2011-05-02T00:10:39.283+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Protest'/><category scheme='http://www.blogger.com/atom/ns#' term='syria'/><category scheme='http://www.blogger.com/atom/ns#' term='political art'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><category scheme='http://www.blogger.com/atom/ns#' term='middle east'/><category scheme='http://www.blogger.com/atom/ns#' term='political poetry'/><title type='text'>The Syrian people and the yearning for freedom</title><content type='html'>&lt;blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-GiFi1K4rQ24/Tb18wieHEiI/AAAAAAAAB0s/Iw0pKzWP8Dc/s1600/Syrian-anti-government-pr-007.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="192" src="http://4.bp.blogspot.com/-GiFi1K4rQ24/Tb18wieHEiI/AAAAAAAAB0s/Iw0pKzWP8Dc/s320/Syrian-anti-government-pr-007.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;span style="font-size: x-small;"&gt;&lt;i style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;photo courtesy of AFP/Getty and the Guardian&lt;/i&gt;&lt;/span&gt; &lt;/blockquote&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;"The freedom within us is larger than the prison that holds us"&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;a href="http://www.icorn.org/articles.php?var=23"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;i&gt;Faraj Bayraqdar, Syrian poet&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;/blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;The terrible &lt;a href="http://www.guardian.co.uk/world/2011/may/01/syrian-shells-deraa-roman-quarter"&gt;crises in Syria&lt;/a&gt; worsens. Protests by the Syrian people seeking an end to President &lt;/span&gt;&lt;a href="http://www.guardian.co.uk/world/bashar-al-assad" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;" title="More from guardian.co.uk on Bashar Al-Assad"&gt;Bashar al-Assad&lt;/a&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;'s authoritarian rule have been met by a brutal crackdown with the&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt; regime intensifying attempts to crush the revolt by killing 535 of its own people in the last few days.&lt;br /&gt;&lt;br /&gt;The Guardian published this &lt;a href="http://www.guardian.co.uk/world/2011/apr/29/inside-bashar-al-assad-torture-chambers"&gt;eye witness account&lt;/a&gt; of the regime's crackdown in one Syrian town.&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;The UK Guardian reports that: &lt;/div&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;"the Syrian regime has banned all foreign media and restricted access to trouble spots,  making it almost impossible to confirm the dramatic events shaking one  of the most authoritarian regimes in the Arab world....." &lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;"....Friday was the second deadliest day since the uprising began in  mid-March in Deraa, sparked by the arrest of a group of teenagers who  scrawled anti-government graffiti on a wall. The protest movement  quickly spread and is now posing the gravest threat to the 40-year rule  of the Assad family"&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp;The Sunday Observer carries this piece by &lt;a href="http://www.guardian.co.uk/commentisfree/2011/may/01/assad-fall-shockwaves"&gt;Zaki Shehab&lt;/a&gt; on the potential fallout of regime change in Syria across the Middle East:&lt;/div&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;The international consequences of regime change in Syria are many and  complex. The fallout will be particularly marked in Lebanon and  Palestine, and there will also be impacts on the country's alliances  with Iran, Turkey, and Iraq, and, perhaps most importantly, on its  relationship with Israel.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;i style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;With their allies in Egypt overthrown, Israel may not welcome yet more regime change so close by.&lt;/span&gt;&lt;/i&gt; &lt;/blockquote&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Upheaval  in Syria will not only affect its immediate neighbours – it will  reshape the balance of power in the Middle East more than any event in  the Arab Spring thus far.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt; &lt;span style="font-weight: normal;"&gt;It is remarkable to see the courage of the Syrian people who continue to come out onto the streets to resist and protest another authoritarian regime, despite the brutal crackdown.&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;span style="font-weight: normal;"&gt;As Tariq Ali points out in t&lt;a href="http://www.guardian.co.uk/commentisfree/2011/apr/29/arab-politics-democracy-intervention/print"&gt;his piece&lt;/a&gt; in the Guardian what is happening in Syria is an attempt to crush or contain genuine uprisings and protest. Ali argues that despite the West's pronouncements of its support for democracy in Libya, it continues to support dictators and despots in Iraq, Bahrain, Egypt, Yemen, Saudi Arabia and Syria, where Ali believes the West and Israel prefer that the Assad regime remain.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;span style="font-weight: normal;"&gt;The Syrian poet &lt;a href="http://voicesinwartime.org/content/faraj-bayraqdar-political-poet-syria"&gt;Faraj Bayraqdar&lt;/a&gt; spent&amp;nbsp; over 17 years in Syrian prisons because of his political activity. He was released in 2000. His poetry speaks of the yearning for freedom in Syria. The extract below is from one of his poems.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Extracts from "Groans"&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;by&lt;a href="http://www.banipal.co.uk/contributors/226/faraj_bayraqdar/"&gt; Faraj Bayraqdar&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;1&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; Here I am you alone&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; In this mad, gaping &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Hell &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Here I am you alone and death altogether &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;With its predators and its seers and the informers&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; Perhaps I am arriving at &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;The limit of my possibilities &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;For you to arrive at the last &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Dream &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Flare up until you see me and&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; Become complete until I see you&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; My rose between two fires&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; Inflaming me &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Hopefully I am inciting wisdom&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; In this ruin I have tried&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; To the end of the flower and the fire, &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Then, how have they isolated my voice &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;And your silence?&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;! Have you leaned on a belated &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Sword?! &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Or have I been exchanged--one absence for another?!&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;...................&lt;/span&gt;&lt;/i&gt; &lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;3&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; With thorns the guard caresses &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Your sparrows &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;And the state bestows upon you &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;A precautionary death, &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;And enough of the darkness &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;For you to go -so go &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;You are aware of the insanity of death, &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Thus the music breaks out&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;, And your myths are shaken &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;his other body is in the arena, &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Are you asking me &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Who has splattered a name . . &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;. And the throne with blood . . . ?&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; No time . . . &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;This other body &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Who has taken it from me &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;And who has taken me from it? &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;And who testifies that death &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Has grown weary?&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; The obscure caresses its vacancies &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;with wires and blasphemy&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; I have tried often. . . &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;. As the constellation has mourned the horizon of a poem&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; I said I have tried often &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;And with lilac, I have caressed your night &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;.......................&lt;/span&gt;&lt;/i&gt; &lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;6&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;I have not yet handed over my directions &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;To the judgment of the sand . . . &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Behind me a time &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Ashamed of the deceits of geography . . . &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Thanks to the sparrow &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;That built a nest on the other &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Window and flew. &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Breaker of my back &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Your shadow is now a spent tomorrow &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Upon which I disperse my thoughts&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; And I call to you with what is in the spirit &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;From the groan of the horse . . . &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Do you hear me . . . ?&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; I am calling &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;I am not searching for a collective grave&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt; Rather . . . for my country&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; February 1993&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6794141474524732897-6893170168608068447?l=wwwcolinpenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wwwcolinpenter.blogspot.com/feeds/6893170168608068447/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6794141474524732897&amp;postID=6893170168608068447' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/6893170168608068447'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6794141474524732897/posts/default/6893170168608068447'/><link rel='alternate' type='text/html' href='http://wwwcolinpenter.blogspot.com/2011/05/syrian-people-and-yearning-for-freedom.html' title='The Syrian people and the yearning for freedom'/><author><name>Colin Penter</name><uri>http://www.blogger.com/profile/01157449907235227574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-GiFi1K4rQ24/Tb18wieHEiI/AAAAAAAAB0s/Iw0pKzWP8Dc/s72-c/Syrian-anti-government-pr-007.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6794141474524732897.post-4354417431276115938</id><published>2011-04-30T17:50:00.007+08:00</published><updated>2011-04-30T18:04:21.276+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arts and culture'/><category scheme='http://www.blogger.com/atom/ns#' term='Nazim Hikmet'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><category scheme='http://www.blogger.com/atom/ns#' term='political poetry'/><title type='text'>Nazim Hikmet on Optimism</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-xMrGMMz2AX0/TbvW9tbpv0I/AAAAAAAAB0g/Zk1eXDE9lHc/s1600/istanbul.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="229" src="http://4.bp.blogspot.com/-xMrGMMz2AX0/TbvW9tbpv0I/AAAAAAAAB0g/Zk1eXDE9lHc/s320/istanbul.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;/i&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;"It's this way:&lt;/i&gt;&lt;i&gt; being captured is beside the point &lt;br /&gt;the point is not to surrender"&amp;nbsp;&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;b&gt;&lt;i&gt;Nazim Hikmet&lt;/i&gt;&lt;/b&gt;&lt;/blockquote&gt;&amp;nbsp;Just back from watching my nephew's Aussie Rules match at a nearby park, where I alternated between football and the poetry of Nazim Hikmet (Hikmet's poetry has featured on &lt;a href="http://wwwcolinpenter.blogspot.com/search/label/Nazim%20Hikmet"&gt;this blog before&lt;/a&gt;).&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Nazim Hikmet (1902-1963) is considered Turkey's greatest 20th century poet, although his work was suppressed in Turkey for over 50 years. It is only recently that Hikmet's citizenship was restored by the Turkish Government.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-LEjOEhiDWhk/TbvbNMeaKsI/AAAAAAAAB0k/ZuXSbaFTWeg/s1600/nazim-hikmet-turns-100-this-year-2011-01-05_l.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-LEjOEhiDWhk/TbvbNMeaKsI/AAAAAAAAB0k/ZuXSbaFTWeg/s320/nazim-hikmet-turns-100-this-year-2011-01-05_l.jpg" width="222" /&gt;&lt;/a&gt;&lt;/div&gt;He was outspoken, revolutionary and a dedicated political activist and communist who was first  jailed in 1924 at the age of 22 for working on a leftist magazine.&amp;nbsp;&lt;span style="font-family: Georgia;"&gt; He spent 18 years in prison in Turkey as a  political prisoner. &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Hikmet was awarded the World Peace Prize in  1950, the same year he gained his release from prison after 12 years,&amp;nbsp; following an international campaign for his release led by Picasso, Paul Robeson, Bertrand Russell, Pablo Neruda and Jean Paul Sartre. Within a short time of being released he was again forced into exile from Turkey in 1951. He spent the last 13 years of his life in exile from Turkey. &lt;span style="font-family: Georgia;"&gt;He  died in Moscow in 1963, where he is still buried, although there are &lt;a href="http://www.enjoy-istanbul.com/exhibitions/nazim-hikmet-honored-with-exhibition/"&gt;moves&lt;/a&gt; to return his remains to Turkey.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia;"&gt;An exhibition of photos of Hikmet and his unpublished poems was recently held in Istanbul to commemorate his 109th birthday (a report on the exhibition is &lt;a href="http://www.hurriyetdailynews.com/n.php?n=nazim-hikmet-turns-100-this-year-2011-01-05"&gt;here&lt;/a&gt;) and a &lt;a href="http://www.hurriyetdailynews.com/n.php?n=nazim-hikmet8217s-longtime-secret-reveals-2011-01-16"&gt;new book on Hikmet and CD&lt;/a&gt; of him reading his poems has also been released in Turkey.&lt;/span&gt; &lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;His prison poems are deservedly famous, but  those from his time in exile, written during the the 1950's- in Budapest, Moscow, Prague, and Warsaw-express his longing for his country of&amp;nbsp; birth.&lt;br /&gt;&lt;br /&gt;His poetry is characterized by a wonderful generosity of spirit and a  powerful sense of human solidarity. You can read more about Hikmet&amp;nbsp; &lt;a href="http://www.bobbysandstrust.com/archives/1370"&gt;here&lt;/a&gt;. &lt;/div&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;b&gt;Optimism&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;b&gt;by Nazim Hikmet&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;I write poems&lt;/i&gt;&lt;br /&gt;&lt;i&gt;they don't get published&lt;/i&gt;&lt;br /&gt;&lt;i&gt;but they will&lt;/i&gt; &lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;I'm waiting for a letter with good news&lt;/i&gt;&lt;br /&gt;&lt;i&gt;maybe it will arrive the day
